It was in 1982, while a Fulbright scholar in the USSR researching my doctoral dissertation, that I realized my responsibility as a historian extended far beyond writing history books. I lived among Russians and saw up close how the Kremlin-controlled what citizens knew about their own past. The future was already determined—the end of class struggle. The past was merely a made-up prologue. As a consequence of that year, I focus on the creation, preservation, and accessibility of cultural knowledge. History clues us into where we come from. Like a DNA test, it reveals how our single life is intricately braided with people we will never meet.
As authoritarianism continues to rise around the world, the stories we tell ourselves about what has happened and what is happening become ever more relevant. In Memory, Edited, Abby Smith Rumsey examines collective memory, how it binds us, and how it can be used by bad actors to manipulate us. Bringing forward the voices of a rich cast of Eastern European artists from the past two hundred years—from Fyodor Dostoevsky to Gerhard Richter—Rumsey shows how their work and lives illustrate the devastation wrought by regimes dependent on entrenched lies to survive.
Through an interdisciplinary lens that includes the best thinking from history, the arts, cognitive science, psychology, and political philosophy, Rumsey lays bare our narratives, showing how they are constructed and how they have changed over time.
When I heard of the 2021 mass murder at the Tree of Life Synagogue in Pittsburgh, the fear of anti-Semitism became deeply personal.
I grew up just a few blocks from the synagogue. (I was raised Catholic.) In Kuznetsov’s “documentary novel” about Nazi-occupied Ukraine, the author recounts how, as an 8-year old, he witnessed the German army’s 1941 invasion of Kiev.
They set about massacring over 30,000 Jews within the first week of occupation. This happened in a large ravine only a stone’s throw from the boy’s home. This third edition of the book comprises the heavily censored published Soviet text, the uncensored text, and Kuznetsov’s added commentaries.
It is a palimpsest that lets us see past, present, and no doubt future ways that regimes use history to control what people know about their own past.
The powerful rediscovered masterpiece of Kyiv during the Second World War, told by a young boy who saw it all.
'So here is my invitation: enter into my fate, imagine that you are twelve, that the world is at war and that nobody knows what is going to happen next...'
It was 1941 when the German army rolled into Kyiv. The young Anatoli was just twelve years old. This book is formed from his journals in which he documented what followed.
Many Ukrainians welcomed the invading army, hoping for liberation from Soviet rule. But within ten days the Nazis had…
Another first-person account of war, this time seen through the other end of the telescope: when the victorious Red Army occupied Berlin in 1945.
The order of the day was sadistic revenge meted out on the civilian population. As usual, women bore the worst of it. Regardless of age, each was raped and brutalized. After the war, none spoke of this for fear of being stigmatized. The author was an exception: she wrote matter-of-factly about what she experienced and witnessed, not trying to make sense of it.
She recorded the horrid reality in order to hold on to her sanity. She noted how scared and confused the Russians were, bewildered by the abundance of bourgeois life and embittered by their own poverty at home.
For eight weeks in 1945, as Berlin fell to the Russian army, a young woman kept a daily record of life in her apartment building and among its residents. "With bald honesty and brutal lyricism" (Elle), the anonymous author depicts her fellow Berliners in all their humanity, as well as their cravenness, corrupted first by hunger and then by the Russians. "Spare and unpredictable, minutely observed and utterly free of self-pity" (The Plain Dealer, Cleveland), A Woman in Berlin tells of the complex relationship between civilians and an occupying army and the…
I wrote my books to reveal how a government’s lies about the present and past corrupts not only public life, but reaches deep into the psyches of individuals.
The correspondence between the physicist Heisenberg, working in secret on the atomic bomb (notoriously unsuccessfully), and his wife safe in Bavaria provides an intimate glimpse of how deeply the Nazi regime penetrated family life and challenged the natural love of one’s homeland.
Heisenberg and his wife were very much in love, devoted to each other and their children. They had a true and equal partnership. Readers can enjoy the sweet irony of knowing how the war turned out, something the participants could not know.
Instead, they were occupied with worries about food, money, the children’s health, sadly aware that things could never go back to how they were.
Personal letters reveal the quandary of a prominent German physicist during the Nazi years and the strength he shared with his loving wife
Nobel Prize-winning physicist Werner Heisenberg lived far from his wife, Elisabeth, during most of the Second World War. An eminent scientist, Werner headed Germany's national atomic research project in Berlin, while Elisabeth and their children lived more safely in Bavaria. This selection of more than 300 letters exchanged between husband and wife reveals the precarious nature of Werner's position in the Third Reich, Elisabeth's increasingly difficult everyday life as the war progressed, and the devoted relationship that…
Historians have an acute sense for historical patterns. For Serhii Plokhy, the great Ukrainian-American historian, few things could have been more painful than Putin’s invasion of Ukraine in February, 2022.
Russia’s age-old pattern of aggression, political cowardice, and reflexive use soldiers as cannon fodder was being reenacted before his very eyes. He could not find words to comfort his relatives and friends who lost loved ones in the combat. But he could find words to help us understand the complex context of war.
In the process, he transformed “the shock, pain, frustration, and anger” he felt into a brilliant history. He acknowledges that the stakes are very high for the Ukrainians and the world at large. Yet for the first time in centuries, Ukraine feels itself to be a nation.
Despite repeated warnings from the White House, Russia's invasion of Ukraine in February 2022 shocked the world. Why did Putin start the war-and why has it unfolded in previously unimaginable ways? Ukrainians have resisted a superior military; the West has united, while Russia grows increasingly isolated.
Serhii Plokhy, a leading historian of Ukraine and the Cold War, offers a definitive account of this conflict, its origins, course, and the already apparent and possible future consequences. Though the current war began eight years before the all-out assault-on February 27, 2014, when Russian armed forces seized the building of the Crimean parliament-the…
A collection of biographical essays, from Louis Armstrong and Jorge Luis Borges to Isoroku Yamamoto and Stefan Zweig.
Written with James’s distinctive wit and verve, each essay distills features specific to an individual and also characteristic of the long twentieth century. James is anti-ideological and so are his heroes—Nadezhda Mandelstam, Albert Camus, Duke Ellington, among others.
They tolerated ambiguity and resisted certainty even in the midst of unimaginable violence and shocking injustices. (He includes many of his “intellectual bêtes noires”—Edward Said, Bertold Brecht, Mao Zedong.) This deeply personal collection constitutes James’s battering ram against the walls erected by willful amnesia, ignorance, and censorship, walls that cut the living off from what the dead want to tell us.
This international bestseller is an encyclopedic A-Z masterpiece-the perfect introduction to the very core of Western humanism. Clive James rescues, or occasionally destroys, the careers of many of the greatest thinkers, humanists, musicians, artists, and philosophers of the twentieth century. Soaring to Montaigne-like heights, Cultural Amnesia is precisely the book to burnish these memories of a Western civilization that James fears is nearly lost.
I am a highly experienced outdoorsman, musician, songwriter, and backcountry guide who chose teaching as a day job. As a writer, however, I am a promoter of creative and literary nonfiction, especially nonfiction that features a thematic thread, whether it be philosophical, conservation, historical, or even unique experiential. The thread I used for thirty years of teaching high school and honors English was the thread of Conservation, as exemplified by authors like Aldo Leopold, Rachel Carson, Edward O. Wilson, Al Gore, Henry David Thoreau, as well as many other more contemporary authors.
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted repartee and dialogue that enhances the stories and experiences.
When I started teaching in the early 1990s, I brought into the classroom with me my passions for nature, folk music, and creativity. This book holds something new and engaging with every chapter and can be enjoyed by all sorts of readers, particularly those who enjoy nonfiction that employs wit, wisdom, humor, and even some down-to-earth philosophy.
Creativity, Teaching, and Natural Inspiration follows the evolution of a high school English teacher as he develops a creative and innovative teaching style despite being juxtaposed against a public education system bent on didactic, normalizing regulations and political demands. Doherty crafts an engaging nonfiction story that utilizes memoir, anecdote, poetry, and dialogue to explore how mixing creativity and pedagogy can change the way budding students visualize creative writing: A chunk of firewood plunked on a classroom table becomes part of a sawmill, a mine timber, an Anasazi artifact...it also becomes a poem, a song, an essay, and a memoir. The…
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