100 books like Swamp Story

I love historical fiction, especially when authors throw in a touch of crime. So, that’s what first drew me to this book.

What kept me reading and what made me rank this novel so highly is the gradual unlayering of the main character as the story progresses. Sure, Kya is a victim and a survivor, but she is so much more, and she is capable of more than I could have anticipated. As in some of my other favorite novels, it’s that loyalty to human nature, the understanding that circumstances can make good choices wrong and poor choices right, that pulled me in.

If I had known the ending when I started the book, I might not have believed it possible, but Delia Owens made it work.

The liked the main character, the frumpy, lazy, poor decisions she made that kept her right were she was. I enjoyed the friendship of two young women in college who reconnect to solve a peculiar family issue of children who combust in flames when they become agitated.

I laughed several times out loud. A fun story and great twist. 

I’ve added this book to this list because I love Joan Crawford. I love Hollywood and all the gossip, glitz, and glamor that goes along with it.

This particular story is told by her daughter Christina about how a photograph is perceived to be happy, but what really happened, as told by the author, is two different stories.

A true vaudeville legend personality exposed, which makes it a great beach read.

I love being in Key West with the main character. There are palm trees swaying and boats on the water as the character dives in, searching for treasure. I also liked the dark, seedy graveyard scenes and urban legends the island people tell.

A coming of age story with fun characters. 

This book tells the story of a teenage girl with terminal cancer who befriends a hospital chaplain and an elderly woman during her last year of life. 

She asks the big questions of life and finds friendship and meaning during existential and physical struggle. You cannot help but fall in love with the characters and share their efforts to find self, meaning, and hope during great struggle.

Actually a collection of nine novellas set in the fictional town of Babbington, in an alternative-reality version of 1950s New York, this collection is historical fiction at its funniest and strangest, satirizing not only 1950s American culture but also our literary traditions.

Each novella chronicles a coming-of-age adventure of Peter Leroy (the author’s alter ego) in the style of a different classic-fiction genre, from a Huck Finn-style river journey to a Proustian moment at a family outing to a send-up of Aesop’s fables.

Wonderfully warm and filled with sly asides.

Skippy Dies is nearly 700 pages long, but I wished it had been longer, it was that fun to read. It’s both tragically sad and laugh-out-loud funny—a difficult feat for any writer to pull off, and Irish novelist Paul Murray does so brilliantly. I’m not giving away anything by saying that the protagonist dies—after all, he dies in the book’s title—but I won’t reveal how or the circumstances. Let’s just say that if you are a diminutive, shy, buck-toothed 14-year-old at an all-boys boarding school in Dublin and somehow manage to develop a crush on the girlfriend of an older, drug-dealing, violent bully…well, things can’t turn out good. The cast of characters—the teenagers, the teachers, the school principal—are wonderfully drawn. Murray’s dialogue captures the boasting machismo as well as the angsty insecurities of teenage boyhood. A real gem.

This book was my introduction to Kurt Vonnegut. I marvel at the author’s genius in bringing together science and religion, two of the most profound subjects known to mankind, in such a playful way.

The unsentimental objectivity of science (and scientists) and a ‘perfect’ religion, whose greatest act of faith is to look at itself with a rather jaundiced eye, join hands to expertly manoeuvre, explain and let chaos be. It is the kind of hilariousness that makes you gaze into space rather than fall out of your chair.

I have always thought that poetry is important to allow prose to not take itself too seriously. Vonnegut has demonstrated how to do this.

Although published long ago, it is remarkable how easy it is to become involved in this book and be charmed by its main character, Tom.

Orphans abound in 18th and 19th-century fiction. What happens to him in an upper-class environment is inevitably unfair and hypocritical, so when he gets on the road—whether as a result of desire or force—the fun truly begins.

Tom says at the beginning that his tale has the purpose of understanding “human nature”, and after spending time with him on his adventures, from the estate where he grows up to his romp in London, we have a sense of the good nature of human nature. Tom’s sense of life infuses his life on the road, offering a character to celebrate despite his flaws.

I adore Jennifer Weiner’s witty, conversational writing style and relatable, three-dimensional characters. With In Her Shoes, Weiner captures the essence of two completely different sisters who are barely on speaking terms. She does it deftly, her characters nuanced and believable, exposing their many flaws and frailties. 

I love this book because it helped me see my own sister in a new light. In the book, the sisters’ actions are so realistic (verbal brutality, sniping, home truths) that I felt guilty about how I’d treated my sister over the years. And yes, I rang her several times whilst reading it, and I bought her a copy the following week. Highly recommended.