81 books like Wyrd Sisters

If you mention witches, most people think fantasy novels, but this is a factual history about the real life witch-hunts that took place across the East of England in the 17th Century. It unpicks the brutal and most likely self-serving crusade of the original Witchfinder General, Mathew Hopkins and the religious hysteria of the time. It is a worthy counterbalance to classic horror films such as Witchfinder General and to all the varied and imaginative fiction that has been written about witches and witchery over the centuries, my own included.

It doesn’t hurt to be a goddess—even a minor goddess—that is, unless you are condemned to live alone on an enchanted island for eternity. I love the magic and herbology woven into Circe's character. (I love anything that has to do with harnessing nature’s powerful, innate wisdom.)

Circe’s suffering at the hands of gods and men is as intense as if she were a human woman. Yet she is immortal. Is there no end to it? Thankfully, even a goddess can grow. 

Where can I even begin with the magic and immersion of Naomi Novik’s Uprooted?

Saying an unlikely heroine with an affinity for the forest meets an aloof, powerful wizard thus starting her quest to uncover the potential of her own magic barely scratches the surface of the enchanting world Novik creates. The allure and power of the dark forest that runs tangled roots beneath the story’s unspooling narrative is an unmissable experience.

And Novik’s uniquely beautiful language is perfectly matched by the magic of the fairy tale world itself and the weaving of the spells therein! 

Snow, Glass, Apples is my all-time favourite Gaiman story, which is quite staggering given how much of his work I adore, but I'd only seen it in short story form before, in Smoke and Mirrors. Then I was given a copy of just Snow Glass, Apples, illustrated by Colleen Doran. The artwork is stunning, beautifully dark with a tight palette and rich, intricate detailing. Every page is a work of art, allowing you to linger and slowly digest the tale as it unfolds. This story is a huge influence for me, in particular for my collection Once Upon A Twisted Fairytale, because it flips the story of Snow White on its head. All of the elements of the traditional tale - the huntsman, the stepmother queen, the dwarves, the glass coffin - are there, but put together from the perspective of the queen, totally changing the story. I love… show more.

As a child, one of my favourite stories, that went on to help shape my personal writing style, was The Whitby Witches by Robin Jarvis. As a care leaver I found the main characters, siblings who had been shunted between several foster homes because of the brother's psychic gift, relatable. The sister doesn't believe him - a brilliant source of conflict because all they have is each other, yet there's this huge wedge between them. But the best part is how well the author blends the magical with the mundane. There's a group of almost Lovecraftian creatures that can only be seen by those with The Sight, living alongside the villagers. I loved the idea of unseen people, just a shadow's width away, unknown things living side by side with a blissfully ignorant human populace. That contrast between the ordinary and fantastical had crept into a lot of my stories.

As a teen, I'd visit my aunt, in her flat above a laundrette. The flat had a small attic room with a little window and a few old boxes of junk. My cousins and sister and I would play up there, or sit up there telling ghost stories, because it was one of those unclaimed spaces, overlooked by adults, that children colonise. A liminal space almost, where adult rules and laws don't quite apply and therefore magic can happen. One day I was snooping up there and found a beautiful copy of  Friedrich De La Motte's Undine, illustrated by Arthur Rackham. It was so stunningly beautiful, it felt like a book that had been plucked out of some fairytale land. I lost myself in the illustrations or weeks before I even read the words. And when I did my heart broke for Undine, who loved so hard, but left… show more.

The Fourth Bear is possibly too light to be included in a list of dark fairytales, but the main character is a classic, almost noir type detective, so maybe it's ok. Nursery Crime Division, to be exact. I think Jasper Fforde may be to blame for my desire to write Jack and the Beanstalk as a dark gritty courtroom drama (maybe one day!), he blends genres together so seamlessly, and I long to be able to do it as well as he does. There's a terrifying serial killer on the loose, and I was as on the edge of my seat as I am with any thriller, even though I knew that killer was The Gingerbread Man. It follows the plot of a standard police procedural/thriller, while including Punch and Judy, Goldilocks, an illegal porridge ring, and a murderous biscuit....or is The Gingerbread Man a cake? I absolutely adore the… show more.

I was on Christmas break from school, and we were to spend the holiday week at my aunt’s place. The adults would play mahjong, but as the only kid in the house, there was nothing for me to do. My mom took me to Target, and I picked up a copy of Harry Potter, as I had heard good things about the book.

Once I started reading it, I was immediately under the spell of this magical world. Very few books could compare to the amazing world J.K. Rowling created in the Harry Potter series. 

Gaiman’s fairytale-like writing gives it a nostalgic feel I didn’t even know I was looking for, and the idea that stars aren’t just big balls of hot gas, but people? That lines up with the idea that every star is an attendant angel, for me—or older ideas of religions past, that the stars themselves were the “visible gods” of our world, watching over us from the cosmos.

All fiction comes from something someone said before, and it’s one of the things I love most about fantasy. Stardust is one of those books that really just gives you the old-school whimsy and magic and romance that, when you’re trying so hard to think of something never-been-done-before, reminds you that there’s a reason stories like these are called classic.

A formative book from my childhood, The Weirdstone of Brisingamen kick-started my love of all things magic, heroic, and fantastical. Not only that, but the setting was close to where I grew up – these were locations I knew but viewed through a mythic lens. Loosely based on the legend of the Wizard of Alderley Edge, Alan Garner creates a fantasy world that feels so real as two children are pulled into an adventure where the very future of the world of men is on the line. It remains so influential on my own writing that I still return to the old dwarf caves of Fundinvale as an adult and enjoy the tale every bit as much as I did when I was a ten-year-old reading by torchlight under the duvet.