100 books like Hollow Kingdom

Science fantasy uniquely combines elements of science fiction (advanced technology, futuristic settings) with those of fantasy (magic, mythological creatures, and supernatural elements). This fusion creates rich and versatile storytelling that often comes with a deep sense of mystery beyond what science fiction or fantasy achieves on their own.

This blend also requires greater “buy-in” from the reader to believe in the world we’re being presented. As readers, we often accept dwarves in fantasy with little to no explanation. We do the same with spaceships in science fiction. But dwarves in spaceships require truly creative storytelling to achieve a much higher buy-in threshold. The author who can pull this off has my attention.  

On the wall in my office, I have an old newspaper article containing a recipe for Boris Karloff's guacamole. (If you're interested, the title of the article is "Boris Karloff Mad About Mexican Food.") I keep it there because it reminds me of what I love about this genre, in that monsters can contain multitudes. They're not just evil... they can also love guacamole. A good monster novel will have you both cowering in fear and feeling a pang of empathy for the creature, making it a ton of fun to read. 

I’m a hard (plausible) science fiction author, born in New Zealand and currently living in Australia. Over the course of my career, I’ve written 26 novels in my First Contact series, looking at all the various different ways in which First Contact might unfold. If you enjoy stories that leave you thinking long after the final page, check out my First Contact series.  

On the wall in my office, I have an old newspaper article containing a recipe for Boris Karloff's guacamole. (If you're interested, the title of the article is "Boris Karloff Mad About Mexican Food.") I keep it there because it reminds me of what I love about this genre, in that monsters can contain multitudes. They're not just evil... they can also love guacamole. A good monster novel will have you both cowering in fear and feeling a pang of empathy for the creature, making it a ton of fun to read. 

I am the author of three novels that all explore contemporary notions of fidentity. In 2016 I received a scholarship to travel from New Zealand to Berlin for three months and fell in love with the city. I ended up staying there for nearly four years, until the pandemic started. As a writer I liked the way that being detached from your regular life, and living in a country where you are unfamiliar with the language and the rules, makes you alert to the quirks. It helps you to gain a fresh perspective about the place that you came from, and also the place that you are in.

I write fiction and poetry in English and translate literary works from Kannada, a South Indian language. I was shortlisted for the Lucien Stryk Asian Translation Prize, and twice in a row for the Montreal International Poetry Prize. I had the Charles Wallace India Trust Fellowship in writing and translation at LAF and UWTSD in 2022. As a reader, I admire original and clever use of language, writing that portrays with humour the profundity in the absurdity of life, that which makes the quotidian quotable – writing that strikes while the ‘irony’ is hot. These are qualities that I think are intuitive in my own writing. I've enjoyed the following books for these reasons. 

Books were a way to navigate life, my love for my horse, and just being an awkward feeling person. For me, the most powerful thing that stories provide is revealing that everyone is awkward. No one really feels like they fit in, have everything figured out, and know what this whole, crazy existence is about. A book offers a perspective that makes me see my world just a little more clearly. When I find relatable characters in books, I feel comforted because it makes me realize that no one is all good and no one is all bad. We are flawed and beautiful all at once, just like the characters that draw me into their worlds.

I am the author of eleven books for middle-grade readers, including three books from a dog’s point of view. These books have won five state book awards between them, and have been published in other languages. I’ve been writing for young readers for over 20 years. I also live with four furry friends of my own: Cookie (a cockapoo), Myrtle (a pug), Nala (a calico cat), and Daisy (a sweet mutt cat). I miss my big-hearted goldendoodle Lucky every day. And, like my dogs, I can be bribed with cheese.

For me, the most affecting stories are those that are leavened with a sardonic sensibility. Italo Calvino, one of my favorite writers, notes “th[e] particular connection between melancholy and humor,” speaking of how great writing “foregrounds [with] tiny, luminous traces that counterpoint the dark catastrophe.” I’ve always veered toward the great literary comic writers—from Cervantes to Laurence Sterne to Pynchon, with a particular reverence for Nabokov. For me, there is no greater exposition of the underbelly of love and madness than Lolita; of artistic obsession than Pale Fire.  Nabokov believed that the best writing places the reader under a spell, enchanting them with the magic of words — and I concur!

I know all too well that finding a diagnosis and treating a chronic health condition can be like unraveling a mystery—maybe that’s why characters dealing with these issues make natural detectives. As a mystery writer with chronic illness, I love reading about sleuths who embody the difficulties of living with health challenges yet show the tremendous capacity we still have to contribute. Many of the sleuths on this list are confined to their homes and unable to work, so solving a mystery not only adds suspense. It gives us the satisfaction of seeing these characters find their way back into the world and rediscover their sense of purpose.