100 books like Born in Blackness

In this novel in verse, Elizabeth Acevedo beautifully evokes the landscape and feel of Harlem through the observant character of Xiomara Batista.

Having lived in upper Manhattan for years, I recognized the neighborhood in the vibrant descriptions. I identified with Xiomara’s need to express herself, how she fills the pages of her notebook with what she feels she can’t speak aloud. Her emotions as she confronts the challenges of friendship, romance, and family feel very real.

When a high school teacher opens up for her the world of spoken word poetry and a whole new set of possibilities for self-expression, I find myself rooting for Xiomara to be brave and take the steps she must take on her personal and artistic journey towards sharing her voice.

Mumford’s book provides one of the widest templates of the way cities have evolved since pre-history, contrasting how culture and technologies are critical to the way cities grow and change. His idea that cities grow organically can be contrasted with what all our authors in this quintet of books are asking.

This book gives a great overview of how cities have developed. Read it first, dip into it, and use it as a reference, but only read it if you know nothing about cities. If you know about cities, dip into it and use it to understand the other books in this list.

San Francisco the good, an icon of diversity, creativity, and prosperity, is how I imagined the city. This book weaves a compelling, alternative narrative. Brechin tells his story through the rising fortunes of founding fathers–politicians, engineers, and entrepreneurs–many today memorialized in San Francisco’s public spaces and places. People like media tycoon William Randolph Hearst Jr. with all his narcissism, wealth, and political ambition (remind you of anyone?). The book unearths the city’s beginnings in the rapacious extraction of resources in frontier California. It illustrates (through art, newspaper cartoons, and headlines) the city as the spearhead of an emerging empire with all of its racist and white supremacist roots. The book chronicles the trauma inflicted on nature and nations that stood in the way of San Francisco’s ambition. It demands that we reflect on ‘the stuff’ our great cities are made of.

What ideas do you have about what the first peoples were like, and how human society developed?

Maybe you’ve even read the popular authors on this topic such as Diamond, Harari, Pinker, Hobbes, and Rousseau. Prepare to have all of your notions and received opinions upended and turned to dust by David Graeber (a man universally acknowledged as a genius) and the book he worked on for the last ten years of his life, which brings revolutionary ideas to 30,000 years of civilization.

I simply love these bracingly contemporary stories of Black Jamaican women who span the gamut from self-absorbed teenagers to Rihanna-inspired celebrities and overtaxed elders. These narratives take place both in JA and the USA and weave together elements of our twenty-first-century Black diaspora. Each of Arthurs’ stories sings in its own way, with exquisitely rendered details and moments of moral clarity. I love that these stories chronicle such a wide variety of Black women’s lives in such depth and detail. 

I’ve long been fascinated with Walker’s life and work. Ten years ago, I devoted a chapter of my dissertation to Walker and now I’m working with TED-ED on an animated video and related teaching materials about the man whom Frederick Douglass himself cited as the progenitor of the radical abolitionist movement.

When teaching African-American Literature courses, I’ve found Walker’s Appeal to be an especially effective entry point for Black students who are tired of stories of slavery and Black debasement. Walker, as a freeborn Black man from the slaveholding south (and later Boston), offers a different vision: of impressive erudition and entrepreneurship, of Pan-African pride and militant resistance.

“Peoples,” the protagonist of Jackson’s coming of age novel is apt to announce, an African-Americanized riff on Shakespeare’s “Friends, Romans, countrymen” which Jackson’s narrator voices from the recesses of his Mississippi, Portland neighborhood. Everything about this book is centered by the protagonist’s remarkable voice, a voice that very much inspired me to write my book. This is to say nothing of the deeply tragic, crack-era intergenerational family drama that The Residue Years tells.

Maté asks why chronic illness and general poor health are on the rise in Western countries that pride themselves on their healthcare systems.

Nearly 70 percent of Americans are on at least one prescription drug; more than half take two. In Canada, one person in five has high blood pressure, while in Europe, hypertension is diagnosed in more than 30 percent of the population. And adolescent mental illness is on the rise everywhere.

Despite medical knowledge and technological sophistication, Western medicine often fails to treat the whole person by not considering how contemporary culture stresses the body, burdens the immune system, and undermines our sense of emotional balance.

Maté dispels common myths about what makes us sick, connecting the dots between the maladies of individuals and the progressive malaise of society, and offers some suggestions for healing. 

Omenana to Infinity is an anthology of collected works formerly published in Omenana Magazine. The anthology is edited by Mazi Nwonwu and Chinelo Onwualu, like the magazine its stories are culled from. The duo also founded and edited the magazine which is the first African, exclusively speculative fiction magazine. It's important to me because it contains some of the earliest works of speculative short fiction by African writers I would read as an issue of a magazine and did a great lot in platforming speculative fiction writers on the continent. 

Dominion is a unique black speculative fiction that integrates stories from prominent voices from Africa and the diaspora, including Suyi Davies Okungbowa, Dare Segun Falowo, Mame Bougouma Diene, Dilma Dila, and more. Featuring a foreword by Tananarive Due, the award-winning anthology offers African spirituality, magical realism, Afrofuturistic stories, dystopian worlds and tales that confront in many ways colonialism, social injustice, and capitalism.