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Even though I’m from humid DC, I’ve been drawn to the desert since I first set foot there as a kid on a family road trip. Now, I’m lucky enough to live in Utah, home to some of the world’s most legendary desert landscapes. One reason I love the desert is the otherworldly scenery: uncanny arches, bizarre hoodoos, and sand dunes you could disappear into. Before your eyes, layers of geologic time unfold in epochs. The desert is a great place for contemplating the past and future—and for great adventures, with endless sandstone walls to climb, slick rock to bike, and sagebrush-lined trails to hike.
The late Edward Abbey might be a controversial figure, but you can’t write about desert literature without mentioning this iconic book.
In this book, Abbey captures his experience as a winter caretaker of Arches National Park (before it was a national park and before the road in was paved). In 18 chapters that read like short stories, he chronicles long days on horseback, jaw-dropping tales of flash floods, journeys up remote canyons, and more adventures that do an uncanny job of conveying the spirit of the desert and what it was like to explore it mid-century.
Abbey’s writing is blunt, colorful, and engaging, and this book is a romp of a read.
'My favourite book about the wilderness' Cheryl Strayed, author of Wild
In this shimmering masterpiece of American nature writing, Edward Abbey ventures alone into the canyonlands of Moab, Utah, to work as a seasonal ranger for the United States National Park Service.
Living out of a trailer, Abbey captures in rapt, poetic prose the landscape of the desert; a world of terracotta earth, empty skies, arching rock formations, cliffrose, juniper, pinyon pine and sand sage. His summers become spirit quests, taking him in search of wild horses and Ancient Puebloan petroglyphs, up mountains and across tribal lands, and down the…
I spent most of my life in the western United States. Born and raised in northern Idaho, a professorial position attracted me to Tucson, Arizona, the long-time home of Edward Abbey. Cactus Ed said it best: “The idea of wilderness needs no defense. It only needs more defenders. Remaining silent about the destruction of nature is an endorsement of that destruction.” Upon reading books by Abbey and others writing about the American West, I became a defender of the idea of wilderness.
Peacock is one of two authors who make me want to put down the book and take a hike. I am an avid reader, and the ability of Peacock to make me put down his book is astonishing. Walking it Off is simultaneously a personal journey in light of the death of his friend Edward Abbey and also a pragmatic guide to hiking in the southwestern United States.
This book reveals Peacock and his relationship with Edward Abbey, the desert anarchist.
When he wrote The Monkey Wrench Gang in 1975, Edward Abbey became the spokesperson for a generation of Americans angered by the unthinking destruction of our natural heritage. Without consultation, Abbey based the central character of eco-guerilla George Washington Hayduke on his friend Doug Peacock. Since then Peacock has become an articulate environmental individualist writing about the West's abundant wildscapes. Abbey and Peacock had an at times stormy, almost father and son relationship that was peacefully resolved in Abbey's last days before his death in 1989. This rich recollection of their relationship and the dry places they explored are recalled…
I spent most of my life in the western United States. Born and raised in northern Idaho, a professorial position attracted me to Tucson, Arizona, the long-time home of Edward Abbey. Cactus Ed said it best: “The idea of wilderness needs no defense. It only needs more defenders. Remaining silent about the destruction of nature is an endorsement of that destruction.” Upon reading books by Abbey and others writing about the American West, I became a defender of the idea of wilderness.
The Journey Home is a fitting sequel to Desert Solitaire in which Abbey makes a compelling case for saving what remains of the western United States. A long-time “desert rat,” Abbey lives his message of anarchism with a profound sense of humor. My exposure to Abbey’s writings while I was in college contributed to my love of the American West, where I grew up, and also contributed to my desire to pursue anarchism.
The Journey Home ranges from the surreal cityscapes of Hoboken and Manhattan to the solitary splendor of the deserts and mountains of the Southwest. It is alive with ranchers, dam builders, kissing bugs, and mountain lions. In a voice edged with chagrin, Edward Abbey offers a portrait of the American West that we'll not soon forget, offering us the observations of a man who left the urban world behind to think about the natural world and the myths buried therein.
Abbey, our foremost "ecological philosopher," has a voice like no other. He can be wildly funny, ferociously acerbic, and unexpectedly…
As a transplant to California, albeit more than 50 years ago, I am still fascinated by what makes this place at the edge of the Pacific so unique. It has accepted so many people, from so many places over a fairly recent period. I always feel I can deduce more history from well rendered characters set in specific times and places. Their wholeness and their meaning, as well as that of their culture, are to be found in literature.
Susan Ward joins her husband, a mining engineer, at a mercury mine near San Jose, California, coming west from New York.
She is an illustrator and writer and, as her grandson tells it, never completely adjusts to life in the West. We get much description of California, however, in the layered times in which her story is told. She and her husband settle in Grass Valley, where her husband works for quartz and gold mines.
Wallace Stegner’s use of Mary Hallock Foote’s memoir and diaries as the basis for this story is still controversial. Foote lived from 1847 to 1938 and wrote beautifully, illuminating life during this time. The controversy makes the story even more intriguing.
The novel tells the story of Lyman Ward, a retired professor of history and author of books about the Western frontier, who returns to his ancestral home in the Sierra Nevada. Wheelchair-bound with a crippling bone disease, Ward embarks nonetheless on a search to rediscover his grandmother, no long dead, who made her own journey to Grass Valley nearly a hundred years earlier.
I am a son of the contemporary American West—born near the Pacific Coast, raised in Texas, and an inveterate traveler of its byways and odd corners. Through the duality of my upbringing, as the son of a well-traveled mother, a suburban sportswriter stepfather, and a father who worked in extractive industries, I’ve seen up close both harmony and dissonance. The work I’m drawn to, whether on the creation end or the consumptive end, goes deep into the lives that play out in these places.
Sometimes the compelling central character of a book is the author. So it is with this one, by the current poet laureate of Montana. Page after page, I was mesmerized by what La Tray could weave out of a single, seemingly simple thought that, it turned out, contained galaxies of complexity and nuance.
I think La Tray is a true original in Western letters, a man of deep conviction, conscience, humor, righteousness, and love. His talents are on full display here.
"La Tray is a perimeter man, seeing the reality in wildness yet dealing the best he can at
rec onciling truth in nature." - Barry Babcock author of Teachers in the Forest
This book is a collection of poems and essays from the writer's experiences of travelling through landscapes both wild and civilized. They speak with delicate simplicities ranging from the death of a favorite pickup truck, to the joy of hitting the trail with a four-legged companion. There are…
As a college instructor and a student of Western American Literature for many, many years I have read a great number of western novels for my classes and for my literary studies. In addition to my doctoral dissertation on the topic, I have written and published numerous articles and reviews on western writers, and I have given many public presentations as well. I have a long-standing interest in what makes good works good. As a fiction writer, I have published more than thirty traditional western novels with major publishers, and have won several national awards for my western novels and short stories.
The Big Sky is a masterpiece of historical fiction and an often-cited classic novel of the American West. It earns this distinction because of its original characterization, its use of historical and geographical accuracy, its thematic depth, and its symbolism. It is set in the mountain man or fur trade era, and it shows the consequences of White men going into the wilderness. This book introduces the idea, in cultural and environmental terms, that in the occupation of the American West, people ruin the thing they love. This book not only makes it to the top of the lists by western writers, but it also is well appreciated by scholars and students in Western American Literature.
As an immigrant, an Asian American, and a gender-questioning person, I’ve never fit comfortably anywhere. So perhaps it’s no surprise that my writing isn’t easily categorizable either: many have told me that my work is too literary to be considered SF/F and too SF/F to be strictly literary. But what is genre anyway? My favorite books have always been the ones that straddled genres, and every time I read a wonderful book that can’t be easily labeled or marketed, I grow even more sure that the future of literature lies in fluid, boundary-crossing, transgressive texts. Here are some of my favorites—I hope you enjoy them.
I first learned about “proving up” from the eponymous Karen Russell story.
The history of the practice was so fascinating that, when I heard Victor LaValle had written an entire novel about it, I immediately preordered. And wow did it not disappoint.
Part horror and part Western, the story centers a Black woman named Adelaide in the early 1900s who has moved to Montana to prove up as a “lone woman,” carrying with her only a single steamer trunk bearing her “curse.”
LaValle ratchets up the suspense in every chapter while beautifully capturing the desolation of life in the Wild West.
Blue skies, empty land—and enough wide-open space to hide a horrifying secret. A woman with a past, a mysterious trunk, a town on the edge of nowhere, and an “absorbing, powerful” (BuzzFeed) new vision of the American West, from the award-winning author of The Changeling.
“Propulsive . . . LaValle combines chills with deep insights into our country’s divides.”—Los Angeles Times
ONE OF THE MOST ANTICIPATED BOOKS OF 2023: The New York Times, Time, Oprah Daily, Los Angeles Times, Esquire, Essence, Salon, Vulture, Reader’s Digest, The Root, LitHub, Paste, PopSugar, Chicago Review of Books, BookPage, Book Riot, Tordotcom, Crime Reads,…
I am a history-phobe turned history fanatic thanks to a snippet of a family story about my great-grandmother. Casual interest morphed into a focused passion when I learned that she truly had homesteaded-- all by herself and in her late teens-- in eastern Montana in 1917. Her accomplishment inspired four years of research and writing, resulting in my first historical novel, Hattie Big Sky, which earned a Newbery Honor award and spent weeks on the New York Times bestseller list. More importantly, that bit of family lore revealed my purpose as a writer and I have since devoted my career to bringing the past alive for today’s young readers.
Evocative and clear-eyed introduction to the western landscape; this compelling read orients readers firmly in place and time. It’s carefully researched nonfiction that reads like a suspense thriller; you’ll spend many nights reading it past your bedtime.
A New York Times Editors' Choice for Book of the Year Winner of the Pacific Northwest Booksellers Award Winner of the PEN West Creative Nonfiction Award
"No one has evoked with greater power the marriage of land and sky that gives this country both its beauty and its terror. " --Washington Post Book World
In 1909 maps still identified eastern Montana as the Great American Desert. But in that year Congress, lobbied heavily by railroad companies, offered 320-acre tracts of land to anyone bold or foolish enough to stake a claim to them. Drawn by shamelessly inventive brochures, countless homesteaders--many…
I am a history-phobe turned history fanatic thanks to a snippet of a family story about my great-grandmother. Casual interest morphed into a focused passion when I learned that she truly had homesteaded-- all by herself and in her late teens-- in eastern Montana in 1917. Her accomplishment inspired four years of research and writing, resulting in my first historical novel, Hattie Big Sky, which earned a Newbery Honor award and spent weeks on the New York Times bestseller list. More importantly, that bit of family lore revealed my purpose as a writer and I have since devoted my career to bringing the past alive for today’s young readers.
Dorothy M. Johnson wrote three short stories that were made into Western movies: The Man Who Shot Liberty Valance; The Hanging Tree; and A Man Called Horse. But this collection is a light-hearted visit to her childhood, growing up near Glacier National Park. A quick but delightful read to balance out some of the chewier reading I’ve suggested.
"[When You and I Were Young, Whitefish is] a lighthearted look into the life of a growing Western town in the early twentieth century. These fresh, jaunty tales of youth radiate good humor." -American West
Raised in the American West, I have watched the explosive growth in Colorado with dismay. In my lifetime, metro Denver has grown from a population of about 500,000 people to more than 5.5 million. The Colorado of large ranches and wide, open spaces is disappearing. I have named my publishing company “lost ranch books,” in honor of the ranch where I grew up, which was sold and developed with cookie-cutter houses. I’ve now set out to recapture historic Colorado by writing about it. My award-winning books center on Colorado’s and the American West’s history, for not only is it fascinating and, often, troubling, but it still resonates today.
Punke’s book chronicles a story of heroism and company greed that isn’t that far in the past of America’s labor battles. It tells of a fire that spread through the underground tunnels of the copper mines belonging to J.D. Rockefeller’s Anaconda company and others. The book centers on the men trapped underground who exhaust every possible option in a dire bid to survive, including some ingenious methods and some which hasten their demise. Punke touches as well on political, labor, and business wranglings that put the workers at risk. He also follows Butte’s history to present day, demonstrating that the Montana city has never quite recovered from its past as a copper city.
The author of the #1 New York Times bestseller, The Revenant -- basis for the award-winning motion picture starring Leonardo DiCaprio -- tells the remarkable story of the worst hard-rock mining disaster in American history.
A half-hour before midnight on June 8, 1917, a fire broke out in the North Butte Mining Company's Granite Mountain shaft. Sparked more than two thousand feet below ground, the fire spewed flames, smoke, and poisonous gas through a labyrinth of underground tunnels. Within an hour, more than four hundred men would be locked in a battle to survive. Within three days, one hundred and…
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