I lived in sixteen places by the time I was twenty-two. A peripatetic youth may teach you that different is interesting, that stereotypes don’t hold, that the emperor has no clothes. When I moved South and worked as a journalist, I found black elders’ stories so different from the official stories of white authorities. Horrified that these men and women would die with their heroism untold, I interviewed more than 150 black activists for Stories of Struggle. I want to know what is missing; I want it found. Like a detective, an anthropologist, a scientist, and yes, a journalist, I want to know, and I want others to know.
I wrote...
Stories of Struggle: The Clash over Civil Rights in South Carolina
Stories of Struggle: The Clash Over Civil Rights in South Carolina uncovers firsthand stories of the petitioners of Briggs v Elliott, the first of five lawsuits in Brown v. Board; the students of the 1960 sit-ins and nonviolent protests; and the working women of the 1969 Charleston Hospital Strike. Author Claudia Smith Brinson, while a journalist, spent more than twenty years finding and interviewing black activists and their family members to reveal the true stories of the preaching, picketing, petitioning, and marching, and the lynchings, beatings, bombings, and cross burnings of the civil rights movement in South Carolina.
Out of the House of Bondage destroys the myth of the Southern plantation mistress as a delicate, gentle being presiding over a household maintained by passive, devoted, enslaved women.
A professor of history and law at Duke University, Thavolia Glymph scoured female slaveholders’ diaries and enslaved and freed people’s narratives to expose the mistresses’ use of violence – cowhide whippings, “until she was just a piece of living raw meat”; burning with hot irons, “hot enough to take off flesh”; beating to death a crying baby – and enslaved women’s resistance, perceived then and described later as laziness, misbehavior, and insubordination.
Glymph’s uncovering of abuse upsets a familiar false narrative, dismantling previous scholarship and exposing white women’s use of violence to assert power. A seeker of missing voices and lost stories, I am deeply interested in what has been ignored, misinterpreted, or omitted.
The plantation household was, first and foremost, a site of production. This fundamental fact has generally been overshadowed by popular and scholarly images of the plantation household as the source of slavery's redeeming qualities, where 'gentle' mistresses ministered to 'loyal' slaves. This book recounts a very different story. The very notion of a private sphere, as divorced from the immoral excesses of chattel slavery as from the amoral logic of market laws, functioned to conceal from public scrutiny the day-to-day struggles between enslaved women and their mistresses, subsumed within a logic of patriarchy. One of emancipation's unsung consequences was precisely…
Monumental, extraordinary, a landmark: only superlatives would do in 1975 to praise Simple Justice by Richard Kluger.
If you want to understand education in America, race in America, the absence of equity in America, Simple Justice gets you there. The book begins with the South Carolina heroes of Briggs v. Elliott, impoverished rural petitioners who filed the first of five lawsuits composing Brown v. Board of Education. The book ends with the 1954 and 1955 US Supreme Court’s decisions declaring unconstitutional the legal segregation of public schools.
Kluger focuses on people, beginning with tenant farmers and sharecroppers who defied the white men controlling their every breath and petitioned for “equal everything.” Kluger’s vivid storytelling was among my inspirations, forty years after Brown, to seek South Carolina’s forgotten heroes.
Simple Justice is generally regarded as the classic account of the U.S. Supreme Court's epochal decision outlawing racial segregation and the centerpiece of African-Americans' ongoing crusade for equal justice under law.
The 1954 Supreme Court ruling in the case of Brown v. Board of Education brought centuries of legal segregation in this country to an end. It was and remains, beyond question, one of the truly significant events in American history, "probably the most important American government act of any kind since the Emancipation Proclamation," in the view of constitutional scholar Louis H. Pollak. The Brown decision climaxed along, torturous…
The Race Beat quickly turns to open conflict. White-owned media wake up to the atrocities of racism. (It was way past time to pay attention. Exploring that is among the reasons I appreciate the book.) What follows seem like war movies.
We learn just how hard it was to get the story, photograph, or film; get the story out; get yourself out. Journalists for the white-owned Northern press, black-owned press, and TV networks are assaulted by enraged mobs during the Montgomery bus boycott, Central High School’s desegregation in Little Rock, Arkansas; James Meredith’s enrollment at the University of Mississippi; and Freedom Rides into Anniston and Birmingham, Alabama.
They dodge attack dogs and fire hoses in Birmingham and club-wielding ”posse men” in Selma. They persist. They make a daily record. Without them, the movement would have been “a bird without wings,” said John Lewis, Freedom Rider (and later, US senator).
An unprecedented examination of how news stories, editorials and photographs in the American press—and the journalists responsible for them—profoundly changed the nation’s thinking about civil rights in the South during the 1950s and ‘60s.
Roberts and Klibanoff draw on private correspondence, notes from secret meetings, unpublished articles, and interviews to show how a dedicated cadre of newsmen—black and white—revealed to a nation its most shameful shortcomings that compelled its citizens to act. Meticulously researched and vividly rendered, The Race Beat is an extraordinary account of one of the most calamitous periods in our nation’s history, as told by those who…
The History of White People tracks the creation of race as a fact, rather than an idea or social construct, and of Anglo-Saxon whiteness, for the free male, as a promise of power and supremacy.
Nell Irvin Painter, a Princeton professor of American history, emerita, begins with Greek historians and Roman conquerors BCE, who thought not of race but of place, the highlands and lowlands shaping appearance and temperament.
Along the way, Rome’s scrubbed-up copies of Greek statuary become the ideal for beauty, and skin colors and skull measurements become a way to rank superiority. Painter traces the United States’ enslavement of Africans, slaughter of Native Americans, eugenics, endorsement of male brutality (Ralph Waldo Emerson! Teddy Roosevelt!), and race-oriented immigration control: all play a role in whiteness.
Telling perhaps the most important forgotten story in American history, eminent historian Nell Irvin Painter guides us through more than two thousand years of Western civilization, illuminating not only the invention of race but also the frequent praise of "whiteness" for economic, scientific, and political ends. A story filled with towering historical figures, The History of White People closes a huge gap in literature that has long focused on the non-white and forcefully reminds us that the concept of "race" is an all-too-human invention whose meaning, importance, and reality have changed as it has been driven by a long and…
Song of Solomon begins with insurance agent Robert Smith perched atop No Mercy Hospital. He wears wide blue silk wings and has promised to fly away at 3 p.m.
Pilate Dead, in a knitted navy cap and blanket, sings to him and the small crowd gathering, “Sugarman cut cross the sky/Sugarman gone home.” There is more to this perfect beginning: red velvet rose petals in snow, a child called Guitar, a pregnant, unloved woman whose son, nicknamed Milkman, is born upon Smith’s leap into the air.
Milkman, who grows without love or soul, reverses the Great Migration, traveling north to south, thinking he and Guitar chase gold. He discovers instead Lincoln’s Heaven, his family’s past, and other ways to fly. I read and re-read Toni Morrison, who merges heartbreak and beauty (and makes me cry, a lot).
'Song of Solomon...profoundly changed my life' Marlon James
Macon 'Milkman' Dead was born shortly after a neighbourhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly.
In 1930s America Macon learns about the tyranny of white society from his friend Guitar, though he is more concerned with escaping the familial tyranny of his own father. So while Guitar joins a terrorist group Macon goes home to the South, lured by tales of buried family treasure. But his odyssey back home and a deadly confrontation…
Enjoy this Persuasion-inspired historical romance!
Six years ago, Amy decided *not* to elope with Captain Nate Preston. Now, he is back in the neighborhood, and he is shocked to discover that Amy is unmarried. Even more surprising, she is clearly battling some unnamed illness. Thrown together by circumstances outside their control, Nate and Amy try to be friends. Soon, it becomes clear that their feelings for each other never died. Has anything changed, or are they destined for heartbreak once more?
Six years ago, Amy Lamplugh decided not to elope with Nate Preston. Ever since, she has been working hard to convince herself she was right to choose her family over Nate.
Now, Nate is back. After an illustrious career as a naval captain, he faces a court martial for disobeying orders while fighting the slave trade. He accepts an invitation to await the trial at a country estate outside of Portsmouth - and discovers he is suddenly neighbors with Amy.
Nate is shocked to find that Amy didn’t end up marrying someone rich…
