I’ve been writing poems since an inspirational period of study in Stirling in my twenties, when I did a lot of hill walking in the Scottish Highlands. For me, poetry that doesn’t move you, that doesn’t make you feel, is just words on a page. I love poems that make you shiver as they incongruously bear the full load of life’s mystery. I like all kinds of poetry but have a special place reserved for nature poems, poems that find the heart and soul in the landscape, rivers, and wildlife.
The Things We Thought Were Beautiful includes poems about our changing feelings and connection to nature and the world around us, the beauty and strangeness of travel, and the places we look for meaning. There are also poems that explore the difficulty of living without love, as well as the redemption of home and family.
I cherish this book and always take it on holiday with me. "Lines Composed a Few Miles Above Tintern Abbey" is probably the best romantic nature poem ever written. The image of how the senses are responsive to, and creative of, the inner life of nature is sublime ("of eye, and ear, - both what they half create, And what perceive”). This poem encapsulates for me the whole nebulous but immeasurably important job of writing poetry, as well as shining a light on what it means to be a human being.
One of the major poets of Romanticism, Wordsworth epitomized the spirit of his age with his celebration of the natural world and the spontanous expression of feeling. This volume contains a rich selection from the most creative phase of his life, including extracts from his masterpiece, The Prelude, and the best-loved of his shorter poems such as 'Composed Upon Westminster Bridge', 'Tintern Abbey', 'I Wandered Lonely as a Cloud', 'Lucy Gray', and 'Michael'. Together these poems demonstrate not only Wordsworth's astonishing range and power, but the sustained and coherent vision that informed his work.
Alice Oswald is one of our best living poets, renowned for her nature poetry and particularly her long poem about the River Dart in Somerset. I love this first collection, full of heart-stopping attention to detail and transcendental shiver. She follows very much in the tradition of our great poets writing about nature. Try the poem "Mountains" for a Wordsworthian sense of a hidden, almost pantheistic presence in the world.
This is Alice Oswald's first book of poems. More confident and achieved than many first collections, it shows her writing in an already distinct voice. The poems are intensely musical: she recites them from memory. Influenced by the rhythms of Hopkins, they speak passionately of nature and love. They have a religious sense of mystery, and try to express the intangible in marvellously vivid language. A long poem, `The Wise Men of Gotham', which makes up the second part of the book, is, by contrast, a version of the folk-legend about the three men who went to sea in a…
The first collection by former Poet Laureate Ted Hughes includes one of the most stunning poems about the connection between poet, pen, and nature in the form of "The Thought-Fox." Hughes has a pared back, often disturbing vision of the world that seizes your attention. If you like this don’t stop, there are plenty of other wonderful books by Hughes, especially his retelling of the "Tales from Ovid" and "The Birthday Letters," his poems about his relationship with his first wife, the equally brilliant Sylvia Plath.
Published in 1957, Hawk in the Rain was Ted Hughes's first collection of poems. It won the New York Poetry Centre First Publication Award, for which the judges were W. H. Auden, Stephen Spender and Marianne Moore, and the Somerset Maugham Award, and it was acclaimed by every reviewer from A. Alvarez to Edwin Muir. When Robin Skelton wrote, 'All looking for the emergence of a major poet must buy it', he was right to see in it the promise of what many now regard as the most important body of work by any poet of the twentieth century.
Sherry Ross is an American poet who writes about loss, motherhood, and rebirth. Her nature poems reverberate with extraordinary detail and imagery, for instance, the running girl who finds the field has ended in a "party dress of hunter green," where "the trance of sunlight breaks, brings forgetfulness of open fields, distant voices, summer games." She ventures into the forest, with its ‘palate of light and dark’. Read these poems for their aching blend of sadness and joy.
POET magazine says of Ms. Ross' poetry that she is able to "extend the everyday moment into deep mythology, using the commonplace as an avenue into the emotions." In SEEDS OF THE POMEGRANATE, Sherry uses the ancient Greek myth of Persephone as a metaphor for her own life. In the myth of Persephone, which is retold in the book's forward, Persephone is abducted by Hades, the god of the underworld. Her mother, the earth goddess Demeter, is both grief stricken and enraged at her daughter's disappearance. Obsessed with finding her daughter she neglects her duties and the land dries up…
What makes Scottish poet Barbara Lennox so special is her ability to draw on her scientific background, striking an exquisite balance between a mechanistic view of nature and a more mysterious, creative approach. I love poems about birds and flight and her poems about an owl ("ears inhale every sound"), hawk ("she’s light/ ready for the off/ half-poised for flight"), and the extinct Archaeopteryx, "smeared to a layer of limestone" are some of the finest written. On top of that, Lennox writes astonishing poems about the Scottish Highlands, where I’ve spent some of my happiest times.
Poems of Love, Loss, Life and Death The poetry of Barbara Lennox has been inspired by the natural world, history and mythology, scientific ideas and the many facets of the human condition, from love to loss, and from life to death and everything in between. The poems are thoughtful, quirky, questioning and lyrical. A skilful use of metaphor and language throws a fresh light on topics as diverse as a fossil bird, a mythical tree, the inheritance pattern of comb shape in chickens, and the final journey we all have to make.
This climate fiction novel follows four generations of women and their battles against a global giant that controls and manipulates Earth’s water. Told mostly through a diary and drawing on scientific observation and personal reflection, Lynna’s story unfolds incrementally, like climate change itself. Her gritty memoir describes a near-future Toronto in the grips of severe water scarcity.
Single mother and limnologist Lynna witnesses disturbing events as she works for the powerful international utility CanadaCorp. Fearing for the welfare of her rebellious teenage daughter, Lynna sets in motion a series of events that tumble out of her control with calamitous consequence. The novel explores identity, relationship, and our concept of what is “normal”—as a nation and an individual—in a world that is rapidly and incomprehensibly changing.
Centuries from now, in a post-climate change dying boreal forest of what used to be northern Canada, Kyo, a young acolyte called to service in the Exodus, discovers a diary that may provide her with the answers to her yearning for Earth’s past—to the Age of Water, when the “Water Twins” destroyed humanity in hatred—events that have plagued her nightly in dreams. Looking for answers to this holocaust—and disturbed by her macabre longing for connection to the Water Twins—Kyo is led to the diary of a limnologist from the time just prior to the destruction. This gritty memoir describes a…
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