As a professor of African American literature and culture, I’ve spent my career writing, reading, teaching, talking and thinking about black interiority: feelings, emotions, memory, affect. My publications and lectures focus mostly on the creative and diverse ways that black people have created spaces of pleasure and possibility, even in the most dire times and under extremely difficult conditions. I’ve been told that I’m a natural optimist, so it is fitting that my most recent book and this recommendation list is all about the intentional and creative ways that people cultivate joy and a sense of possibility for themselves and others.
I wrote...
Afro-Nostalgia: Feeling Good in Contemporary Black Culture
Afro-Nostalgia is about returning to a black historical past in ways that de-center a traumatic narrative of blackness. Despite the fact that it was once thought that African-descended people could not experience nostalgia, Afro-Nostalgia examines how romantic recollections of the black historical past show up in popular culture as a way to inspire “good feelings.” I explore the concept of “Black historical pleasure” through a variety of art forms, specifically literature, music, visual art, performance, and culinary culture, to show that nostalgia is a functional form of memory that is crucial to our emotional health and psychological well-being.
Woodson’s narrative comprises a mix of genres (poetry, fiction, and non-fiction) to capture the real and imagined memories of her childhood in Brooklyn and the fictional town of Sweet Grove, Tennessee. This book encompasses so much of what is fascinating about nostalgic memory. While nostalgia generates feelings of happiness and hope, these memories often emerge in times of sadness, loss, and uncertainty. Woodson’s exploration into the lives of four black girls as they navigate friendship, the joys, and perils of youth, and the possibilities and broken promises of the future is a rare and compelling take on how nostalgic memories inspire feelings of hope and belonging even when they are largely products of our imagination.
THE NEW YORK TIMES BESTSELLER FROM A NATIONAL BOOK AWARD WINNING AUTHOR
A TIME MAGAZINE TOP 10 NOVEL OF 2016 | SHORTLISTED FOR THE NATIONAL BOOK AWARD FOR FICTION 2016
FROM THE WINNER OF THE ASTRID LINDGREN MEMORIAL AWARD 2018
They used to be inseparable. They used to be young, brave and brilliant - amazingly beautiful and terrifyingly alone. August, Sylvia, Angela and Gigi shared everything: songs, secrets, fears and dreams. But 1970s Brooklyn was also a dangerous place, where grown men reached for innocent girls, where mothers disappeared and futures vanished at the turn of a street corner.
I realize that it is somewhat counterintuitive to recommend a historical novel of slavery in a list comprised of books that are supposed to inspire good feelings BUT The Known World is a masterful narrative of survival and redemption. It is lost on many readers that this book is a riff on William Faulkner’s Absalom, Absalom. Reading the two texts together highlights the depth and dimensionality that Jones affords the novel’s black characters, and allows them a rich interiority that makes for an intensely satisfying reading experience. While there is ample heartbreak in The Known World, the novel’s proleptic narrator offers a vision of the future that also warms the soul.
Masterful, Pulitzer-prize winning literary epic about the painful and complex realities of slave life on a Southern plantation. An utterly original exploration of race, trust and the cruel truths of human nature, this is a landmark in modern American literature.
Henry Townsend, a black farmer, boot maker, and former slave, becomes proprietor of his own plantation - as well as his own slaves. When he dies, his widow, Caldonia, succumbs to profound grief, and things begin to fall apart: slaves take to escaping under the cover of night, and families who had once found love beneath the weight of slavery…
Every now and then I come across a book that I wish I had written, and Quashie’s Black Aliveness is among them. One of the motivating premises of Afro-Nostalgia is the sense that so much of black life is narrated through a trauma, oppression, and death. Black Aliveness operates from a similar premise and is centrally concerned with the “quality of aliveness” in African American poetry and literature. Here is one of my favorite passages in the book: “As necessary as ‘Black Lives Matter’ has proven to be, so efficient and beautiful a truth-claim, its necessity disorients me…I want a black world where matter of mattering matters indisputably, where black mattering is beyond expression.”
In Black Aliveness, or A Poetics of Being, Kevin Quashie imagines a Black world in which one encounters Black being as it is rather than only as it exists in the shadow of anti-Black violence. As such, he makes a case for Black aliveness even in the face of the persistence of death in Black life and Black study. Centrally, Quashie theorizes aliveness through the aesthetics of poetry, reading poetic inhabitance in Black feminist literary texts by Lucille Clifton, Audre Lorde, June Jordan, Toni Morrison, and Evie Shockley, among others, showing how their philosophical and creative thinking constitutes worldmaking. This…
The word, utopia, derives from the Greek terms ou “not” + topos “place”---“no place.” Yet, the idea of a perfect “place” or society is one that has captured the imagination of artists, writers, politicians, and governments for centuries. I really love the concept of “everyday utopias” because it focuses on small, local spaces of joy and pleasure that people create for themselves outside and beyond the boundaries of social norms and expectations. Inherent in the term “utopia” is the impossibility of the idea and yet, readers witness thriving communities that show the possibilities of alternative systems of governance, self-sufficiency, civility, and citizenship, as well as well-being and pleasure.
Everyday utopias enact conventional activities in unusual ways. Instead of dreaming about a better world, participants seek to create it. As such, their activities provide vibrant and stimulating contexts for considering the terms of social life, of how we live together and are governed. Weaving conceptual theorizing together with social analysis, Davina Cooper examines utopian projects as seemingly diverse as a feminist bathhouse, state equality initiatives, community trading networks, and a democratic school where students and staff collaborate in governing. She draws from firsthand observations and interviews with participants to argue that utopian projects have the potential to revitalize progressive…
World of Wonders was my salve during the early months of the pandemic. In spring 2020, I was craving something light, beautiful, and engaging to read. During quarantine, my family, like many others, rediscovered the beauty in our gardens and our neighborhoods. Nezhukumatahil’s prose poetry encouraged an enlivening of the every day, and inspired a reconnection with nature in ways that made us feel less “quarantined” and more connected to the smaller beings that share and shape our world. World of Wonders is also an invitation to nostalgia— the author’s recollections of her own ‘wondrous’ childhood memories sparked my own, especially the simple joy of catching fireflies in the summers in Chicago.
"Hands-down one of the most beautiful books of the year." -NPR
From beloved, award-winning poet Aimee Nezhukumatathil comes a debut work of nonfiction-a collection of essays about the natural world, and the way its inhabitants can teach, support, and inspire us.
As a child, Nezhukumatathil called many places home: the grounds of a Kansas mental institution, where her Filipina mother was a doctor; the open skies and tall mountains of Arizona, where she hiked with her Indian father; and the chillier climes of western New York and Ohio. But no matter where she was transplanted-no matter how awkward the fit…
I am a highly experienced outdoorsman, musician, songwriter, and backcountry guide who chose teaching as a day job. As a writer, however, I am a promoter of creative and literary nonfiction, especially nonfiction that features a thematic thread, whether it be philosophical, conservation, historical, or even unique experiential. The thread I used for thirty years of teaching high school and honors English was the thread of Conservation, as exemplified by authors like Aldo Leopold, Rachel Carson, Edward O. Wilson, Al Gore, Henry David Thoreau, as well as many other more contemporary authors.
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted repartee and dialogue that enhances the stories and experiences.
When I started teaching in the early 1990s, I brought into the classroom with me my passions for nature, folk music, and creativity. This book holds something new and engaging with every chapter and can be enjoyed by all sorts of readers, particularly those who enjoy nonfiction that employs wit, wisdom, humor, and even some down-to-earth philosophy.
Creativity, Teaching, and Natural Inspiration follows the evolution of a high school English teacher as he develops a creative and innovative teaching style despite being juxtaposed against a public education system bent on didactic, normalizing regulations and political demands. Doherty crafts an engaging nonfiction story that utilizes memoir, anecdote, poetry, and dialogue to explore how mixing creativity and pedagogy can change the way budding students visualize creative writing: A chunk of firewood plunked on a classroom table becomes part of a sawmill, a mine timber, an Anasazi artifact...it also becomes a poem, a song, an essay, and a memoir. The…
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