100 books like The Fraud

In this amazing mystery/whodunit, Sara Collins tells the story of Frannie Langton, a Jamaican woman brought to London by her enslavers in the 1820s.

First and foremost, this book is a great story, with all the joys of fantastic fiction. When Frannie is put on trial for double murder, Collins opens up the complex world of plantation households—in the Caribbean and in London—to her readers. I study the dynamics of empire from a birds-eye view; Collins makes them personal, real, human, and intimate.

At the book’s core is Frannie’s searching, propulsive intellect and desire for human connection within a toxic world she cannot ultimately control. Through Frannie’s eyes the reader learns about the history of science, politics, class, race, and gender, but Collins’s storytelling makes it all utterly engrossing.

The love triangle in this debut novel is unusual but wholly believable, when you consider the history between its two settings: Jamaica and the USA. A frightened 18-year-old from Kingston’s inner city gives up her baby to the wealthy American couple for whom she works as a maid. Years later when a young American man and his parents come to the island, Dinah is convinced that he is her long-lost son, and she cannot be unconvinced. At the end, we think about the astonishing ways love crosses but never dissolves barriers of race, class, national origin, and above all, family. Sharma Taylor’s purposive genre-bending (love story, crime story, yard fiction), is part of the book’s riches, as is the tenderness of her empathic insight.

Levy takes us to the transition between slavery and emancipation, if not true freedom. The focus is again on the female experience and the main character is herself the outcome of a sexual assault by a White plantation overseer. 

I truly loved this book. Although there is plenty of pain and suffering here, Levy skillfully injects humour into the character’s outlook and gives us glimpses of the nascent strength and richness that became Jamaican culture. Some of my closest female friends come from this stock of talented people. I see and feel their joy and success as it triumphs over the grim chapters of their ancestral history.

I have read all of David Katz’s material and absolutely loved every bit of it.  This book is essential as it details the life and times of a master.

The interviews and behind the scene look at a person who changed everything for Jamaican popular music kept me engaged throughout the writing.  Katz brilliantly organizes the book and kept me engaged throughout the entire thing. His voice is heard but not overwhelming and this book is, not only about a master and Jamaican music, but about how to write an interview effectively. 

One of the best biographies I have ever read in my life.  

Who thought the devastation of the environment in the interest of mining and development would be a funny, lyrical love story? For Flora Smith, scientist and head of a small environmental NGO, her native Jamaica is filled with family, lovers, friends, and enemies. She is deeply connected to her surroundings and finds ways to immerse herself in the landscape, wildlife, human relationships, and embodied pleasure when all else fails. 

In this lavishly illustrated book, primarily about art in Jamaica but with nods to New South Wales and Britain, Sarah Thomas connects the plantation and urban world of Jamaica to the discipline of art history, giving careful analyses of painters like James Hakewill who painted scenes of plantation life designed to normalise and make more Arcadian a landscape that in fact was marked more by violence than by contentment. It speaks vividly to the silences that surround slavery on the island.

This book was essential in my research and longing to develop a relationship to affect theory through Jamaican dub and sound system culture. I could not stop reading this book, as it connected many of the ideas that I had in my head.

I was amazed that someone could write about this topic in this way, and it shifted my thought process to make me more detailed and affect based in my approach to dub music.  

This novel, told from a slave woman’s perspective, illuminates the time of maximal oppression in the slave colony of Jamaica, where White men sexually and physically abused enslaved Black women at whim. Lilith, the main character, came alive to me as her rage and despair grew with the multiple attacks on her body and spirit. 

It took me back to the anguish I felt discovering the journals of Thomas Thistlewood and his chronicling of close to 4,000 acts of rape carried out on his female Black slaves. When I visited Jamaica for the first time, I included Westmorland Parish as a stop. It was there that Thistlewood perpetrated his atrocities – an appalling example of the conditions under which enslaved women and girls lived during this period. 

This has often been recommended for boys (including by me) but, since there is no such thing as exclusively boy books and girl books, I’m calling this a good book period – with a highly entertaining and deeply endearing adolescent-ish boy, surrounded by a robust cast of supporting characters, at its center. More vignettes than plot, it is rooted in character and voice – in this case, the rare and highly effective use of the second voice. Tonally, it’s a callback to the adventures of boyhood captured in Mark Twain’s Tom Sawyer and the mostly harmless incorrigibility of the boy protagonist as he moves between home, school, and community (the community, in this case, being rural Jamaica), getting into trouble and growing up. It’s the heart and humour for me!

Escaping his abusive home life in upstate New York, fourteen-year-old, Chappie—called Bone after his tattoo—falls in with an assortment of drug dealers and Rastafarians. Angry and hard, Bone is also resilient and proves to have the biggest heart with a soft spot for others who have been dealt a terrible hand by life. In Rule of the Bone, Russell Banks masterfully explores the themes of class and race and the lives of the forgotten in rural America. Chappie has a lot to say about everything, and you may not like how he says it, but he is more often right than wrong.