Here are 87 books that The Gaslight Dogs fans have personally recommended if you like
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I’ll admit I’m a terribly picky reader. My specific taste doesn’t seem to fit in one genre and is sometimes hard to nail down—literary prose with genre tropes, softly-integrated worldbuilding, adventure that leaves room for reflection, and a love story subplot that’s more mental than physical. I love anti-heroes and angst and stories that get a bit dark—but not too dark. When I find it, I’m hooked and obsessed, and I feel like I’m twelve years old again, reading late into the night with a flashlight under the covers. That exprience is what I’m always hunting for, and what I attempt to recreate in my own writing.
I love books that start in the world we know and gently transport the reader into the supernatural. The magic in The Scribe is ancient and the war is underground, but everything feels so natural and real. And how the hero and heroine interact—the reluctance, the tension, the life-or-death alliance. This isn’t instalove, it’s the inescapable love that connects them soul to soul. And when it’s not just the hero who’s haunted but also the heroine, there’s an added dimension to the story that feeds what I crave. The dialogue feels true to life, and the characters come alive on the page. The blend of these elements—fantasy, adventure, and romance—is perfect here, and how they play off one another is like magic.
"Sexy, well-written, and suspenseful." Hidden at the crossroads of the world, an ancient race battles to protect humanity, even as it dies from within.
To the outside world, Ava Matheson is a successful travel photographer from a privileged background. But Ava's spent a lifetime battling voices in her mind she can't understand, and her fractured family has convinced her she'll never belong.
Malachi is an Irin scribe, descended from an angelic race and sworn by blood and magic to defend humanity from the Grigori, the sons of fallen angels who could ravage the world. A chance meeting in Istanbul will…
I’ll admit I’m a terribly picky reader. My specific taste doesn’t seem to fit in one genre and is sometimes hard to nail down—literary prose with genre tropes, softly-integrated worldbuilding, adventure that leaves room for reflection, and a love story subplot that’s more mental than physical. I love anti-heroes and angst and stories that get a bit dark—but not too dark. When I find it, I’m hooked and obsessed, and I feel like I’m twelve years old again, reading late into the night with a flashlight under the covers. That exprience is what I’m always hunting for, and what I attempt to recreate in my own writing.
Song of Scarabaeus is sci-fi, not fantasy, but it definitely has that perfect blend: just enough adventure, just enough sci-fi/fantasy, just enough of a love story. The relationship between the two characters, a scientist and her bodyguard, creates instant on-page tension. I can’t spoil why, but it’s an interesting life-and-death situation that kept me turning pages. With this captivating plot, great characterization, realistic dialogue, and expert worldbuilding, I wish I could erase my memory of this book and experience it all over again.
“A powerful debut….Gripping characterization, non-stop action, fascinating biological speculation, and a dash of romance. Don’t miss it!” —Linnea Sinclair
Remember the name: Sara Creasy. With Song of Scarabaeus she takes her place alongside Ann Aguirre and Linnea Sinclair, staking her claim as one of the most exciting new writers currently rocketing across the science fiction universe. Seamlessly blending action, romance, intrigue, technology, and a tough, complex, and unforgettable heroine in the vein of Elizabeth Moon, Creasyboldly goes where few have traveled before. No wonder author Vonda N. McIntyre declares that “Sara Creasy is a new writer to watch, and Song…
I’ll admit I’m a terribly picky reader. My specific taste doesn’t seem to fit in one genre and is sometimes hard to nail down—literary prose with genre tropes, softly-integrated worldbuilding, adventure that leaves room for reflection, and a love story subplot that’s more mental than physical. I love anti-heroes and angst and stories that get a bit dark—but not too dark. When I find it, I’m hooked and obsessed, and I feel like I’m twelve years old again, reading late into the night with a flashlight under the covers. That exprience is what I’m always hunting for, and what I attempt to recreate in my own writing.
A fan recommended this book to me, and after reading it I added it to my “Favorite Love Stories” list. It’s a slowly built love story integral to a larger plot, making this much more than a “will these two fall in love.” The characters feel like real people and the interesting historical setting and skillful prose pulled me in even more. It has all the pieces of the perfect blend, with an added gothic vibe that I loved.
New York Times bestselling author Paula Brackston transports readers to the windswept mountains of Wales in The Winter Witch, an enthralling tale of love and magic.
In her small early nineteenth century Welsh town, there is no one quite like Morgana. She is small and quick and pretty enough to attract a suitor, but there are things that set her apart from other girls. Though her mind is sharp she has not spoken since she was a young girl. Her silence is a mystery, as well as her magic—the household objects that seem to move at her command, the bad…
I’ll admit I’m a terribly picky reader. My specific taste doesn’t seem to fit in one genre and is sometimes hard to nail down—literary prose with genre tropes, softly-integrated worldbuilding, adventure that leaves room for reflection, and a love story subplot that’s more mental than physical. I love anti-heroes and angst and stories that get a bit dark—but not too dark. When I find it, I’m hooked and obsessed, and I feel like I’m twelve years old again, reading late into the night with a flashlight under the covers. That exprience is what I’m always hunting for, and what I attempt to recreate in my own writing.
Unrelenting action and snappy dialogue made this book an instant fav. It contains some of the best things: betrayal, revenge, a mouthy and haunted anti-hero andheroine, spaceships, and sexual tension from page one. The way this book blends all those things—and yes, this is sci-fi, not fantasy—makes a wildly entertaining start to a perfect series. I’ve never loved characters and their banter more. This perfect team both hates and loves each other and won't stop getting up no matter how many times they're knocked down. Impossibly high stakes and a plot that pits hero against heroine until their alliance becomes the key to a universe-sized revolution. What an amazing book. I devoured the whole series and can’t wait for the finale.
WARNING. Rated: R. Restricted. Contains space battles, killer AI, intergalactic ass-kicking. Read at your own risk.
She is programmed to kill. He’ll do anything to survive.
Ex-con Captain Caleb Shepperd believes being good is overrated. All he wants is to smuggle illegal cargo through the nine systems and live a prosperous (likely short) life on the wrong side of the law.
But there's a problem with that plan. The priceless synthetic stowaway on his ship is a distraction he doesn't need.
Torn between selling her and tossing her out the airlock, Shepperd fails to realize the synth is a killer,…
Historical romance author Emmanuelle lives on the bonny banks of Loch Fyne with her husband and beloved haggis pudding Archie McFloof—connoisseur of bacon treats and squeaky toys. While waiting on her own country house party invitation [sending a wink to Inveraray Castle—which is just down the road, and boasts a duke!] she makes do by serving up imaginary shenanigans.
In this ‘last chance for love’ romance, our gently bred heroine allows herself to be courted by a London merchant for the sake of her family’s dwindling coffers. The courtship of convenience isn’t going well, however, as the darkly handsome hero keeps his emotions so much under wraps that Sophie despairs of him ever declaring himself. Will an invitation to their Christmas family gathering inspire the necessary proposal? Sophie is almost ready to throw in the towel, but her heart whispers that her suitor may not be as reluctant as he first appears.
"Readers will easily fall for Sophie and Ned in their gaslit surroundings." -Library Journal, starred review
A Courtship of Convenience
Sophie Appersett is quite willing to marry outside of her class to ensure the survival of her family. But the darkly handsome Mr. Edward Sharpe is no run-of-the-mill London merchant. He's grim and silent. A man of little emotion--or perhaps no emotion at all. After two months of courtship, she's ready to put an end to things.
A Last Chance for Love
But severing ties with her taciturn suitor isn't as straightforward as Sophie envisioned. Her parents are outraged. And…
I find joy in niches and steampunk is not cut from the ordinary cloth. I was originally challenged to produce a story that incorporated magic into steampunk. The resulting character, Kassandra Leyden who can speak to the dead, brought to life an alternate history where a deadly plague made the British Empire emigrate to the Americas and begin anew. The style and fashion of steampunk in modifying the ordinary appeals to the maker in me. I am an avid renfaire attendee and create and sell garb, which now includes steampunk elements. I hope you enjoy these choices and discover what steampunk has to offer as a genre.
The subtitle to the work, “a Mad Victorian Fantasy” goes a long way to explaining the style of Infernal Devices which follows George Dower inheritor of his father’s clockwork business. Dower bumbles where his father was a genius but that doesn’t stop him from getting involved with time travelers, automaton doppelgangers, and fish people selkies. A romp full of purple prose from one of the progenitors of the term “steampunk.”
The classic Steampunk novel from the creator of the term itself - thirty years ago this month.
When George Dower's father died, he left George his watchmaker's shop - and more. But George has little talent for watches and other infernal devices. When someone tries to steal an old device from the premises, George finds himself embroiled in a mystery of time travel, music and sexual intrigue.
I’ve loved Gothic fiction since I was a teen, though back then, I didn’t know it was Gothic. I just liked the creepiness, the often-isolated heroine, and the things-aren’t-what-they-seem murkiness of the stories. One of my first reads was Jane Eyre, which has remained a favorite. Though I didn’t like history in school (too much memorization!), I read several historical fiction books from different eras that fascinated me. These things, combined with another genre favorite—mystery/thriller, led to my first book. It turns out that all those things I’d gravitated to in my decades of reading became the things I most wanted to write about - mystery/thriller historical fiction with elements of Gothic.
This book checked a lot of boxes for me from the jump: a decrepit infirmary, the grisliness of 19th-century medicine, a soot-filled London that seethes with filth, secrets, and evil.
This book is the first in a series featuring one of the best protagonists I’ve encountered: Jem Flockhart, an intelligent young woman who must disguise herself as a boy to continue her work at St. Saviour’s Infirmary as an apothecary. The mystery at its heart was every bit as Gothic as I’d hoped.
Ramshackle and crumbling, trapped in the past and resisting the future, St. Saviour's Infirmary awaits demolition. Within its stinking wards and cramped corridors, the doctors bicker and backstab. Ambition, jealousy, and loathing seethe beneath the veneer of professional courtesy. Always an outsider, and with a secret of her own to hide, apothecary Jem Flockhart observes everything but says nothing.
And then six tiny coffins are uncovered, inside each a handful of dried flowers and a bundle of mouldering rags. When Jem comes across these strange relics hidden inside the infirmary's old chapel, her quest to understand their meaning prises open…
I find joy in niches and steampunk is not cut from the ordinary cloth. I was originally challenged to produce a story that incorporated magic into steampunk. The resulting character, Kassandra Leyden who can speak to the dead, brought to life an alternate history where a deadly plague made the British Empire emigrate to the Americas and begin anew. The style and fashion of steampunk in modifying the ordinary appeals to the maker in me. I am an avid renfaire attendee and create and sell garb, which now includes steampunk elements. I hope you enjoy these choices and discover what steampunk has to offer as a genre.
The first in the Newbury and Hobbs series finds our intrepid pair of investigators trying to tie together an airship crash, a mysterious plague among the less fortunate of London, a spate of murders that leaves Scotland Yard clueless and the reappearing ghost of a police officer. A London on the verge of a technological leap forward provides a backdrop for a Holmesian investigation. There’s plenty more ahead in the series for those who enjoy this one.
Get ready to follow dazzling young writer George Mann to a London unlike any you've ever seen and into an adventure you will never forget, in The Affinity Bridge.
Welcome to the bizarre and dangerous world of Victorian London, a city teetering on the edge of revolution. Its people are ushering in a new era of technology, dazzled each day by unfamiliar inventions. Airships soar in the skies over the city, while ground trains rumble through the streets and clockwork automatons are programmed to carry out menial tasks in the offices of lawyers, policemen, and journalists.
I grew up on a steady book diet of child detectives, fairy tales involving monsters in the woods, and historical fiction about the black plague. The same themes go through the books I love to read and write, transporting me with world-building set in realms or historical settings with technology so strange it could be fantasy. Characters are shaped by the world around them and the more perilous the world, the more it challenges the characters. If there are monsters, I’m in.
Boneshaker is set in an alternate Seattle where a rampant machine unearthed toxic gas that turns people into zombies, and the only way to contain this disaster was to wall off the city. What I love about Boneshaker is how people remain defiantly close to the city and move on with their lives despite the toxic rain, the zombies clawing on the walls, and, even more so, the people who take it further and travel through the ruins of the once great city in an airship, or, if they’re daring, on foot.
Better pack your guns and your wits when exploring this cityscape!
At the start of the Civil War, a Russian mining company commissions a great machine to pave the way from Seattle to Alaska and speed up the gold rush that is beating a path to the frozen north. Inventor Leviticus Blue creates the machine, but on its first test run it malfunctions, decimating Seattle's banking district and uncovering a vein of Blight Gas that turns everyone who breathes it into the living dead. Sixteen years later Briar, Blue's widow, lives in the poor neighborhood outside the wall that's been built around the uninhabitable city. Life is tough with a ruined…
I am a Professor Emeritus of Classical and Byzantine History, and I was fascinated by Attila and the Hun and Genghis Khan from early childhood when I decided that I would become a historian. I set out to write the history of the Eurasian nomads from their perspective, and so convey their neglected history to a wider readership.
This is the fundamental, well written work for the relationship between imperial China and the nomadic peoples.
I am impressed how Barefield perceptively analyzes the strengths and weaknesses of successive nomadic confederations from the Xiongnu down to the Mongols.
He argues convincingly, in my opinion, that often the Chinese Empire and the nomadic confederation often depended upon each other economically and militarily as is well seen in the alliance between later Tang emperors and the Uyghur Khans in the eighth and early ninth centuries.
Around 800 BC, the Eurasian steppe underwent a profound cultural transformation that was to shape world history for the next 2,500 years: the nomadic herdsmen of Inner Asia invented cavalry which, with the use of the compound bow, gave them the means to terrorize first their neighbors and ultimately, under Chingis Khan and his descendants, the whole of Asia and Europe. Why and how they did so and to what effect are the themes of this history of the nomadic tribes of Inner Asia - the Mongols, Turks, Uighurs and others, collectively dubbed the Barbarians by the Chinese and the…
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