100 books like Tunneling to the Center of the Earth

I love short-story collections. I’ve read dozens to hundreds of them, starting as a child reading Richard Scarry, and I still make them a regular part of my reading diet. I started trying my own hand at short fiction in 2012 and have since finished more than one hundred stories, including the ones in Animal Husbandry. I’m now working on my first novel after years as a short-story writer, and it gives me additional admiration for how many outstanding novelists are also able to master short fiction. It’s two different skill sets, and the five authors I mentioned here (among many others) excel at both.

I’ve been a lifelong lover of short fiction, novels, and comic books since I can remember. Ideas were always king, leading me to a career in the creative arts as a graphic designer with years of experience in the world of advertising. Much of the core of what I did for advertising—crafting brief tales to engage with an audience in a creative/unique way—translated over well to when I began writing my own short stories. And all of the book recommendations here directly inspired me to write White Space.

I’ve been a lifelong lover of short fiction, novels, and comic books since I can remember. Ideas were always king, leading me to a career in the creative arts as a graphic designer with years of experience in the world of advertising. Much of the core of what I did for advertising—crafting brief tales to engage with an audience in a creative/unique way—translated over well to when I began writing my own short stories. And all of the book recommendations here directly inspired me to write White Space.

I’ve been a lifelong lover of short fiction, novels, and comic books since I can remember. Ideas were always king, leading me to a career in the creative arts as a graphic designer with years of experience in the world of advertising. Much of the core of what I did for advertising—crafting brief tales to engage with an audience in a creative/unique way—translated over well to when I began writing my own short stories. And all of the book recommendations here directly inspired me to write White Space.

Surrealism and magical realism are the blood of my art. All my novels, and especially my short stories, jump in and out of the world of schedules, deadlines, and certainty. It’s what I read and how I think, and it flows through my writing, drawing, and photography. I can’t imagine a world without magic, a world in which everything has a logical explanation and nothing moves beyond a set of rules that can be measured and accounted for. It’s the unaccountable rules, the ones that hint of something going on just under the surface of what we see, that rule my art.

I love wordless books immoderately, and I also love books that have meta, surreal, or magical realism elements. This list combines these two features! I was personally so happy that The Red Book was described in a review as “a wordless mind trip for tots,” and I think all the books on this list would perfectly fit that description (and much, much more!) too.

Surrealism and magical realism are the blood of my art. All my novels, and especially my short stories, jump in and out of the world of schedules, deadlines, and certainty. It’s what I read and how I think, and it flows through my writing, drawing, and photography. I can’t imagine a world without magic, a world in which everything has a logical explanation and nothing moves beyond a set of rules that can be measured and accounted for. It’s the unaccountable rules, the ones that hint of something going on just under the surface of what we see, that rule my art.

I’ve always been a child of the woods. I preferred to leave my home and wade a creek or explore a hillside. Nothing compared to the sight of a black snake or the feel of a mud puppy. School was a torture until an English teacher introduced me to Richard Brautigan and then read my first serious story to the class. Since then, this dyslexic nature lover has become a dream fisher and history miner with a Ph.D. in English Literature and Cultural Studies. Retired from forty-one years of teaching, I now write and publish cultural fiction.

I am instantly drawn to stories with voyages, spices, and trade. But as much as these, I love meddlesome and crafty gods. I’m not a religious person, but I love to understand how people behave around religion, how it influences their choices, and how our world’s history can be chronologized as a series of fanatical events and conquests. Fantasy gives me the option to explore characters and worlds where gods are not only inherently intrusive but also cast a long shadow on people’s nature, giving birth to folklore, myths, and, of course, great stories to tell. They drive destinies, but more importantly, they drive the resistance against being puppeteered.

Ursula K. Le Guin said science fiction is a metaphor of the now. It allows us to defamiliarize ourselves with the issues around us, so we can see everything from a new lens. As someone who worked in tech spaces and once wrote a poetry-generating program, I am interested in how people use language to write about technology, at all levels. I appreciate the blend of older forms of technology like phonographs along with newer forms like ChatGPT. Languages interest me: how we translate to speak to machinery or people, and how translation itself can feel like a kind of wormhole into another world.