I’m an Australian author, staring down the barrel of middle age. I’ve been writing about music for the past 30 years. I’ve written 25 books; my subjects have included Keith Urban, the Bee Gees, Angus and Malcolm Young, Daniel Johns of Silverchair, among others. During my career, I’ve also had interesting encounters with such legends as Aretha Franklin, Patti Smith, Bob Dylan and Helen Reddy. I live (currently in lockdown, yet again) with my very tolerant wife, my two children, and a house full of animals. (Real animals, that is, not the kids.)
I wrote...
Bad Boy Boogie: The true story of AC / DC legend Bon Scott
You’re not a fully-fledged music writer in Australia until you’ve had a crack at the Bon Scott story. Bon was the swaggering, hairy-chested frontman of rock legends AC/DC, and he died in 1980, just as the band was about to explode internationally. It may sound like a tragedy, and ultimately it is, but Bon squeezed more living into his 33 years than most of us will manage in our allotted three score and ten. When once asked if he was AC or DC, Bon smiled and replied: ‘Neither. I’m the lightning flash in the middle.’
This was the book that inspired me to start writing. It’s a page-turning bio of the short life and very fast times of Jim Morrison from The Doors, and it made me realise you could write about music without resembling some giddy fanboy — Morrison comes off as a rock and roll poet and a drunken bozo. It rates with the best biographies I’ve read, regardless of topic or genre.
A portrait of Jim Morrison is based on seven years of research and tells the story behind his musical genius, worship of darkness, rejection of all forms of authority, and tragic death when his life spun out of control. Reissue.
For me, it’s the ultimate snapshot of what it’s really like to be a writer on the road with a band (in this instance Bob Dylan’s remarkable Rolling Thunder Revue of 1975). Sloman documents it all: the editorial pressures, the hassles of trying to gain access to Dylan, the egos, the enablers, the claustrophobic hotel rooms, wacky ole’ Alan Ginsberg — and the exhilaration of seeing a legend, on a creative high, from close range, night after night. Not a bad gig, all things considered.
Hailed as “the War and Peace of rock and roll” by Bob Dylan himself, this is the ultimate backstage pass to Dylan’s legendary 1975 tour across America—by a former Rolling Stone reporter prominently featured in Martin Scorsese’s Netflix documentary Rolling Thunder Revue: A Bob Dylan Story.
In 1975, as Bob Dylan emerged from eight years of seclusion, he dreamed of putting together a traveling music show that would trek across the country like a psychedelic carnival. The dream became reality, and On the Road with Bob Dylan is the behind-the-scenes look at what happened when Dylan and the Rolling Thunder…
Lester Bangs was a great writer: funny, erudite, fearless — to be honest, he was probably slumming it writing about rock and roll in the 1970s. But his one-on-ones with Lou Reed, who Bangs revered and despised in equal proportions, make for some of the best rock writing of Bangs’, or any other, generation.
Until his death aged thirty-three in 1982, Lester Bangs wrote wired, rock 'n' roll pieces on Iggy Pop, The Clash, John Lennon, Kraftwerk, Lou Reed. As a rock critic, he had an eagle-eye for distinguishing the pre-packaged imitation from the real thing; written in a conversational, wisecracking, erotically charged style, his hallucinatory hagiographies and excoriating take-downs reveal an iconoclast unafraid to tell it like it is. To his journalism he brought the talent of a great a renegade Beat poet, and his essays, reviews and scattered notes convey the electric thrill of a music junky indulging the habit of a…
It’s a real insider’s view of what it took to make turn such artists as Bob Dylan, Neil Young, and Bruce Springsteen into money-spinning superstars. Interestingly, some of the back-room kingmakers — Albert Grossman, David Geffen, and the rest of them — prove to be just as interesting and complicated as the music makers they represented.
In 1964, on the brink of the British Invasion, the music business in America shunned rock and roll. There was no rock press, no such thing as artist management -- literally no rock-and-roll business. Today the industry will gross over $20 billion. How did this change happen?
From the moment Pete Seeger tried to cut the power at the 1965 Newport Folk Festival debut of Bob Dylan's electric band, rock's cultural influence and business potential have been grasped by a rare assortment of ambitious and farsighted musicians and businessmen. Jon Landau took calls from legendary producer Jerry Wexler in his…
Mark Evans was the bassist for AC/DC and played on such classics as ‘Dirty Deeds Done Dirt Cheap’ and ‘Long Way to the Top’. He was a resident of the ‘Prahran Hilton’ — a public housing estate in Melbourne — when he joined the band, and within a year he was in London mixing it up with Ozzy Osbourne (‘the plumber of darkness’), Marc Bolan, the Sex Pistols and the rest of them. This is a real boy’s own, working-class, rock and roll adventure.
Mark Evans joined AC/DC in 1975, at only nineteen years old, when they were one of the hardest working and loudest rock bands in Australia. In the next few years AC/DC recorded four bestselling albums, and Mark found himself headlining world tours and living the life of a bonafide rock star. His memoir, Dirty Deeds: My Life Inside and Outside of AC/DC, is the first book written by an AC/DC insider, giving fans insight into the life of not only Evans, but also singer Bon Scott, who died tragically in 1980. Rock and roll icons like George Harrison, Gene Simmons,…
What happens when a novelist with a “razor-sharp wit” (Newsday), a “singular sensibility” (Huff Post), and a lifetime of fear about getting sick finds a lump where no lump should be? Months of medical mishaps, coded language, and Doctors who don't get it.
With wisdom, self-effacing wit, and the story-telling artistry of an acclaimed novelist, Elizabeth Benedict recollects her cancer diagnosis after discovering multiplying lumps in her armpit. In compact, explosive chapters, interspersed with moments of self-mocking levity, she chronicles her illness from muddled diagnosis to “natural remedies,” to debilitating treatments, as she gathers sustenance from family, an assortment of urbane friends, and a fearless “cancer guru.”
Rewriting Illness is suffused with suspense, secrets, and the unexpected solace of silence.
By turns somber and funny but above all provocative, Elizabeth Benedict's Rewriting Illness: A View of My Own is a most unconventional memoir. With wisdom, self-effacing wit, and the story-telling skills of a seasoned novelist, she brings to life her cancer diagnosis and committed hypochondria. As she discovers multiplying lumps in her armpit, she describes her initial terror, interspersed with moments of self-mocking levity as she indulges in "natural remedies," among them chanting Tibetan mantras, drinking shots of wheat grass, and finding medicinal properties in chocolate babka. She tracks the progression of her illness from muddled diagnosis to debilitating treatment…
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