I’m a philosophy professor who started writing memoir in her mid-thirties. I love the similarities and the differences between memoir and philosophy (to sum it up: both are ways of making sense of your experience, but memoirists are allowed to tell stories, make jokes and break your heart.) On the trail of my obsession with the two, I’ve written a book on the philosophy of memoir and a memoir about philosophy. My sister calls them “your weird book twins.” Whatever! The whole experience has felt like falling in love, and I now want to encourage everyone to give personal writing a shot.
Artful Truths offers a concise and accessible guide to the philosophical questions that arise when writing a literary work about your own life. Helena de Bres addresses what memoirs are, how they relate to fiction, memoirists’ responsibilities to their readers and subjects, and the question of why to write a memoir at all. Along the way, she delves into many large human questions, including the nature of the self, the limits of knowledge, the idea of truth, the obligations of friendship, the relationship between morality and art, and the question of what makes a life meaningful.Written in a clear and conversational style, Artful Truths offers insight and guidance for those who write, teach, and study memoirs, and those who love to read them.
This book is a blast to read and also packed with insight (the Holy Grail, no?) It’s a collection of short chapters on a wide range of questions that either a baby or seasoned memoirist might ask. How do I find my voice? How do I organize my material? Am I betraying my family? (When Karr asked her own mom if she minded being outed as a knife-wielding alcoholic who set her children’s toys on fire, Mrs. Karr apparently replied: “Oh hell, the whole town knew about that.”) Karr draws on her extensive experience as a best-selling memoirist and teacher of memoir, serving up hard-won wisdom and concrete practical advice. ReadingThe Art of Memoiris like trapping a celebrity genius in a hotel bar and getting the unvarnished version. You’ll love it.
Credited with sparking the current memoir explosion, Mary Karr's The Liars' Club spent more than a year at the top of the New York Times list. She followed with two other smash bestsellers: Cherry and Lit, which were critical hits as well. For thirty years Karr has also taught the form, winning teaching prizes at Syracuse. (The writing program there produced such acclaimed authors as Cheryl Strayed, Keith Gessen, and Koren Zailckas.) In The Art of Memoir, she synthesizes her expertise as professor and therapy patient, writer and spiritual seeker, recovered alcoholic and "black belt sinner," providing a unique window…
Phillip Lopate is widely recognized as the national champion of the personal essay. He published an anthology in 1994 that’s credited with reviving respect for the form and has written several acclaimed essay collections himself. He’s a serious scholar and an irreverent artist, and that winning mix comes through in this set of brief, engaging, insightful pieces on the nature and craft of creative nonfiction. New memoirists are often encouraged to make their writing rich in descriptive detail and scenes, and steer away from too much philosophizing: as William Gass once put it, treating ideas “like a cockroach in the picnic basket.” One thing I love about this book is the way it pushes back on that consensus, arguing that reflection on the past, not just evocation of it, is what makes a personal essay great.
A long-awaited new book on personal writing from Phillip Lopate—celebrated essayist, the director of Columbia University’s nonfiction program, and editor of The Art of the Personal Essay.
Distinguished author Phillip Lopate, editor of the celebrated anthology The Art of the Personal Essay, is universally acclaimed as “one of our best personal essayists” (Dallas Morning News).
Here, combining more than forty years of lessons from his storied career as a writer and professor, he brings us this highly anticipated nuts-and-bolts guide to writing literary nonfiction.
A phenomenal master class shaped by Lopate’s informative, accessible tone and immense gift for storytelling, To…
Melissa Febos is having a moment. Who wouldn’t love a queer feminist firebrand who was once a professional dominatrix and now writes memoir and essays that surge with sensual detail, set your mind in action, and then rip your heart out? She recently won the National Book Critics Circle award for her excellent collection of essays on growing up female, Girlhood. This short book, which followed fast on that one’s tail, brings together four pieces on the craft of personal narrative. If you’re worried you’re a narcissist or opportunist for writing a memoir, or just wallowing in your own trauma, this book will help you think about where (or who) those criticisms are coming from, and fire you up to get back to the open page.
Memoir meets craft master class in this “daring, honest, psychologically insightful” exploration of how we think and write about intimate experiences—“a must read for anybody shoving a pen across paper or staring into a screen or a past" (Mary Karr)
In this bold and exhilarating mix of memoir and master class, Melissa Febos tackles the emotional, psychological, and physical work of writing intimately while offering an utterly fresh examination of the storyteller’s life and the questions which run through it.
How might we go about capturing on the page the relationships that have formed us? How…
Memoir is sometimes dissed as an inferior, quasi-literary genre: just a souped-up diary, therapy session, or family history that lacks the imagination and artistry of works of fiction. In truth, the great memoirs of the past and present are every bit as literary as the great novels. This means that, if you’re going to write a good memoir, you need to see yourself as a creative writer and nurture that side of yourself on the regular. How do you charge the parts of you that are wild, passionate, and free, devoted to elegance, artistry, and beauty for the pure sake of those things, when you’re tired and the world is falling apart and you also need to load the dishwasher? Read this book.
"For nonwriters, it is a glimpse into the trials and satisfactions of a life spent with words. For writers, it is a warm, rambling, conversation with a stimulating and extraordinarily talented colleague." — Chicago Tribune
From Pulitzer Prize-winning Annie Dillard, a collection that illuminates the dedication and daring that characterizes a writer's life.
In these short essays, Annie Dillard—the author of Pilgrim at Tinker Creek and An American Childhood—illuminates the dedication, absurdity, and daring that characterize the existence of a writer. A moving account of Dillard’s own experiences while writing her works, The Writing Life offers deep insight into one…
The best way to learn how to write a memoir is to read a lot of memoirs. It expands your sense of the possibilities (“what? I’m allowed to do that?”), provides you with techniques to steal for your own work, helps you identify your distinctive strengths and weaknesses, and inspires you to keep going when self-doubt and weariness swoop in. I could recommend memoirs all day, but here’s a brand new one I’m reading right now that I love. It’s written by a philosophy professor with a skeletal disorder (like me!) and combines reflections on art, beauty, and disability with the author’s personal experience of those things. It’s thought-provoking, funny, and moving, and offers what feels like a direct window into the soul of another human. Isn’t that why we read and love memoirs? So why not write one?
A New York Times Notable Book of 2022 * A Washington Post, Time,Publishers Weekly and New York Public Library Best Book of the Year * “Gorgeous, vividly alive.” —The New York Times * “Soul-stretching, breathtaking…A game-changing gift to readers.” —Booklist (starred review)
From Chloé Cooper Jones—Pulitzer Prize finalist, philosophy professor, Whiting Creative Nonfiction Grant recipient—an “exquisite” (Oprah Daily) and groundbreaking memoir about disability, motherhood, and the search for a new way of seeing and being seen.
“I am in a bar in Brooklyn, listening to two men, my friends, discuss whether my life is worth living.”
What happens when a novelist with a “razor-sharp wit” (Newsday), a “singular sensibility” (Huff Post), and a lifetime of fear about getting sick finds a lump where no lump should be? Months of medical mishaps, coded language, and Doctors who don't get it.
With wisdom, self-effacing wit, and the story-telling artistry of an acclaimed novelist, Elizabeth Benedict recollects her cancer diagnosis after discovering multiplying lumps in her armpit. In compact, explosive chapters, interspersed with moments of self-mocking levity, she chronicles her illness from muddled diagnosis to “natural remedies,” to debilitating treatments, as she gathers sustenance from family, an assortment of urbane friends, and a fearless “cancer guru.”
Rewriting Illness is suffused with suspense, secrets, and the unexpected solace of silence.
By turns somber and funny but above all provocative, Elizabeth Benedict's Rewriting Illness: A View of My Own is a most unconventional memoir. With wisdom, self-effacing wit, and the story-telling skills of a seasoned novelist, she brings to life her cancer diagnosis and committed hypochondria. As she discovers multiplying lumps in her armpit, she describes her initial terror, interspersed with moments of self-mocking levity as she indulges in "natural remedies," among them chanting Tibetan mantras, drinking shots of wheat grass, and finding medicinal properties in chocolate babka. She tracks the progression of her illness from muddled diagnosis to debilitating treatment…
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