Here are 50 books that Selected Letters of Lucretia Coffin Mott fans have personally recommended if you like
Selected Letters of Lucretia Coffin Mott.
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I am a writer of biographical historical fiction, with some of my novels set in medieval and Tudor England, others set in nineteenth-century America. In researching my books, I try to immerse myself in my characters’ world, and that means reading primary sources, such as newspapers, periodicals, letters, diaries, and memoirs. I especially like to read my characters’ own words. Fortunately, the nineteenth-century feminists featured in this list left a lot of words behind them!
Ernestine Rose, a Polish-Jewish immigrant who was one of the first women to speak out for women’s rights in the United States, was well-known in her time but is little remembered today.
This book, which includes most of her published speeches and some of her letters, made her come alive for me. With lines like “It is time to consider whether what is wrong in one sex, can be right in the other” (referring to the double standard of sexual morality for men and women), it still holds relevance for us today. I’ll never get to hear Ernestine Rose speak in person, so this is the next best thing.
Susan B. Anthony hung a picture of Rose on her wall. Elizabeth Cady Stanton publicly eulogized her as indispensable. Unique among the founders of the women’s rights movement because she was a Polish immigrant of Jewish background, celebrated orator Ernestine Rose (1810-1882) won the title "Queen of the Platform" for her brilliant speeches, advocating and linking women's rights, religious freedom, and the abolition of slavery.
I am a writer of biographical historical fiction, with some of my novels set in medieval and Tudor England, others set in nineteenth-century America. In researching my books, I try to immerse myself in my characters’ world, and that means reading primary sources, such as newspapers, periodicals, letters, diaries, and memoirs. I especially like to read my characters’ own words. Fortunately, the nineteenth-century feminists featured in this list left a lot of words behind them!
Before I stumbled across this book, I had never heard of Caroline Healey Dall, a prickly but vulnerable and fiercely intelligent Bostonian who knew almost everyone in the various reform movements that swept across the United States in the mid-nineteenth century.
On one day, Dall is recording the details of a pregnancy that went horribly wrong; on another, passing along salacious gossip about a lady who propositioned Bronson Alcott (father of Louisa May). All the while, she champions the cause of women’s rights while clashing with some of the many strong personalities in the movement.
This Journal is my safety valve-and it is well, that I can thus rid myself of my superfluous steam . . . I trust posterity will remember this, should it ever be gratified by a glimpse at these pages.
In the nineteenth century, Boston was well known as a center for intellectual ferment. Amidst the popular lecturing of Ralph Waldo Emerson and the discussion groups led by Margaret Fuller sat a remarkable young woman, Caroline Healey Dall (1822-1912): Transcendentalist, early feminist, writer, reformer, and-perhaps most importantly-active diarist.
Dall kept a diary for seventy-five years.She captured in it all the fascinating…
I am a writer of biographical historical fiction, with some of my novels set in medieval and Tudor England, others set in nineteenth-century America. In researching my books, I try to immerse myself in my characters’ world, and that means reading primary sources, such as newspapers, periodicals, letters, diaries, and memoirs. I especially like to read my characters’ own words. Fortunately, the nineteenth-century feminists featured in this list left a lot of words behind them!
In 1853, hardware store owner Henry Blackwell proposed marriage to a woman he barely knew: Lucy Stone, who had become prominent as a speaker for the abolitionist and women’s rights movements. Not surprisingly, Lucy refused, but she allowed her younger suitor to write to her, and this collection of letters, spanning the idealistic pair’s courtship and eventual marriage, is the result.
I found it to be a moving portrait of a couple falling in love and managing to stay in love despite the usual ups and downs of wedlock and their quite different personalities. And did you know that Lucy was one of the first American women to keep her own surname upon marriage?
A collection of the letters of feminist and abolitionist Lucy Stone and her husband Henry B. Blackwell provides a fascinating look at an unusual marriage and information on life in Victorian America
I am a writer of biographical historical fiction, with some of my novels set in medieval and Tudor England, others set in nineteenth-century America. In researching my books, I try to immerse myself in my characters’ world, and that means reading primary sources, such as newspapers, periodicals, letters, diaries, and memoirs. I especially like to read my characters’ own words. Fortunately, the nineteenth-century feminists featured in this list left a lot of words behind them!
What list of nineteenth-century feminists would be complete without the movement’s grand dames, Susan B. Anthony and Elizabeth Cady Stanton? This book, the first of a six-volume series, takes us to the early days of their friendship and alliance. Not only is this collection a testimony to the enormous amount of energy and organization expended by these two reformers, but it also reminds us of their human side.
Some of my favorite moments include Stanton bragging about the birth of her first daughter (and fifth child): “I laid on a lounge about 15 minutes, and alone with my nurse & one female friend, brought forth this noble girl,” and Anthony grumbling about her decision to give up the “Bloomer” outfit adopted by a number of women reformers, “I have let down some of my dresses and am dragging around with long skirts.”
In the School of Anti-Slavery, 1840-1866 is the first of six volumes of The Selected Papers of Elizabeth Cady Stanton and Susan B. Anthony. The collection documents the lives and accomplishments of two of America's most important social and political reformers. Though neither Stanton nor Anthony lived to see the passage of the Nineteenth Amendment in 1920, each of them devoted fifty-five years to the cause. Their names were synonymous with woman suffrage in the United States and around the world as they mobilized thousands of women to fight for the right to a political voice.
I did not set out to write six books about Arctic exploration. By the mid-1990s, while working full-time as a journalist, I had published three novels. I proposed to become a celebrated novelist. But then, during a three-month stint at the University of Cambridge, I discovered Arctic explorer John Rae–and that he had been denied his rightful recognition by Charles Dickens and other leading Victorians. I researched Rae’s story, marked his greatness in the Arctic, and celebrated him in Fatal Passage. It took me two decades and five more Arctic books to solve the great mystery while also publishing ten books on other subjects. Call me a compulsive scribbler.
This collection of letters is part of the canon. First, it brings the men of the final Franklin expedition to life. We hear them coming and going, speaking to their contemporaries as if in private. We marvel at the extent of John Franklin’s religiosity and his sense of having a Christian mission. And at last, we understand his refusal, during his first overland expedition, to turn back before it was too late. Instead, he stood waiting for a miracle, convinced that any minute now, Edward Parry would arrive in a Royal Navy ship.
What’s more, in his succinct introduction, editor Russell Potter dismisses theories that the final Franklin disaster was caused by lead poisoning or botulism, clearing the way for the truth of trichinosis.
May We Be Spared to Meet on Earth is a privileged glimpse into the private correspondence of the officers and sailors who set out in May 1845 on the Erebus and Terror for Sir John Franklin's fateful expedition to the Arctic.
The letters of the crew and their correspondents begin with the journey's inception and early planning, going on to recount the ships' departure from the river Thames, their progress up the eastern coast of Great Britain to Stromness in Orkney, and the crew's exploits as far as the Whalefish Islands off the western coast of Greenland, from where the…
I love history and I love to laugh. That’s why I brand myself as a writer of Victorian Whodunits with a touch of humor. I’ve spent decades learning about 1800s America. I began sharing that knowledge by performing in costume as real women of history. But I couldn’t be on stage all the time so I began writing the books I want to read, books that entertain while sticking to the basic facts of history and giving the flavor of an earlier time. I seek that great marriage of words that brings readers to a new understanding. As Albert Einstein said, “Not everything that can be counted counts, and not everything that counts can be counted.”
Diane Day’s Fremont Jones is a heroine after my own heart. She remains plucky throughout the entire series, even though the great San Francisco earthquake and fire of 1906. Of course, a plucky woman in the first decade of the 20th century was bound to run afoul of society and propriety. Fremont found herself in scrape after silly scrape. This is a mystery with lots of fun. But more than that, it offers a charming sense of life in the olden days during the times that tried women’s souls.
Awakening to find herself in the middle of the Great San Francisco Earthquake, Miss Fremont Jones struggles to escape the ensuing chaos while learning how to drive, avoiding ardent suitors, and investigating two murderous smugglers.
I write about contemporary art, and much of the work I’ve been drawn to was made by women and by artists in other sidelined communities. Early on, I also focused on marginalized disciplines: artists’ books, performance, and art that responded directly to the vacant sites that abounded in New York City when I started out in the late 1970s. It was an enormously exciting time, but also a tough one. Violence was very hard to avoid. I didn’t focus on that at the time, but ultimately, I realized I needed to look more directly at trouble, and how artists respond to it.
I didn’t read Last Days ofHot Slit in time to include it in my own book about sexual violence. In truth, I could have (barely; it was published just before I finished). But I felt comfortable with my aversion to Dworkin, a crusader against assault who had found common cause with conservative activists. And Dworkin was a self-defeating font of vituperation, wasn’t she? Well, no. She was in fact altogether brilliant. Fateman’s wonderfully lucid, deeply researched introduction and the careful selection she and Scholder made of Dworkin’s surprisingly wide-ranging work, demonstrate the force and courage not just of this radical feminist’s writing, but also of her character.She was dauntless.
Selections from the work of radical feminist author Andrea Dworkin, famous for her antipornography stance and role in the feminist sex wars of the 1980s.
Radical feminist author Andrea Dworkin was a caricature of misandrist extremism in the popular imagination and a polarizing figure within the women's movement, infamous for her antipornography stance and her role in the feminist sex wars of the 1980s. She still looms large in feminist demands for sexual freedom, evoked as a censorial demagogue, more than a decade after her death. Among the very first writers to use her own experiences of rape and battery…
I was raised to believe that I could do everything a man could do, just as Ginger Rodgers did, “backwards and in high heels.” My discovery that social expectations and boundaries for women were vastly different than those for men came as an enormous shock, and struck me as deeply, tragically unfair. I take strength from women in history, as well as from fictional female characters, who passionately pursue roles in a man’s world that are considered transgressive or forbidden. As a glass-ceiling-shattering female film and television director I take inspiration from women who have the gritty determination to live on their own terms. And then tell it as they lived it.
I read The Golden Notebook when I was in my early twenties, facing the elation and terror of life as an adult. I remember vividly the state of excitement and awe in which I read it. Here was a writer who thought the unthinkable about the experience of being a woman in a man’s world, and fearlessly wrote it down in all its raw beauty.
To this day, if a friend of mine is in trouble, The Golden Notebook is the gift I give them, saying, “This book changed my life. “
One of the most important books of the growing feminist movement of the 1950s, The Golden Notebook was brought to the attention of a wider public by the Nobel Prize award to Doris Lessing in 2007.
Author Anna Wulf attempts to overcome writer’s block by writing a comprehensive "golden notebook" that draws together the preoccupations of her life, each of which is examined in a different notebook: sources of her creative inspiration in a black book, communism in a red book, the breakdown of her marriage in a yellow book, and day-to-day emotions and dreams in a blue book. Anna’s…
After 15 years as a screenwriter (and some heartbreaking near misses with the big screen), I turned my pen to novel writing, with an adaptation of a script I’d sold four times. My new book, Love and Fury: A Novel of Mary Wollstonecraft, is hot off the press this year and tells the story of one of the great writers and thinkers of the late 18th century, mother of Mary Shelley, and widely regarded as the mother of feminism. I’m drawn to larger-than-life, brilliant, charismatic, complicated figures whose own trajectories have altered our own. I’m now at work on a collection of short stories and an adaptation of Mr. Dickens and His Carol for the stage.
I’m often asked by Americans who aren’t familiar with Wollstonecraft (or confuse mother and daughter), which of her books to read first. Vindication of the Rights of Woman is her most famous, but I always answer that if you only read one, this book is it. It’s her most modern and personal work, and the last thing she wrote before dying of puerperal fever at age 38, after giving birth to the future Mary Shelley. It’s part travelogue, love letter, philosophical treatise, cultural history, and (I would argue) suicide note, bookended by her two attempts after a shattering affair with American speculator Gilbert Imlay. It’s short and accessible, beautifully written, and a glimpse into a magnificent mind.
In these two closely linked works - a travel book and a biography of its author - we witness a moving encounter between two of the most daring and original minds of the late eighteenth century: A Short Residence in Sweden is the record of Wollstonecraft's last journey in search of happiness, into the remote and beautiful backwoods of Scandinavia. The quest for a lost treasure ship, the pain of a wrecked love affair, memories of the French Revolution, and the longing for some Golden Age, all shape this vivid narrative, which Richard Holmes argues is one of the neglected…
As a person who reads solely for pleasure regardless of research, I make it a mission while writing to read books I actually enjoy on topics I wanna learn more about. I chose the books on this list because I’m also a person who reads multiple books at once in various genres, it keeps me honest; aware of holes and discrepancies in my own work and pushes me towards some semblance of completion. All the writers on this list do multiple things at once and I admire their skill and risk in coupling creativity with clarity.
What bell hooks has shown me about the possibility of personal narrative and memoir writing is endless because she consistently shows that your story is never-ending. But mostly bell hooks likes to hurt me on purpose. This is my favorite memoir by her because it centers on two of my favorite topics: words and whirlwind romance that refuses to interfere with the words at stake, and I knew this book would be one I would return to in order to figure out my own priorities once I read, “I’m willing to give up everything I love if it means I won’t be crazy.”
“bell hooks’s brave memoir of struggling to find her own work, love, and independence.” ―Gloria Steinem With her customary boldness and insight, brilliant social critic and public intellectual bell hooks traces her writer’s journey in Wounds of Passion. She shares the difficulties and triumphs, the pleasures and the dangers, of a life devoted to writing. hooks lets readers see the ways one woman writer can find her own voice while forging relationships of love in keeping with her feminist thinking. With unflinching courage and hard-won wisdom, hooks reveals the intimate details and provocative ideas of the life path she carved…
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