As a child, I was drawn to the silences in family stories and as a young adult, the gaps in official records. Now I’m a former English professor turned full-time writer who is fascinated with who gets written out of history, and why. I love exploring overlooked lives, especially women’s lives—from Stalin’s female relatives to nineteenth-century shopgirls, and most recently, a pair of early medieval queens.
The remarkable, little-known story of two trailblazing women in the Early Middle Ages who wielded immense power, only to be vilified for daring to rule. Brunhild was a foreign princess, raised to be married off. Her sister-in-law Fredegund started out as a lowly palace slave. And yet-in sixth-century Merovingian France, where women were excluded from noble succession these two iron-willed strategists reigned over vast realms. Yet after the queens' deaths—one gentle, the other horrific—their stories were rewritten.
The Dark Queens sets the record straight, resurrecting two very real women in all their complexity, painting a richly detailed portrait of an unfamiliar time and striking at the roots of some of our culture's stubbornest myths about female power. The Dark Queens offers proof that the relationships between women can transform the world.
I love books that teach me something new about something I had always assumed to be true, like the “fact” that Jack the Ripper preyed on prostitutes. Rubenhold turns this narrative on its head to give Ripper’s canonical victims “that which was so brutally taken away with their lives: their dignity.” These exhaustively researched biographies show how sickness, trauma, and addiction intersected with the indifference of employers, husbands, and public officials to force each woman out onto the streets of Whitechapel.The Fiveis not just an impassioned indictment of middle-class Victorian society, but of any society that decides working-class women don’t matter.
THE #1 SUNDAY TIMES BESTSELLER WINNER OF THE BAILLIE GIFFORD PRIZE FOR NONFICTION 2019 'An angry and important work of historical detection, calling time on the misogyny that has fed the Ripper myth. Powerful and shaming' GUARDIAN
Polly, Annie, Elizabeth, Catherine and Mary-Jane are famous for the same thing, though they never met. They came from Fleet Street, Knightsbridge, Wolverhampton, Sweden and Wales. They wrote ballads, ran coffee houses, lived on country estates, they breathed ink-dust from printing presses and escaped people-traffickers.
What they had in common was the year of their murders: 1888.
If you’ve ever found yourself obsessed with a family mystery, you’ll be captivated by The Lost. Mendelsohn had always wondered what happened to his great-uncle and aunt, and their four daughters, during the Holocaust. His search starts with ordinary genealogical curiosity but quickly spirals into an epic quest. I admire Mendelsohn’s elegant, lyrical prose and was swept up in his ruminations on what we owe the past. His discoveries are heartbreaking but they also spark hope—by rescuing one ordinary family from oblivion.
A writer's search for his family's tragic past in World War II becomes a remarkably original and riveting epic, brilliantly exploring the nature of time and memory.
'The Lost' begins as the story of a boy who grew up in a family haunted by the disappearance of six relatives during the Holocaust - an unmentionable subject that gripped his imagination from earliest childhood. Decades later, spurred by the discovery of a cache of desperate letters written to his grandfather in 1939, Daniel Mendelsohn sets out to find the remaining eyewitnesses to his relative's fates. The quest takes him to a…
In Women Warriors, the footnotes are every bit as informative and bitingly funny as the text itself. Toler travels across many cultures and eras, from ancient times up until the 20th century, to show that, like it or not, “women have always gone to war.” She covers some women you’ve likely heard of before—like Boudica, Hua Mulan, and Joan of Arc—as well as many others you probably haven’t—like Tomyris, Artemisia II, and Lakshmi Bai. These mini-biographies, taken together, provide an eye-opening and unforgettable corrective about women and warfare.
Who says women don’t go to war? From Vikings and African queens to cross-dressing military doctors and WWII Russian fighter pilots, these are the stories of women for whom battle was not a metaphor.
The woman warrior is always cast as an anomaly—Joan of Arc, not GI Jane. But women, it turns out, have always gone to war. In this fascinating and lively world history, Pamela Toler not only introduces us to women who took up arms, she also shows why they did it and what happened when they stepped out of their traditional female roles to take on other…
I don’t often read graphic novels, but I found myself entranced by this one about a particular sort of women warrior. Wake recounts Dr. Hall’s search for the enslaved women who rebelled during the Middle Passage and in colonial America. Dr. Hall writes, “if you believe something doesn’t exist, you don’t go looking for it. Worse, if you stumble upon it, you still can’t see it.” By approaching old material with fresh eyes, Hall is able to uncover and reimagine these women’s stories, showing how the past haunts us whether we choose to acknowledge it or not. I was moved by Hall’s insights and by the resolution of the women she portrays.
'A must-read graphic history. . . an inspired and inspiring defence of heroic women whose struggles could be fuel for a more just future' Guardian
'Not only a riveting tale of Black women's leadership of slave revolts but an equally dramatic story of the engaged scholarship that enabled its discovery' Angela Y. Davis
Women warriors planned and led slave revolts on slave ships during the passage across the Atlantic. They fought their enslavers throughout the Americas. And then they were erased from history.
In Wake Rebecca Hall, a historian, a granddaughter of slaves, and a woman haunted by the legacy…
I love gorgeous sentences alongside a good mystery, and Wroe expertly crafts both. A decade after the Princes in the Tower were presumed murdered, a charismatic young man appeared, claiming to be the younger of the two princes—Richard, Duke of York. His enemies, though, said he was a boatman’s son named Perkin Warbeck. So who was he really? Wroe’s meditation on appearance and identity has even more resonance in the Instagram-era than it did when it was first published. What does it mean to “look the part”? And what matters most—who we think we are, or who others think we might be?
In 1491, as Machiavelli advised popes and princes and Leonardo da Vinci astonished the art world, a young man boarded a ship in Portugal bound for Ireland. He would be greeted upon arrival as the rightful heir to the throne of England. The trouble was, England already had a king.
The most intriguing and ambitious pretender in history, this elegant young man was celebrated throughout Europe as the prince he claimed to be: Richard, Duke of York, the younger of the “Princes in the Tower” who were presumed to have been murdered almost a decade earlier. Handsome, well-mannered, and charismatic,…
I’m an avid reader of queer literary fiction not only because I write it but because I’m looking to see my life experience captured on the page. As a gay man, a father of two young boys, and one-half of an interracial married couple, I know the complexity of modern queer living firsthand. In recent years, I’ve been astounded by the breadth of great LGBTQ+ books that examine queerness fully and empathetically. I seek out these books, I read them feverishly, and I become a champion for the best ones. In an era of intense book banning, it’s so important to me to elevate these books and their authors.
The Birthright of Sons is a collection of stories centered around the experiences of marginalized people, namely Black and LGBTQ+ men. Although the stories borrow elements from various genres (horror, suspense, romance, magical realism, etc.), they are linked by an exploration of identity and the ways personhood is shaped through interactions with the people, places, and belief systems around us.
In each of these stories, the protagonists grapple with their understanding of who they are, who and how they love, and what is ultimately most important to them. In almost every case, however, the quest to know or protect oneself is challenged by an external force, resulting in violence, crisis, or confusion, among other outcomes.
The Birthright of Sons is a collection of stories centered around the experiences of marginalized people, namely Black and LGBTQ+ men. Though the stories borrow elements from various genres (horror, suspense, romance, magical realism, etc.), they're linked by an exploration of identity and the ways personhood is shaped through interactions with the people, places, and belief systems around us.
Underpinning the project is a core belief - self-definition is fluid, but conflict arises because society often fails to keep pace with personal evolution. In each of these stories, the protagonists grapple with their understanding of who they are, who and…
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