73 books like An American Vision

Walter Langley was a 19th C English artist who specialized in watercolor paintings. His journey began in the Industrial city of Birmingham UK where he developed great skill and mastery of watercolor. His career took off when he moved to the Cornwall fishing village of Newlyn. There he found the subjects and characters that would feature in his work and with which he would make his name. He was elected to the prestigious RI in London. 

This book is a biographical in-depth study of his life and work featuring numerous full-color plates. The incredible skill sets in the paintings he made show that watercolor as a medium, used with passion and care, deserves total respect. In the hands of a true master any subject can be rendered in a convincing and moving manner.

On a day trip to Cambridge UK I was in an old book store. I could not believe my good fortune when I spotted an old-worn book entitled Howard Pyle’s Book of Pirates. I realised immediately that Pyle was the art teacher of N.C.Wyeth, the styles of the 2 are interchangeable. This book contains numerous Pirate stories, which Pyle wrote himself. Obviously the text is now very antiquated, but there are numerous illustrations illustrating Pirate battles and adventure. Pyle wrote and taught art in the late 19th Century. Any student of the Wyeth’s should check him out.

Rowland Hilder was born in the USA but migrated to the UK as a young boy. He made his name as a brilliant watercolor artist. What set Hilder apart from other practitioners was his love of the English Landscape in winter. This treatment endeared him to the thousands of Hilder followers. This was a new genre at the time (mid 20th century). The book is semi-autobiographical in addition to the numerous full-colour palates. It tells of his early childhood and moving to the rural countryside of Kent in England. As a student, he went to Goldsmith’s College London, and later became an R.I. Wonderful book for Hilder fans.

Walker Evans was a documentary photographer. He was one of the first to discover that the photos he took of the mundane or overlooked could contain as much or more merit and compassion than the grandest scene. His work has a social consciousness which was not always appreciated at the time (1930s) in an age of great depression in the USA. He was dispatched by the Farm Agency Commission to document rural oppression in the plains and deep south of America, and his photographs hold nothing back. They tell it like it was.

Wilber's book contains the essay, "Integral Art and Literary Theory" which was the inspiration for my own book. The essay first appeared in Andrew Wyeth: America's Painter and is sometimes characterised as a formal exercise in art analysis, although it is much more than that. With an integral approach, it seeks to look beyond the trenches of changing academic 'discourse' and aims to integrate fundamentally different vantage points in art. It was a real leap forward when published in 1996. 

This book delights me. It makes me laugh, it inspires me, and it makes me wish I could have met Elinore Pruitt Stewart. Even though her life certainly wasn't easy, she never lost her hope, her joy, her faith, or her sense of humor.

Stewart wrote these letters to a friend, detailing her successes and failures as a woman homesteader, and hoping to encourage other women to try forging their own lives on the frontier. Wanting to build a better life for herself and her daughter, this widow headed off into the plains of Wyoming, where she took a job keeping house for a rancher while also claiming her own homestead. Her accounts of her new life are funny, moving, and encouraging by turn.

Claire is seven years old when her college-age sister is found dead at a resort on the Caribbean island of Saint X.

Years later, Claire is living and working in New York City when a brief but fateful encounter brings her together with a man originally suspected of murdering her sister. This book is not your standard Thriller; the cast of characters is large and the plot complex, but the author pulls it off.

It’s also not a book to keep you up all night. Try three or four nights. The writing is brilliant in ways not often seen in the genre and I was forced to slow down and give myself over to the story. It’s one I will never forget.

My personal creativity is not tidy… I believe nobody creates in a vacuum. The disabled contribute intelligence, perspective, and expression to all modes of creative production. Understanding how to utilize talent from any historically marginalized group means learning how to communicate with folks with diverse abilities and backgrounds. Utilizing respectful language and practices with diverse communities will draw and engage audiences with more vibrant storytelling in today’s world. This practical guide includes case studies designed to guide theater companies to create inclusive productions with the disabled in central and creative roles. Disability and Theatre illustrates how in the theater, where “all the world is a stage”, as in our own lives, creative processes emerge when people with different abilities work together… that is just good living.

One of the many wistful and beautiful photos in this book caught my eye in an exhibit at the New York Historical Society in 2021.

Her photography, and the attendant essays, evoke not only the isolation of quarantine, but the ways we rediscovered the desire for human connection. What could be easier than meeting a friend, careful to stay 6’ apart? Or sadder?

It’s impossible not to root for Lucy Clark. Shipped by negligent parents to a boarding school where every semblance of comfort is taken from her, and then brutally banished to NYC after a terrible accident, Lucy finds herself trying to solve a murder mystery.

The target is an elderly woman who has been grossly underestimated, much like Lucy herself. With a keen best friend, ageism-defying twists, and the rich refuge of plants and desserts, this book is a must-read for anyone who’s ever found themselves at the bottom, looking for a way back up.