37 books like The Last Kashmiri Rose

CJ Sansom, a renowned historian, released this first fiction novel to huge acclaim. I was fascinated to find the investigator was a London lawyer during the reign of Henry VIII. It ticked all the boxes: history, a juicy murder, crime, and mystery. I was not disappointed. In my own writing, I endeavour to make my characters individual and memorable and, therefore, look for that in books I read.

The protagonist, lawyer Matthew Shardlake, has the brain, persistence, and vision of a Holmes or Poirot in uncovering the clues and is admired by all for his ability to win cases. Despite this, one thing continually erodes his confidence: he is a hunchback. Not restricted by twenty-first-century political correctness, his enemies take delight in reminding him of this. I loved the way the author handled that.

I enjoyed the detective story in an entirely different setting. It is a magnificent first book;… show more.

Jane and the Unpleasantness at Scargrave Manor is the first of Stephanie Barron’s 14 Jane Austen mysteries, based on Austen’s “discovered” diaries about her adventures as a sleuth.  The series’ witty tone is true to Austen’s, and portrayals of Austen’s family are based in fact. In this opening volume, Jane is visiting a friend “of more fashion than means” newly married a middle aged earl—who dies, poisoned, after a celebratory party. His will divides his estate between his countess and an heir known to be too fond of her, making the pair obvious suspects. As Jane works to prove her friend innocent, the descriptions of aristocratic Regency life, dress, manners, and law are superb. 

Lisa M. Lane’s Murder at Old St. Thomas’s opens in Old St. Thomas’s Hospital, recently closed to make way for railroad lines. In the once-famous operating theater, the body of an eminent surgeon is found nailed to one of the seats in which medical students once watched him operate. The cause of death: toxic inhalation of chloroform. As Detective Inspector Cuthbert Slaughter and his American sergeant Mark Honeycutt interview suspects, their investigation provides a portrait of Victorian surgery (anesthetics still experimental; hygiene ignored by all but the nurses taught by Florence Nightingale). This 2022 mystery has fascinating characters, and it provides a wonderful picture of Victorian London and Southwark. 

Blind Justice, set in 1768, is the first of Bruce Alexander’s 11 Sir John Fielding mysteries. Its hero is the famous blind magistrate of London’s Bow Street Court; its narrator is thirteen-year-old Jeremy Proctor, whom Fielding’s wisdom has saved from an unjust accusation of theft. The pair investigate the death of Sir Richard Goodhope, who has been discovered shot in his library, locked from the inside. Sir John assumes suicide, but Jeremy’s observation of a detail that the magistrate could not see suggests murder. Proof of murder involves following Goodhope’s history through London’s streets, gambling houses, coffee houses, and great houses—to Drury Lane theater and Newgate—in a compelling portrait of eighteenth-century London.

If you love underdog stories, this one offers a double helping. First, Inspector Witherspoon’s career is threatened by ambitious and unscrupulous men who want to see him fail. Secondly, his household staff are the real heroes, tracking down clues that they cleverly feed to their unsuspecting employer to help him solve murder cases. Each staff member has unique methods for uncovering information, and together they make an effective team. I chuckle at their close calls as they scramble to hide their secret sleuthing from the inspector and the rest of the police force.  

This first novel gives the backstory: what’s at stake for the inspector and his household, plus why his housekeeper (Mrs. Jeffries) is a plausible and capable sleuth.

One of the biggest joys in this fine series is the pub settings. Each title is the name of a pub and each pub is the sort of spot you'd like to settle comfortably down with a drink and a chat with friends. Add onto this backdrop a puzzling murder, the wonderful Scotland Yard inspector Richard Jury, and his aristocratic sidekick Melrose Plant, and you've got a winning formula from Martha Grimes.

A cult novel from the early twentieth century, beloved of everyone from C.S. Lewis to Neil Gaiman to literally Kafka.

It starts at a peaceful suburban garden party, then plunges us into the secret anarchist conspiracy to bring down civilization, and the equally secret police force dedicated to stopping them. Duels, disguises, and mind-blowing revelations ensue, with writing just packed with Edwardian-era wit and charm.

As a writer I look to Crombie’s Constable Duncan Kincaid/Sergeant Gemma James series for guidance on how to have your characters grow professionally and personally, to age and experience the kind of changes people go through in real life. I recommend book one of the nineteen in the series, A Share in Death, because it sets up the relationship between the two detectives.

This is the first book in George’s twenty-one book series featuring Scotland Yard Inspector Thomas Lynley, the eighth earl of Asherton, and Detective Sergeant Barbara Havers, a commoner.

When I read A Great Deliverance, I fell in love with George’s beautiful writing, found her two characters fascinating, and adored the cast of characters supporting the detectives. Plus, the book is unusual because the reader knows from the start who the killer is and the investigation focuses on why she killed him.

When I sat down to write my first ever fiction, Linley and Havers were the inspiration for my two detectives, NYPD Detectives Chiara Corelli and P.J. Parker. And I learned from George that the characters are as important, if not more important, than the plot. She inspired my writing.

This is another murder mystery set in a quintessential English village and where we meet detective Adam Dalgleish for the first time. The day after the church fete, Sally Jupp is found dead in her bedroom, the door locked from the inside. I loved the way tension gradually builds through the story and how expertly each character is drawn. Nobody is who they seem, including the victim.