When I first enrolled in college, I expected to be a science major who was also interested in history, but I ended up becoming a history major who was also interested in science. I earned my Ph.D. in history from George Washington University in Washington, DC, after earning my B.A. from Temple University in Philadelphia, PA. My Ph.D. dissertation on the U.S. Army Chemical Warfare Service during WWI and the 1920s became the basis for my book Behind the Gas Mask.
I wrote...
Behind the Gas Mask: The U.S. Chemical Warfare Service in War and Peace
Behind the Gas Masktells the story of the Chemical Warfare Service (CWS) as it worked to improve the U.S. Army's ability to use and defend against chemical weapons during WWI. Taking the CWS's story from the trenches to peacetime, this book explores how the CWS's work on chemical warfare continued through the 1920s despite deep opposition to the weapons in both military and civilian circles. Conflict with those aligned against chemical warfare forced the CWS to fight for its institutional life—and ultimately led to the U.S. military's rejection of battlefield chemical weapons. Behind the Gas Maskoffers a thought-provoking view of the history and place of chemical weapons in American war-making.
This book is a history of chemical and biological warfare in antiquity that is full of fascinating revelations. Adrienne Mayor investigates ancient texts and legends to explore early methods of warfare that continue to have relevance today. This book illustrates that ethical debates over the use of chemical weapons are as old as humanity itself.
A gripping and groundbreaking history of how ancient cultures developed and used biological, chemical, and other unconventional weapons of war
Flamethrowers, poison gases, incendiary bombs, the large-scale spreading of disease: are these terrifying agents of warfare modern inventions? Not by a long shot. In this riveting history of the origins of unconventional war, Adrienne Mayor shows that cultures around the world have used biological and chemical weapons for thousands of years-and debated the morality of doing so. Drawing extraordinary connections between the mythical worlds of Hercules and the Trojan War, the accounts of Herodotus and Thucydides, and modern methods of…
War and Nature is an innovative and thought-provoking look at the relationship between chemical warfare and insecticides that intersects military history, environmental history, and cultural history. Edmund Russell weaves together many disparate threads of inquiry into a cohesive and compelling story about how military tools can transition into commercial uses.War and Nature convinced me to study chemical warfare in my academic career more than any other book.
War and Nature combines discussion of technology, nature, and warfare to explain the impact of war on nature and vice versa. While cultural and scholarly traditions have led us to think of war and control of nature as separate, this 2001 book uses the history of chemical warfare and pest control as a case study to show that war and control of nature coevolved. Ideologically, institutionally, and technologically, the paths of chemical warfare and pest control intersected repeatedly in the twentieth century. These intersections help us understand the development of total war and the rise of the modern environmental movement.
Hellfire Boys is the story of the U.S. Army Chemical Warfare Service during the First World War, written by a journalist who brings his skills as an investigator and a storyteller to this tale. Theo Emery became interested in chemical warfare in 2012 while covering the U.S. Army’s excavation of buried WWI chemical weapons beneath the Spring Valley neighborhood of Washington, DC. Well researched and readable, I literally could not putHellfire Boys down.
This explosive look into the dawn of chemical warfare during World War I is "a terrifying piece of history that almost no one knows" (Hampton Sides).
In 1915, when German forces executed the first successful gas attack of World War I, the world watched in horror as the boundaries of warfare were forever changed. Cries of barbarianism rang throughout Europe, yet Allied nations immediately jumped into the fray, kickstarting an arms race that would redefine a war already steeped in unimaginable horror.
Largely forgotten in the confines of history, the development of the U.S. Chemical Warfare Service in 1917 left…
This book provides an answer to a question that historians of arms control have asked since WWII ended: Why had the use of chemical weapons on the battlefield not become widespread in WWII, in the same manner it had in WWI? Focusing on Britain, Canada, and the United States, Holding Their Breath explores Allied reluctance to use chemical weapons and their formulation of a joint policy on chemical warfare. M. Girard Dorsey shows that the potential for chemical warfare in WWII profoundly influenced the course of the war’s events.
Holding Their Breath uncovers just how close Britain, the United States, and Canada came to crossing the red line that restrained chemical weapon use during World War II. Unlike World War I, belligerents did not release poison gas regularly during the Second World War. Yet, the looming threat of chemical warfare significantly affected the actions and attitudes of these three nations as they prepared their populations for war, mediated their diplomatic and military alliances, and attempted to defend their national identities and sovereignty.
The story of chemical weapons and World War II begins in the interwar period as governments and…
Anna Feigenbaum’s book describes the origins of tear gas as a weapon of war and its transition to a crowd control tool. Tear Gas tells a story about the relationships between militaries, arms manufacturers, and police forces that has critical public policy and societal implications today. The continued use of tear gas to counter-protest movements and mass demonstrations around the globe remains a challenge for advocates of arms control, social justice, and human rights.
One hundred years ago, French troops fired tear gas grenades into German trenches. Designed to force people out from behind barricades and trenches, tear gas causes burning of the eyes and skin, tearing, and gagging. Chemical weapons are now banned from war zones. But today, tear gas has become the most commonly used form of "less-lethal" police force. In 2011, the year that protests exploded from the Arab Spring to Occupy Wall Street, tear gas sales tripled. Most tear gas is produced in the United States, and many images of protestors in Tahrir Square showed tear gas canisters with "Made…
My life and work have been profoundly affected by the central circumstance of my existence: I was born into a very large military Catholic family in the United States of America. As a child surrounded by many others in the 60s, I wrote, performed, and directed family plays with my numerous brothers and sisters. Although I fell in love with a Canadian and moved to Canada, my family of origin still exerts considerable personal influence. My central struggle, coming from that place of chaos, order, and conformity, is to have the courage to live an authentic life based on my own experience of connectedness and individuality, to speak and be heard.
Trapped in her enormous, devout Catholic family in 1963, Annie creates a hilarious campaign of lies when the pope dies and their family friend, Cardinal Stefanucci, is unexpectedly on the shortlist to be elected the first American pope.
Driven to elevate her family to the holiest of holy rollers in the parish, Annie is tortured by her own dishonesty. But when “The Hands” visits her in her bed and when her sister finds herself facing a scandal, Annie discovers her parents will do almost anything to uphold their reputation and keep their secrets safe.
Questioning all she has believed and torn between her own gut instinct and years of Catholic guilt, Annie takes courageous risks to wrest salvation from the tragic sequence of events set in motion by her parents’ betrayal.
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