68 books like Yannis Ritsos

That I would love a poem written/translated by Seamus Heaney did not come as a surprise to me, but that it is Beowulf, a poem/story steeped in the Germanic warrior culture and soaked in blood that enthralled me, did surprise me.

I do not remember the occasion that prompted my reading, but even as I opened the book to its Introduction, and read “...And now this is ‘an inheritance’ --/Upright, rudimentary, unshiftably planked/ In the long ago, yet willable forward...Again and again and again,” I could not put it down.

In fact, you might say, it is not the story but the voice of the poet and how he brought this ancient language and people back to life that compelled me to read on. Of course, the voice is that of the poet of “Digging,” as he traces his roots back to these unlikely ancestors.

It seems repetitive now to sing Wilson’s praises, but I have read many translations of Homer’s Odyssey, from Pope to Fagles, but it was not until I came to Emily Wilson’s rendition that I felt truly drawn, bodily, to Homer and I especially enjoyed her readings, one, in her Introduction to the poem in the book, and two, her performance of it on YouTube.

Also, Judith Thurman’s review/interview of her in the New Yorker is particularly revealing. Her article, “Mother Tongue,” about Wilson’s personal relationship with the poem and her “folk poetics,” spoke to me like a kindred spirit. Poetry, for me, has always been a physiological experience, which is why Wilson’s approach feels so familiar: “I write for the body,” she told Thurman in that interview.

I read this English translation before I even read the book in Chinese, even though Chinese readers in Hong Kong where I grew up all read it as teenagers or young adults. The popular title of the novel is Dream of the Red Chamber, in both English and its original Chinese, but I immediately agreed with Hawkes that The Story of the Stone, one among its many titles, is much more expressive and fitting.

The eighteenth-century aristocratic family is a hugely complex world we are introduced to, but Hawkes’ faithful, resourceful, and unpretentious translation makes getting to know the multitude of characters easy and unforgettable.

Even though it is set in eighteenth-century China, for a twentieth/twenty-first-century English reader like myself, the family dynamics, tragedy, and romance here are palpable thanks to Hawke’s understanding and translation.

Stanley Kunitz, with Max Hayward’s translation of Poems of Akhmatova from Russian, is another book that I find myself going back to over and over again.

This is a poet’s translation of a poet, and not only that, but a poet who is willing to give himself entirely to the art of translation in order to bring another poet’s voice in another language back to life, as he puts it in his Translator’s Note, “...to record what we have heard, and to try to give it back in the language that we love.”

This is why I love these translations; I love that I can hear her through him, the translator as a medium, and the result is pure and uncontrived, hitting me right in the heart as I read and taste these poems out loud. This is a poet-translator who has “walked through many lives” (from Kunitz’s poem, “The… show more.

This is a dreamer’s book—notes about life, literature, and the universe written by the author after accepting on the spur of the moment a Greek friend’s invitation to go island-hopping in a little sailing boat.

I like it not just because I knew the author’s late daughter and treasure his affectionate references to her, but also for its erudite musings and reflections. They remind me of how, even from the deck of one of today’s decidedly unromantic ferries, the glinting sea and island silhouettes induce a state of semi-trance or reverie, pushing your thoughts into overdrive.

The author was a heavyweight figure on Greece’s literary scene, but this little book is charming, short, and accessible.

Greek Gods and Godesses are usually a very over done genre, but Josephine nails her take on a retelling.

This series is hands down one of my top series even after all this time and I squealed with joy when I saw that she continued the series when we thought it was done!

Book 1 in a 4-book series, and our hero is Kaidance Monroe. I love the world the author has created and I really connected with Kaidance and the challenges she faces. This story is a modern-day take on the ancient Greek myth about The Fates who control our lives, and I love this retelling because the core message holds true for each and every one of us, that we can only control so much of our lives, that there are forces bigger than us that we have to deal with, but it's how we cope that's important. I’ve read the entire series. The author doesn’t drop the pace. I loved experiencing this fantastical world on a rollercoaster ride, clinging on until the end. 

This book is about being brave. You know when a problem grows into a huge scary monster, right? It’s got you cornered and you don't think you'll ever get out alive, but with the right attitude, you can. Our hero Phoenix is braver than his years, but in some ways he’s more grown-up than his dad. In this retelling of the ancient Greek story of the minotaur, who crushes mortals and eats them for breakfast, we step into a monstrous virtual world created by Phoenix’s dad. I wanted to run, but most of all I wanted to stay and see what happened next. Will the minotaur eat Phoenix alive? I related to Phoenix trying to survive and trying to work out his issues with his dad, because every one of us has to face the same difficult world and be courageous about it.

The Percy Jackson series reminded me of how incredibly fun Greek mythology was, and it widened my world in seeing how stories could be deeply inspired by ancient mythologies, but could also seamlessly relate to young readers.

The pace was fast, the dialogues were hilarious, and the adventure was satisfying. I especially love how many of the gods in the book remained mostly true to their personalities from the original myths, but they were slightly tweaked to fit modern taste.

Set against a beautiful, violent landscape, The Door in the Mountain is the story of Ariadne, a young princess navigating her culture’s customs and her personal responsibilities. In Ariadne’s world, the course of one’s life is determined by whether one has a “godmark” – a special gift or ability granted by the heavens. Ariadne desperately wants to be godmarked like her brother and parents. That desperation fuels a mean streak that, at times, turns to downright cruelty. Caitlin Sweet is a master of characterization, and as a reader, I can’t help but sympathize with Ariadne’s longing to fit in with her family – to be considered their equal in all aspects – even when her words and actions are despicable to those around her.