Here are 100 books that Within These Walls of Sorrow fans have personally recommended if you like
Within These Walls of Sorrow.
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I am Professor Emeritus in the School of Social Sciences and Humanities at Loughborough University. I have written widely in the areas of social and cultural history, the sociology of art and culture, and media and communication studies. Recent projects have involved books on song and music in the workplace, popular culture, cultural studies, advertising and racism, and blackface minstrelsy. I co-wrote Media and the Management of Change with Emily Keightley, the last volume in a trilogy on media and memory and the interaction of memory and imagination.
In this book Max Silverman focuses on the remembering and understanding of extreme violence and terror, arguing against the tendency to separate different histories from each other along ethno-cultural lines. In countering this tendency, he conceives of the present not as an isolated moment but rather as a composite structure made up of different temporal traces from the past, lying in varying layers of visibility within the present, each of them capable of mediating, and being transformed by, another. Silverman builds a cogent case for the ways in which history, memory and imagination overlap and interact. After reading this book, it is difficult, if not impossible, to mount a defence of memory as authentic, sovereign, and autonomous.
The interconnections between histories and memories of the Holocaust, colonialism and extreme violence in post-war French and Francophone fiction and film provide the central focus of this book. It proposes a new model of 'palimpsestic memory', which the author defines as the condensation of different spatio-temporal traces, to describe these interconnections and defines the poetics and the politics of this composite form. In doing so it is argued that a poetics dependent on tropes and techniques, such as metaphor, allegory and montage, establishes connections across space and time which oblige us to perceive cultural memory not in terms of its…
I’m a Cuban refugee. I came with my family in the early 1960s a few years after the Cuban revolution. I served 4 years in the U.S. Marines. I went to school and in 1982 married. Both of my daughters became college professors. The younger works for the CUNY system, while the oldest teaches at Yale University in New Haven, Connecticut. I have always had a passion for modern European history. It grew from an interest in military history when I was a Marine.
This is required reading to understand the Russo-German War.
This two-volume masterpiece was written by Paul Schmidt, who was actually Hitler’s Press Secretary during the war. Schmidt used the nom de plume of “Paul Carrell”, and although one would, at first glance, imagine that this author might write a biased and pro-Nazi apologetic study, that could not be further from the truth.
Carrell/Schmidt actually wrote a very truthful account of the war, pulling no punches and even criticizing Hitler’s leadership and his ideology throughout the study.
Carrell/Schmidt also happens to be an eloquent storyteller. He is the type of author who can manage to place the reader in the middle of the story, as if he/she is witnessing the events live. Very few authors can do this.
When I was a child, I found myself suddenly fascinated by World War II after reading a Classics Illustrated comic that detailed the history of the war. I remember asking myself, “How could this happen? How could Hitler have exerted such control and power?” Years later, I found myself wanting to write a novel about the Holocaust, but I was shamed and awed by the work of those who had lived through it. Despite that, I kept reading about the war and learning its history. The Taster grew out of all the research I’d done over the years.
A longtime friend introduced me to this novel after he found out that I had some interest in the subject. I’m so glad he did because, after the first reading, I’ve never forgotten it. This slim volume is a masterpiece of deft description and character development. A resort town, somewhere near Vienna, is peopled with colorful residents, tourists, and later the forced resettlement of Jews. “The light stood still. There was a frozen kind of attentiveness in the air. An alien orange shadow gnawed stealthily at the geranium leaves.” Such is Appelfeld’s sparse, beautiful prose. Disaster looms, tension builds, and people disappear...slowly, inexorably. The chilling ending is a tour de force of writing.
A small masterpiece of world literature, set in Europe months before the Nazis began their rise.
It is spring 1939. And Badenheim, a resort town vaguely in the orbit of Vienna, is preparing for its summer season. The vacationers arrive as they always have, a sampling of Jewish middle-class life: the impresario Dr. Pappenheim, his musicians, and their conductor; the bubbly Frau Tsauberblit; the historian, Dr. Fussholdt, and his much younger wife; the “readers,” twins with a passion for Rilke; a child prodigy; a commercial traveler; a rabbi.
The list of guests grows longer as the summer goes on. Receiving…
Professor Elie Wiesel was instrumental in my translating and researching my mother’s journals. My awakening to the dark period in the chapter of the Jewish history happened between 1971-1974 at CCNY, when our paths crossed while I was taking his classes at the department of Jewish studies. It was in his classes that the things that bewildered me as a child growing up in communist Poland in the shadows of the Holocaust aftermath started to make sense. I asked my mother to commit to paper the painful memories, she buried deep inside her. She and the next generations have an obligation to bear witness, to be this history's keepers.
The famous Hannah Arendt coined “the banality of evil." Not monsters, but ordinary people were able to follow Hitler’s murderess ideology. Ordinary Men clearly shows how men and women from all walks of life were capable of becoming cold-blooded killers. Ordinary Men were the Nazi mobile gas units and death squads responsible for the murder of 1.5 million Jews in Eastern Poland & Ukraine.
I was 12 years old when, in Amsterdam on a family holiday, I was taken to see the Anne Frank House. Until then I knew very little about WW2, the Nazis, and the Holocaust. After viewing the ‘secret annexe’ my father bought me The Diary of Anne Frank, which was on sale there, and I started reading it in the car as we drove off. The book sparked my deep lifelong interest in that chapter of history. Many years later I discovered that my own mother also had an extraordinary wartime story. By then I was a journalist and knew I’d have to write a book about it—Deadly Carousel.
This autobiography showed me that a tale of survival against the odds, in the most dangerous of times, can also be highly entertaining. To avoid deportation to the death camps, Jewish teenager Lothar Orbach assumes a fake Aryan identity and launches into a precarious underground existence in the heart of the Nazi empire, living off his wits, dodging the authorities and mixing with various shady characters. In my favourite episode, he and his hustler pal Tad meet two sex-starved teenage sisters, the daughters of a prominent Nazi family living in the elegant house of a deported Jewish professor. As the parents are away, Lothar and Tad move in and fulfil the girls’ lusty desires in return for homecooked meals…until the day they stuff two suitcases with food, clothes, alcohol and jewellery, and scarper back underground. Marvellous.
Now in book form, this is the intensely moving first-person account of "the Auschwitz Memoirist's extraordinary manuscript" described in Philip Roth's Patrimony: A True Story.
This is the true story of a young man born at the wrong time in the wrong place. Lothar Orbach's family proudly traces its German heritage back to the fifteenth century, but that is no help to a Jewish boy coming of age in Hitler's Berlin.
At the center of this world gone mad is Lothar, outwardly a cagey, amoral street thug, inwardly a sensitive, romantic youth, devoted son, and increasingly religious Jew, clinging to…
From an early age, I was steeped in stories. My mother is a great storyteller and would tell vivid and exciting stories of her childhood, giving me a great sense of my own life as a part of the story of generations. We moved around a lot for my father’s job, which was sometimes disorientating and could lead to loneliness, and I took refuge in libraries and in writing stories of my own. By the time I left school, literature was my big love and mainstay, and I took a degree in English and later taught it in schools. Reading and writing stories has since become my life.
I honestly felt my life had more meaning after I first read this book, as it touched on so much that was close to my heart.
I totally identified with the protagonist’s emotional journey: a childhood imbued with a sense of things lost and hidden, which, in adulthood, he tries to quell with erudition before the past erupts and he learns the truth of his tortured origins.
I found it really haunting and more in touch with the truth about the human condition than most books I’ve read. I’ve read it three times, once with my reading group, and I’m sure I’ll read it again.
This tenth anniversary edition of W. G. Sebald’s celebrated masterpiece includes a new Introduction by acclaimed critic James Wood. Austerlitz is the story of a man’s search for the answer to his life’s central riddle. A small child when he comes to England on a Kindertransport in the summer of 1939, Jacques Austerlitz is told nothing of his real family by the Welsh Methodist minister and his wife who raise him. When he is a much older man, fleeting memories return to him, and obeying an instinct he only dimly understands, Austerlitz follows their trail back to the world he…
I love stories about human connection and creativity. I came to writing later in life; I was moved to research and write a memoir about raising our two daughters, both of whom were born deaf. I discovered in my Jewish ancestry two deaf great-great aunts who tied strings to their babies’ wrists at night so that when their babies cried, they would feel the tug in the darkness and wake to care for them. This innovation of connection has shaped me as a mother, a writer, and a reader. In my novel, The Yellow Bird Sings, a mother and daughter stay connected through music and the power of imagination.
I read this magical, mystical novel on an airplane, and had to retrieve a spare t-shirt from my suitcase to sob into! A beautiful, heart-wrenching work about family history, memory, and the power of imagination, the story is narrated by a girl, Lena, who leads her village to imagining their way out of the reality of the Holocaust's horrors. For a time, the villagers are spared, even repaired, until the outside world presses its way in and the myths crack, then shatter.
From the award-winning author of Sons and Daughters of Ease and Plenty and the new story collection, Awayland.
In 1939, the families in a remote Jewish village in Romania feel the war close in on them. Their tribe has moved and escaped for thousands of years- across oceans, deserts, and mountains-but now, it seems, there is nowhere else to go. Danger is imminent in every direction, yet the territory of imagination and belief is limitless. At the suggestion of an eleven-year-old girl and a mysterious stranger who has washed up on the riverbank, the villagers decide to reinvent the world:…
I was old (or young) enough to have only seen two Kubrick films in the cinema: Full Metal Jacket and Eyes Wide Shut. I began teaching film studies and Hollywood in 1998, and I have been teaching and researching Kubrick intensively since 2007, visiting his archive in London on numerous occasions. At one point, I held the record for the researcher who had spent the most hours in the Archive. I also met Christiane and Jan and spoke to many others who knew and worked with Kubrick. Having been familiar with Robert Kolker’s work, it became clear that collaborating with an international authority on film was a necessity as well as a pleasure.
I like this book because it is controversial – it suggests that Stanley Kubrick always wanted to make a film about the Holocaust but never did, so the film he made that ended up being about the Holocaust was The Shining.
While I don’t always agree with its conclusions, the research and analysis are first-rate, in-depth, detailed, and penetrating. It also uses a lot of archival research, which still tends to be rare in academic writing about film. I would love to see more books about film and Hollywood like this.
The Wolf at the Door explores the remarkable formal and substantive patterns of cinematic discourse on Germany and the Holocaust in Stanley Kubrick’s films. It is the first book on Kubrick to place his cinema into the full context of his life and times – his Jewish past, early years spent under the shadows of fascism and war, and his 1957 marriage into a German family of artists and filmmakers – all provoked his deeply ambivalent preoccupation with the history of Nazi Germany and the Holocaust. While personal and artistic reservations caused Kubrick to abandon several plans for a film…
Gemma is the bestselling author of historical fiction novels, translated into several languages. Set against the backdrop of war in Europe, her fifth book in this genre will be released later this year. She has combined the war experiences of family members in WWI and WWII, information collected during her research and travels, and her academic studies in writing and history, to create the authentic scenes and characters for her books.
The partisan experiences of Primo Levi—chemist, Auschwitz survivor, and writer—are researched and offered in gritty, thorough detail by Luzzatto. Levi, in his writings, alluded to incidents that occurred during his time as a partisan, and Luzzatto delves deeper into the motivations behind these events and the personalities involved. The Resistance in its early days, while being hunted by Nazis and their Italian allies, became a small force of its own making, using collective, military-style decisions and tactics, and meting out its own forms of justice. An important book to gain insight into the complexities of purpose within the Resistance, learn about the crimes and subsequent justice of members of Salò—the puppet government installed in northern Italy—and understand the influences on political alignments and fascism in the period beyond the war.
No other Auschwitz survivor has been as literarily powerful and historically influential as Primo Levi. Yet Levi was not only a victim or a witness. In the fall of 1943, at the very start of the Italian Resistance, he was a fighter, participating in the first attempts to launch guerrilla warfare against occupying Nazi forces. Those three months have been largely overlooked by Levi's biographers; indeed, they went strikingly unmentioned by Levi himself. For the rest of his life he barely acknowledged that autumn in the Alps. But an obscure passage in Levi's The Periodic Table hints that his deportation…
As the daughter of two Holocaust survivors, I have experienced, observed, and researched inherited trauma. I have also noticed the dearth of works of fiction that focus on the second generation. I believe it is time for the voices of the second generation to be heard, and for the issues facing us to be explored.
Lila tells the story of two WW11 survivor families whose daughters are born on the same day in a Displaced Persons Camp, who immigrate to the United States around the same time, and take apartments in the same building in the South Bronx, New York. The immigrant neighborhood, full of busybody characters, is beautifully rendered. Everyone expects the two girls to be as close as sisters, their lives and fates happily intertwined. However, their growing-up years veer into dangerous territory. While one family manages to establish a home of love and caring, the other morphs into a den of dysfunction and perversion. Upending everyone’s expectations, the two girls embark on a path of jealousy and hatred. As secrets are revealed, their paths diverge, ending in tragedy. The novel is a shattering portrait of how trauma of the Holocaust and inherited trauma passed on to the next generation can destroy lives.
Sarah and Lila both born in 1946, 11 months after the war, on the same day, minutes apart, in a displaced persons camp in Germany, were seen by their parents, Holocaust survivors, as a miracle, and their lives destined to have a bond that would never be broken. They were ... wrong.Both families relocate to the United States, and settle in the South Bronx, in the same neighborhood and building, to start their new lives. By the end of the summer of 1960, everyone finds themselves in the turmoil of love, friendship, and competition. Secrets are disclosed; accusations are made…
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