I love reading history that is told in an experimental, interesting manner – history merged with travel, fiction, magical realism, etc. I began my writing career as a travel writer, bringing together history with travel but increasingly I have begun to experiment more. My book Walking with Nanak brings together 4 genres. One intellectual question that I have pursued through my writing is challenging modern notions of national, religious, and ethnic identities. I see my writing style as an extension of that pursuit, breaking away from the neat compartmentalization of genres.
Walking with Nanak is an experimental book that brings together different narratives, genres, and writing styles, including fiction, history, magical realism, and poetry. It is a book that traces the story of Guru Nanak, the founder of the Sikh religion, the story of the author and his discovery of Guru Nanak’s legacy, the story of Sikh Gurus, the evolution of Sikh history, and finally the poetry and hagiography of Guru Nanak.
This book introduced a whole new way of travel and history writing for me. It beautifully merges the experiences of the author, his interactions with people, and the history of the city he is engaged with. I loved how he used everyday conversations and experiences to link it back to historical moments and told a chronological story of an amazing city. The book is important to me because it also taught me that travel writing can happen within one’s home and one’s own city. One doesn’t need to travel hundreds of miles, in a foreign country, to engage in travel writing. It helped me conceptualize travel writing in a new way.
Indraprastha is the Hindu name for the first, mythical Delhi. In this book the author peels back the successive encrusting layers of Delhi's history, using both the material and the human remains of each period as a touchstone with the present. With each of the six cities of Delhi being revealed in respective chapters, the climax, the final chapter, tells of the mythical first city, whose beginnings, told in the Mahamarata, form the principle Hindu creation myth. This book is a portrait of Delhi, the mother of all cities. Its dry plains are the fertile meeting point of all the…
This book is also a fascinating and completely new way of telling history, merging travel writing with personal family history. The author in this remarkable book travels through her own body to talk about the history of her family, and her own story – a story that is connected with the broader stories of colonization, post-colonialism, racism, capitalism, and many other macro, structural issues.
SHORTLISTED FOR THE 2020 OCM BOCAS PRIZE FOR CARIBBEAN LITERATURE
'What are you?'
Tessa McWatt knows first-hand that the answer to this question, often asked of people of colour by white people, is always more complicated than it seems. Is the answer English, Scottish, British, Caribbean, Portuguese, Indian, Amerindian, French, African, Chinese, Canadian? Like most families, hers is steeped in myth and the anecdotes of grandparents and parents who view their histories through the lens of desire, aspiration, loss, and shame.
In Shame On Me she unspools all the interwoven strands of her inheritance, and knits them back together using…
I loved this book because this was the first time I came across history in this way. Of course, historical fiction has a long history but this book moves away from that tradition and tells a story of a city in a manner that is somewhere between history and historical fiction, creating a genre of its own. The book is riveting and true to a lot of fascinating historical detail.
I return to Delhi as I return to my mistress Bhagmati when I have had my fill of whoring in foreign lands...' Thus begins Khushwant Singh's vast, erotic, irrelevant magnum opus on the city of Delhi. The principal narrator of the saga, which extends over six hundred years, is a bawdy, ageing reprobate who loves Delhi as much as he does the hijda whore Bhagmati-half man, half woman with sexual inventiveness and energy of both the sexes. Travelling through time, space and history to 'discover' his beloved city, the narrator meets a myriad of people-poets and princes, saints and sultans,…
While this may not be Amitav Ghosh’s best work, it is perhaps his most experimental writing in which he brings together his non-fiction travel writing with historical fiction of a subject he was researching as a PhD student. The book opened my eyes to the possibility that two genres can live together in one book, and if merged well can tell a beautiful, fascinating, and complete story.
Once upon a time an Indian writer named Amitav Ghosh set out an Indian slave, name unknown, who some seven hundred years before had traveled to the Middle East. The journey took him to a small village in Egypt, where medieval customs coexist with twentieth-century desires and discontents. But even as Ghosh sought to re-create the life of his Indian predecessor, he found himself immersed in those of his modern Egyptian neighbors. Combining shrewd observations with painstaking historical research, Ghosh serves up skeptics and holy men, merchants and sorcerers. Some of these figures are real, some only imagined, but all…
There is the genre of magical realism and then there is Salman Rushdie’s magical realism. Salman takes the ordinariness of reality and transforms it into magic, beautifully using his language. Haroun and the sea of stories is my favourite work of the author in which he uses language, to create a wonderful world of magic. I particularly enjoyed this work because it opened up a whole world of possibilities for me, showing me how to use language in a creative way, in which multiple meanings can be created. Reality and magic beautifully come together in this amazing book!
A captivating fantasy novel for readers of all ages, by the author of Midnight's Children and The Satanic Verses
"This is, simply put, a book for anyone who loves a good story. It's also a work of literary genius." -Stephen King
Set in an exotic Eastern landscape peopled by magicians and fantastic talking animals, Haroun and the Sea of Stories inhabits the same imaginative space as The Lord of the Rings, The Alchemist, The Arabian Nights, and The Wizard of Oz. Twelve-year-old Haroun sets out on an adventure to restore his father's gift of storytelling by reviving the poisoned Sea…
My life and work have been profoundly affected by the central circumstance of my existence: I was born into a very large military Catholic family in the United States of America. As a child surrounded by many others in the 60s, I wrote, performed, and directed family plays with my numerous brothers and sisters. Although I fell in love with a Canadian and moved to Canada, my family of origin still exerts considerable personal influence. My central struggle, coming from that place of chaos, order, and conformity, is to have the courage to live an authentic life based on my own experience of connectedness and individuality, to speak and be heard.
Trapped in her enormous, devout Catholic family in 1963, Annie creates a hilarious campaign of lies when the pope dies and their family friend, Cardinal Stefanucci, is unexpectedly on the shortlist to be elected the first American pope.
Driven to elevate her family to the holiest of holy rollers in the parish, Annie is tortured by her own dishonesty. But when “The Hands” visits her in her bed and when her sister finds herself facing a scandal, Annie discovers her parents will do almost anything to uphold their reputation and keep their secrets safe.
Questioning all she has believed and torn between her own gut instinct and years of Catholic guilt, Annie takes courageous risks to wrest salvation from the tragic sequence of events set in motion by her parents’ betrayal.
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