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The Book Thief Paperback – September 11, 2007
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The extraordinary, beloved novel about the ability of books to feed the soul even in the darkest of times.
When Death has a story to tell, you listen.
It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still.
Liesel Meminger is a foster girl living outside of Munich, who scratches out a meager existence for herself by stealing when she encounters something she can’t resist–books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement.
In superbly crafted writing that burns with intensity, award-winning author Markus Zusak, author of I Am the Messenger, has given us one of the most enduring stories of our time.
“The kind of book that can be life-changing.” —The New York Times
“Deserves a place on the same shelf with The Diary of a Young Girl by Anne Frank.” —USA Today
DON’T MISS BRIDGE OF CLAY, MARKUS ZUSAK’S FIRST NOVEL SINCE THE BOOK THIEF.
- Print length608 pages
- LanguageEnglish
- Lexile measure730L
- Dimensions5.31 x 1.25 x 8.06 inches
- PublisherKnopf Books for Young Readers
- Publication dateSeptember 11, 2007
- ISBN-100375842209
- ISBN-13978-0375842207
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Get to know this book
What's it about?
A young girl steals books to share with others during World War II in Nazi Germany, finding solace in literature amidst darkness.Popular highlight
I traveled the globe as always, handing souls to the conveyor belt of eternity.7,856 Kindle readers highlighted thisPopular highlight
It’s much easier, she realized, to be on the verge of something than to actually be it.6,354 Kindle readers highlighted this
Editorial Reviews
Review
"The Book Thiefis unsettling and unsentimental, yet ultimately poetic. Its grimness and tragedy run through the reader's mind like a black-and-white movie, bereft of the colors of life. Zusak may not have lived under Nazi domination, but The Book Thief deserves a place on the same shelf with The Diary of a Young Girl by Anne Frank and Elie Wiesel's Night. It seems poised to become a classic."
- USA Today
"Zusak doesn’t sugarcoat anything, but he makes his ostensibly gloomy subject bearable the same way Kurt Vonnegut did in Slaughterhouse-Five: with grim, darkly consoling humor.”
- Time Magazine
"Elegant, philosophical and moving...Beautiful and important."
- Kirkus Reviews, Starred
"This hefty volume is an achievement...a challenging book in both length
and subject..."
- Publisher's Weekly, Starred
"One of the most highly anticipated young-adult books in years."
- The Wall Street Journal
"Exquisitely written and memorably populated, Zusak's poignant tribute to words, survival, and their curiously inevitable entwinement is a tour de force to be not just read but inhabited."
- The Horn Book Magazine, Starred
"An extraordinary narrative."
- School Library Journal, Starred
"The Book Thief will be appreciated for Mr. Zusak's audacity, also on display in his earlier I Am the Messenger. It will be widely read and admired because it tells a story in which books become treasures. And because there's no arguing with a sentiment like that."
- New York Times
About the Author
All of Zusak’s books – including earlier titles, The Underdog, Fighting Ruben Wolfe, When Dogs Cry (also titled Getting the Girl), and The Messenger (or I am the Messenger) – have been awarded numerous honors around the world, ranging from literary prizes to readers choice awards to prizes voted on by booksellers.
In 2013, The Book Thief was made into a major motion picture, and in 2018 was voted one of America’s all-time favorite books, achieving the 14th position on the PBS Great American Read. Also in 2018, Bridge of Clay was selected as a best book of the year in publications ranging from Entertainment Weekly to the Wall Street Journal.
Markus Zusak grew up in Sydney, Australia, and still lives there with his wife and two children.
Excerpt. © Reprinted by permission. All rights reserved.
First the colors.
Then the humans.
That's usually how I see things.
Or at least, how I try.
***HERE IS A SMALL FACT ***
You are going to die.
I am in all truthfulness attempting to be cheerful about this whole topic, though most people find themselves hindered in believing me, no matter my protestations. Please, trust me. I most definitely can be cheerful. I can be amiable. Agreeable. Affable. And that's only the A's. Just don't ask me to be nice. Nice has nothing to do with me.
***Reaction to the ***
AFOREMENTIONED fact
Does this worry you?
I urge you--don't be afraid.
I'm nothing if not fair.
--Of course, an introduction.
A beginning.
Where are my manners?
I could introduce myself properly, but it's not really necessary. You will know me well enough and soon enough, depending on a diverse range of variables. It suffices to say that at some point in time, I will be standing over you, as genially as possible. Your soul will be in my arms. A color will be perched on my shoulder. I will carry you gently away.
At that moment, you will be lying there (I rarely find people standing up). You will be caked in your own body. There might be a discovery; a scream will dribble down the air. The only sound I'll hear after that will be my own breathing, and the sound of the smell, of my footsteps.
The question is, what color will everything be at that moment when I come for you? What will the sky be saying?
Personally, I like a chocolate-colored sky. Dark, dark chocolate. People say it suits me. I do, however, try to enjoy every color I see--the whole spectrum. A billion or so flavors, none of them quite the same, and a sky to slowly suck on. It takes the edge off the stress. It helps me relax.
***A SMALL THEORY ***
People observe the colors of a day only at its beginnings and ends, but to me it's quite clear that a day merges through a multitude of shades and intonations, with each passing moment.
A single hour can consist of thousands of different colors.
Waxy yellows, cloud-spat blues. Murky darknesses.
In my line of work, I make it a point to notice them.
As I've been alluding to, my one saving grace is distraction. It keeps me sane. It helps me cope, considering the length of time I've been performing this job. The trouble is, who could ever replace me? Who could step in while I take a break in your stock-standard resort-style vacation destination, whether it be tropical or of the ski trip variety? The answer, of course, is nobody, which has prompted me to make a conscious, deliberate decision--to make distraction my vacation. Needless to say, I vacation in increments. In colors.
Still, it's possible that you might be asking, why does he even need a vacation? What does he need distraction from?
Which brings me to my next point.
It's the leftover humans.
The survivors.
They're the ones I can't stand to look at, although on many occasions I still fail. I deliberately seek out the colors to keep my mind off them, but now and then, I witness the ones who are left behind, crumbling among the jigsaw puzzle of realization, despair, and surprise. They have punctured hearts. They have beaten lungs.
Which in turn brings me to the subject I am telling you about tonight, or today, or whatever the hour and color. It's the story of one of those perpetual survivors--an expert at being left behind.
It's just a small story really, about, among other things:
* A girl
* Some words
* An accordionist
* Some fanatical Germans
* A Jewish fist fighter
* And quite a lot of thievery
I saw the book thief three times.
BESIDE THE RAILWAY LINE
First up is something white. Of the blinding kind.
Some of you are most likely thinking that white is not really a color and all of that tired sort of nonsense. Well, I'm here to tell you that it is. White is without question a color, and personally, I don't think you want to argue with me.
***A REASSURING ANNOUNCEMENT ***
Please, be calm, despite that previous threat.
I am all bluster--
I am not violent.
I am not malicious.
I am a result.
Yes, it was white.
It felt as though the whole globe was dressed in snow. Like it had pulled it on, the way you pull on a sweater. Next to the train line, footprints were sunken to their shins. Trees wore blankets of ice.
As you might expect, someone had died.
They couldn't just leave him on the ground. For now, it wasn't such a problem, but very soon, the track ahead would be cleared and the train would need to move on.
There were two guards.
There was one mother and her daughter.
One corpse.
The mother, the girl, and the corpse remained stubborn and silent.
"Well, what else do you want me to do?"
The guards were tall and short. The tall one always spoke first, though he was not in charge. He looked at the smaller, rounder one. The one with the juicy red face.
"Well," was the response, "we can't just leave them like this, can we?"
The tall one was losing patience. "Why not?"
And the smaller one damn near exploded. He looked up at the tall one's chin and cried, "Spinnst du! Are you stupid?!" The abhorrence on his cheeks was growing thicker by the moment. His skin widened. "Come on," he said, traipsing over the snow. "We'll carry all three of them back on if we have to. We'll notify the next stop."
As for me, I had already made the most elementary of mistakes. I can't explain to you the severity of my self-disappointment. Originally, I'd done everything right:
I studied the blinding, white-snow sky who stood at the window of the moving train. I practically inhaled it, but still, I wavered. I buckled--I became interested. In the girl. Curiosity got the better of me, and I resigned myself to stay as long as my schedule allowed, and I watched.
Twenty-three minutes later, when the train was stopped, I climbed out with them.
A small soul was in my arms.
I stood a little to the right.
The dynamic train guard duo made their way back to the mother, the girl, and the small male corpse. I clearly remember that my breath was loud that day. I'm surprised the guards didn't notice me as they walked by. The world was sagging now, under the weight of all that snow.
Perhaps ten meters to my left, the pale, empty-stomached girl was standing, frost-stricken.
Her mouth jittered.
Her cold arms were folded.
Tears were frozen to the book thief's face.
Product details
- Publisher : Knopf Books for Young Readers; First Edition (September 11, 2007)
- Language : English
- Paperback : 608 pages
- ISBN-10 : 0375842209
- ISBN-13 : 978-0375842207
- Reading age : 10+ years, from customers
- Lexile measure : 730L
- Item Weight : 2.31 pounds
- Dimensions : 5.31 x 1.25 x 8.06 inches
- Best Sellers Rank: #217 in Books (See Top 100 in Books)
- Customer Reviews:
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About the author
Markus Zusak is the international bestselling author of six novels, including The Book Thief and most recently, Bridge of Clay. His work is translated into more than forty languages, and has spent more than a decade on the New York Times bestseller list, establishing Zusak as one of the most successful authors to come out of Australia.
All of Zusak’s books – including earlier titles, The Underdog, Fighting Ruben Wolfe, When Dogs Cry (also titled Getting the Girl), The Messenger (or I am the Messenger) – have been awarded numerous honours around the world, ranging from literary prizes to readers choice awards to prizes voted on by booksellers.
In 2013, The Book Thief was made into a major motion picture, and in 2018 was voted one of America’s all-time favourite books, achieving 14th position on the PBS Great American Read. Also in 2018, Bridge of Clay was selected as a best book of the year in publications ranging from Entertainment Weekly to the Wall Street Journal.
Markus Zusak grew up in Sydney, Australia, and still lives there with his wife and two children.
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Appropriately for the times, Death is our narrator and a major character. Death, the "gatherer of souls," writes of himself, "I do not carry a sickle or scythe. I only wear a hooded black robe when it's cold. And I don't have those skull-like facial features you seem to enjoy pinning on me from a distance. You want to know what I really look like? I'll help you out. Find yourself a mirror while I continue." In the Prologue, Death states, "Here is a small fact: you are going to die. Does that worry you? I urge you - don't be afraid. I'm nothing if not fair." The figure describes himself as amiable, even affable, but warns, "don't ask me to be nice. 'Nice' has nothing to do with me.'"
When the novel begins, Death is gearing up for mass production. It is 1939 and WWII has just begun. By 1945 the entire world will be at war. And it is Death who comments on man's inhumanity to mad, almost without emotion, in as objective a manner as possible. This inhumanity will cause it/him to work 24/7 in various places in the world at once. That's what I call multi-tasking.
Nine year-old Liesel Meminger is our protagonist, "the book thief," although when we meet her, she is unschooled and cannot read very well. Liesel, her little brother Werner, and their mother are on a train to Munich. All three are skinny and pale, with sores on their lips. It is on the train that Death comes to claim young Werner's soul. Liesel and her mother despair. The boy is buried near the city, and one of the gravediggers, an apprentice, drops a black book as he walks away in the freezing winter weather. Liesel picks up the book, without calling out to notify the gravedigger of his loss. The book is titled, in silver letters, "The Gravedigger's Handbook." It is the first book she steals. So much has been taken from her, the grieving child feels like she settles part of the score when she commits the theft. In Munich the girl's mother bids her good-bye and turns her over to a foster care woman. The mother disappears, never to be seen again.
Liesel and the woman make their way to a small town, Molching, on the outskirts of Munich, close to the Dachau death camp. They stop at a small house on Himmel Street, where her new foster parents, Hans and Rosa Hubermann, await the little girl. Hans is a kind and loving man who quickly takes to Liesel and visa versa. Rosa is also basically kind, although she puts up a front as a shrewish loudmouth. She is a laundress by trade and Hans is a house painter who loves to play the accordion. He is not a member of the Nazi Party. When he realizes he is losing customers because of his lack of enthusiasm for Hitler and the Nazis, he tries to join but his papers are on permanent hold. Their two children are grown and live away from home.
Liesel has terrible nightmares and occasionally wets the bed. Hans, hearing her late night screams, sits with her and comforts her, sometimes until dawn. Occasionally he plays the accordion for her until Rosa yells at him to "shut up!" The empathetic, kindly man and the traumatized little girl form a close bond and Hans begins to teach Liesel to read, especially as she is fascinated by words. She believes that words have great power, after all, Hitler didn't need guns to persuade the German people to follow him and to hate Jews. He used words.
When she begins school and the teacher realizes that the girl can't read, she is placed in a class with younger children. Most humiliating! It is during one of Liesel's frequent nightmares, that Hans begins to teach her to read. Since the Hubers have no books of their own, Hans uses Liesel's "The Gravedigger's Handbook." as a teaching tool. Then another book, a copy of "Mein Kampf," is acquired, one of the few available books which have not been burned. And yet another book, "The Shoulder Shrug." which Liesel snatches from a pile of burning books, is added to her collection. "Germans loved to burn things. Shops, synagogues, Reichstags, houses, personal items, books and of course, people."
Eventually, Liesel acclimates to her new home and makes friends, especially with Rudy, the boy next door and her biggest fan. She never overcomes her nightmares, however, nor does she ever forget her mother and brother. It is at this time when she is forced to join Hitler Youth.
Then Max Vandenberg, a German Jew in hiding, comes to ask Hans to fulfill a promise he made to his father, a comrade in arms who saved Hans' life during WWI. A Jew seeking refuge...what to do? Hans, an honorable man, feels obligated to keep his promise, even though it would mean death for Rosa and himself if Max were discovered in their home. Liesel is sworn to secrecy. The Hubers take the man in and set up living quarters for him in the basement. Max becomes part of the family and forms a close friendship with Liesel. She becomes his eyes and ears to the outside world. He eventually writes a book for her, "The Standover Man" - a simple, illustrated and haunting book about what it is like to be born Jewish in Hitler's Germany.
Life goes on. Liesel learns to read and steals more books - fourteen in all. She and her friends adventure. Germany declares war on Russia. Death's work increases, especially on the eastern front and in the concentration camps. He/it feels overwhelmed by the souls to collect from the camps, gas chambers, battlefields, and causalities from air-raid bombings. Max begins to do crossword puzzles in the old newspapers Liesel occasionally finds for him. Rosa's and Han's workload diminishes significantly. Times are tough, rationing is strict, and people don't have money to send out their laundry or to have their houses painted. And, of course, Hans carries the stigma of not belonging to the Party. I don't want to include any spoilers, so I will stop my summary here.
This is a powerful novel that kept me riveted throughout. As I wrote above, I sometimes stopped to read parts of the prose aloud. There is humor here also. One needs comic relief when reading a novel about such a heinous period in mankind's history.
Markus Zusak's parents grew up in Nazi Germany and Austria. He frequently thought of writing about the things his parents had seen during the war. He says he thought about the "importance of words in that time, and what they were able to make people believe and do."
The novel's last words belong to Death: "A LAST NOTE FROM YOUR NARRATOR: I am haunted by humans."
Jana Perskie
A Review by Anthony T. Riggio of the book The Book Thief by Markus Zusak
This book was recommended to me by Chris Manion, author of God's Patient Pursuit of my Soul, who advised that I would really like this story about Nazi Germany in the 1930's through the end of World War II. I ordered this book from Amazon in the Special Anniversary Hardback edition.
Markus Zusak in his writing created an interesting way to present the dialog of the narrator. At the outset I thought it was the main protagonist Liesel Meminger narrating then it seemed to morph into another person, not clearly identified at first. It made for an uncomfortable and challenging beginning only to learn after several appearances to be the spirit of Death. This however did not create a feeling of horror or was it distracting once you got the hang of this unnamed narrator. It did not take away from the overall story and the flow was rhythmic and consistent throughout the book, The overall style was very interesting and provided the reader with a glimpse of what was to follow in the succeeding chapter.
Many reviews described the book as a something a child would enjoy or relish. I am not sure if this is accurate as the story was very mature in its concept and gave one an inside track on the happenings of Germany during the rise and fall of the Third Reich. The human protagonist is a young girl about ten years old and how she is being abandoned by her natural mother to a family living in a suburb of Munich, Germany. She is traveling with her mother and younger brother who is quite sick. When the train stops, some distance from the final destination in Munich, the boy dies and they have to bury him in a small cemetery where the grave diggers misplace a book; The Grave Digger's Handbook and Liesel, purloins it for no apparent reason other than a simple souvenir of remembrance of her deceased brother. The mother deposits Liesel with the Hans and Rosa Hubermann family, a peasant family who lived in the poorer section of town. Rosa is a seemingly strict foster mother and her husband Hans is unemployed and on disability. Hans becomes Liesel's mentor and teaches Liesel to read via the book she stole from the cemetery. During a book burning in Munich, where Jews were being persecuted, forbidden books were cast into public bonfires and Liesel stole her second book and added to her foster father's reading curriculum. Her friend Rudy is a Tom Sawyeresque young boy who develops a love for Liesel and several fun experiences are had by both.
The Hubermanns take in an escaped Jew into their home and hide him in their basement, a very dangerous thing in Nazi Germany. Max the Jewish fugitive becomes a second mentor to Liesel and she develops a similar relationship as she has with Hans.
During one of the book burning events, Liesel steals her third book which add to her curriculum being used by Hans and now Max. She is spotted by the Mayor's wife and consequently a covert relationship is developed by the wife of the mayor and Liesel, which results in another mentor for Liesel.
The book has all the drama and sadness one would expect in a novel contemporaneous with Nazi Germany but it is a book worth reading. It has humor, love, sadness, drama, tragedy, suspense, unexpected and predicted outcomes.
I have to say I loved this book and reading it became obsessive with me and I believe it demonstrated the author's great talent. I unhesitatingly gave this book five stars and highly recommend its reading.
Reviewed in the United States on January 14, 2019
A Review by Anthony T. Riggio of the book The Book Thief by Markus Zusak
This book was recommended to me by Chris Manion, author of God's Patient Pursuit of my Soul, who advised that I would really like this story about Nazi Germany in the 1930's through the end of World War II. I ordered this book from Amazon in the Special Anniversary Hardback edition.
Markus Zusak in his writing created an interesting way to present the dialog of the narrator. At the outset I thought it was the main protagonist Liesel Meminger narrating then it seemed to morph into another person, not clearly identified at first. It made for an uncomfortable and challenging beginning only to learn after several appearances to be the spirit of Death. This however did not create a feeling of horror or was it distracting once you got the hang of this unnamed narrator. It did not take away from the overall story and the flow was rhythmic and consistent throughout the book, The overall style was very interesting and provided the reader with a glimpse of what was to follow in the succeeding chapter.
Many reviews described the book as a something a child would enjoy or relish. I am not sure if this is accurate as the story was very mature in its concept and gave one an inside track on the happenings of Germany during the rise and fall of the Third Reich. The human protagonist is a young girl about ten years old and how she is being abandoned by her natural mother to a family living in a suburb of Munich, Germany. She is traveling with her mother and younger brother who is quite sick. When the train stops, some distance from the final destination in Munich, the boy dies and they have to bury him in a small cemetery where the grave diggers misplace a book; The Grave Digger's Handbook and Liesel, purloins it for no apparent reason other than a simple souvenir of remembrance of her deceased brother. The mother deposits Liesel with the Hans and Rosa Hubermann family, a peasant family who lived in the poorer section of town. Rosa is a seemingly strict foster mother and her husband Hans is unemployed and on disability. Hans becomes Liesel's mentor and teaches Liesel to read via the book she stole from the cemetery. During a book burning in Munich, where Jews were being persecuted, forbidden books were cast into public bonfires and Liesel stole her second book and added to her foster father's reading curriculum. Her friend Rudy is a Tom Sawyeresque young boy who develops a love for Liesel and several fun experiences are had by both.
The Hubermanns take in an escaped Jew into their home and hide him in their basement, a very dangerous thing in Nazi Germany. Max the Jewish fugitive becomes a second mentor to Liesel and she develops a similar relationship as she has with Hans.
During one of the book burning events, Liesel steals her third book which add to her curriculum being used by Hans and now Max. She is spotted by the Mayor's wife and consequently a covert relationship is developed by the wife of the mayor and Liesel, which results in another mentor for Liesel.
The book has all the drama and sadness one would expect in a novel contemporaneous with Nazi Germany but it is a book worth reading. It has humor, love, sadness, drama, tragedy, suspense, unexpected and predicted outcomes.
I have to say I loved this book and reading it became obsessive with me and I believe it demonstrated the author's great talent. I unhesitatingly gave this book five stars and highly recommend its reading.
Zusak's writing style is nothing short of brilliant. He uses words with such precision and depth that every sentence feels like a work of art. The characters, particularly Liesel Meminger, are so well-developed that you can't help but become emotionally invested in their lives.
What sets "The Book Thief" apart is its unusual narrator, Death. This perspective offers a fresh and thought-provoking view of human existence during a tumultuous time in history. The book explores themes of love, friendship, and the power of words in a way that is both profound and deeply moving.
I can honestly say that "The Book Thief" is a literary gem that deserves a place on every bookshelf. It's a story that lingers in your thoughts long after you've turned the final page. If you're looking for a book that will touch your heart and leave a lasting impact, "The Book Thief" is a must-read.
Top reviews from other countries
As an historical fiction book set in the WWII, you know there are going to be some hardships through the pages. But, the beauty of this book in particular, is the fact that is narrated by the Death itself. This character is only doing its job, taking the lives of countless people during the war, but it confesses that there have been quite a few ones that it still remembers. The Book Thief is among them.
Liesel Meminger is a girl that when we first know her, she’s living a nightmare. She sees her younger brother die, and it’s separated from her mother, and placed into a foster family, that would become her entire world. Hans and Rosa are her parents, and even though Frau Hubermann is not the kind of woman that is all hugs and pretty words, she does take care of Liesel the best way she can.
Hans becomes her papa and the most important figure she will have. He is my favorite character not only because he is a kind man, but because he always stands tall even when he knows he can’t do much for others. He knew the Nazi Germany was just wrong. His silver eyes, his empathic personality, his beautiful soul, his accordion and his way of smiling has stayed with me, after so many years. This is surprising, really.
Max and Rudy were also my favorite characters. Max was kind of a big brother to Liesel, and they both found the strength to keep going, even when all hope was lost. Rudy was the kind of boy you can’t help but love. He was witty, playful and charming –a character that I still remember with a smile.
On the other hand, and to be quite honest, I have never understood war. I’ll never support the idea of bigotry, racism, and pure hatred as main reasons to kill somebody else, someone innocent who was just at the wrong place, and the wrong time. Over 6 million Jews were killed out of hate. Six million. To think that a war was the perfect excuse to murder people is just beyond my words.
Truthfully, this book always makes me cry, but it’s the kind of hurt you can’t help but love. It always amazes me that humans are capable of both love and hatred at the same time. We can find our true family among strangers; but we also have to deal with unreasonable people that are eager to get into conflict. We have both light and dark inside us, and that’s just a fact.
I want to add that kind people are often seen as naïve and even stupid, but we often forget that they’re the ones that make us believe that everything is going to get better. They give us hope like some superhero would do.
Last but not least, I think this book is meant to be read by teenagers, but as an adult, you can also enjoy it. Like I said, Zusak has a unique style that makes you care about these characters and their stories.
I totally recommend you to read this. I promise you, you’ll enjoy it!