Growing up, many of the female characters in the media I engaged with were thin stereotypes (and some still are). Slowly, culture shifted towards the “strong female character, which quickly became a stereotype of its own. As culture shifts again to more nuanced female characters, many of them are slapped with the label of “unlikeable.” The label usually means that the character isn’t a tired stereotype and is complex, multifaceted, and interesting. Also, nearly all the time, the same traits admired in a male character are despised in a female character (think of Alicent Hightower, whose moral complexity would certainly be celebrated in a man).
In the kingdom of Ramsawa, inspired by a fantastical 19th-century Egypt, Nehal, a skilled waterweaver, dreams of attending the Weaving Academy to master her powers and join an all-female military regiment. However, her father's gambling debts force her into marriage with Nico, who loves another woman, Giorgina, an earthweaver with dangerous abilities.
Both women find solace in the Daughters of Izdihar, a radical group advocating for women's rights. Despite their differing backgrounds, Nehal and Giorgina unite in their cause, drawn by their charismatic leader, Malak Mamdouh, and the desire for justice. Amidst rising tensions with a neighboring nation opposing weaving, Nehal and Giorgina fight for their rights amidst the looming threat of war, struggling to secure lasting freedom in a tumultuous world.
It's difficult to discuss what might make Baru unlikable without delving into spoilers, but that's fine because you must see this book through to appreciate it fully.
Baru, an accountant, finds herself caught in the jaws of empire when her homeland is colonized and one of her fathers is killed. Cold and calculating, Baru desperately claws her way to power in an attempt to fight empire from within, and along the way, must reckon with how much of herself she is willing to sacrifice for her goals. I can’t emphasize how bleak this book is, and part of that comes from watching Baru eat herself alive and be awful to other people.
[Published as The Traitor Baru Cormorant in the US]
Baru Cormorant believes any price is worth paying to liberate her people - even her soul.
When the Empire of Masks conquers her island home, criminalizes her customs, and murders one of her Fathers, Baru vows to hide her hate, join the Empire's civil service, and claw her way up enough rungs of power to put a stop to the Emperor's influence and set her people free.
As a natural savant, she is sent as an imperial agent to distant Aurdwynn - a post she worries will never get her the…
This book is told in first-person from the perspective of Dunleavy, a pretty judgmental young woman who is not happy to be partnered with the infamous Shintaro Tarish. She's stubborn, inexperienced, naive, a little full of herself, cold, overly logical, and has little to no emotional intelligence. She also takes everything in stride, has an incredible dry wit, and is genuinely caring.
She's the type of character who will make you feel so many emotions, because she's so real she leaps off the page. There were times when I audibly groaned because Dunleavy's actions were just so terribly frustrating. I was delighted by her and her slow-burn friendship with Shintaro, made so tantalizing because Dunleavy can be so terrible to him sometimes!
In a realm beset by natural disasters, only the magical abilities of the bonded Pairs—Source and Shield—make the land habitable and keep the citizenry safe. The ties that bind them are far beyond the relationships between lovers or kin—and last their entire lives…
Whether they like it or not.
Since she was a child, Dunleavy Mallorough has been nurturing her talents as a Shield, preparing for her day of bonding. Unfortunately, fate decrees Lee’s partner to be the legendary, handsome, and unbearably self-assured Lord Shintaro Karish. Sure, he cuts a fine figure with his aristocratic airs and undeniable courage. But…
In this world inspired by the French Revolution, we witness the start of the revolution, the fall of the monarchy, and the reign of terror that follows, all through the eyes of Eliste vo Derivalle, a young noblewoman who starts out the book highly prejudiced against non-nobles and slowly learns humility by the end of the novel.
Having grown up immensely privileged, Eliste lacks useful skills and is constantly dependent on others. Her entitlement for the majority of the novel makes her difficult to warm to, but she's not an inherently bad person: She's clever, resilient, spirited, and treats her maid kindly. As she's put through the wringer, she unlearns her privilege and emerges a far more interesting woman trying to work out what it means to be in solidarity with others.
Arriving in the capital city of Sherreen to take her place at court, Miss Eliste vo Derrivale is suddenly stripped of her rank, home, and family during v'Aleur's reign of terror
In a rather terrifying world of sentient gods, Carillon is an impulsive and short-tempered orphaned runaway who finds herself at the center of a magical plot that involves the thieves' guild, the alchemists' guild, her family, and a terrifying pantheon of gods.
Though a skilled thief, Cari rarely thinks things through and, more often than not, finds herself in trouble as a direct result of her actions. She's also one of those characters whose past comes back to haunt her precisely because she hasn’t properly confronted it.
"The Gutter Prayer is captivating and complex. Guerdon is a city that seethes with history, horror, and hidden secrets" (Nicholas Eames). A group of three young thieves are pulled into a centuries old magical war between ancient beings, mages, and humanity in this wildly original debut epic fantasy. Enter a city of saints and thieves . . .
The city of Guerdon stands eternal. A refuge from the war that rages beyond its borders. But in the ancient tunnels deep beneath its streets, a malevolent power has begun to stir.
Though naive and sheltered, Felicita nonetheless makes the courageous decision to run away from home to escape an arranged marriage.
One of the things I loved about her character development was that even though she's committed to escaping her privileged upbringing, she still yearns to return and genuinely considers doing so multiple times–she longs for the comforts of wealth, and she's often surprised by just how difficult it is to live like the working class, sleeping on a hard floor and scrubbing dishes for ten hours a day for meager pay. She's not someone who immediately sheds her privilege and judgment and blends seamlessly into her new surroundings. Rather, she struggles immensely and has a huge blind spot when it comes to what her wealthy family is capable of.
In sixteen-year-old Felicita's world, magic is strictly controlled - or so those in power like to believe. After her dearest friend, Ilven, kills herself to escape an arranged marriage, Felicita chooses freedom over privilege. She fakes her own death and leaves her sheltered life as one of Pelimburg's magical elite behind. Living in the slums, scrubbing dishes for a living, she falls for charismatic Dash while also becoming fascinated with vampire Jannik. Then something shocking washes up on the beach: Ilven's death has called out of the sea a dangerous, wild magic. Felicita must decide whether her loyalties lie with…
I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age.
Dolça Llull Prat, a wealthy Barcelona woman, is only 15 when she falls in love with an impoverished poet-solder. Theirs is a forbidden relationship, one that overcomes many obstacles until the fledgling writer renders her as the lowly Dulcinea in his bestseller.
By doing so, he unwittingly exposes his muse to gossip. But when Dolça receives his deathbed note asking to see her, she races across Spain with the intention of unburdening herself of an old secret.
On the journey, she encounters bandits, the Inquisition, illness, and the choices she's made. At its heart, Dulcinea is about how we betray the people we love, what happens when we succumb to convention, and why we squander the few chances we get to change our lives.
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