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Strangely as an English writer who loves skiing, the one place in the world in which I feel most at home is the old town of Istanbul. I’ve been there so many times and every visit inspires me to write. One trip provided the opening sentences of my first novel, another the middle chunk of my second novel, Copper Trance & Motorways, and yet another a suite of poems. Despite the historical sites it’s not a particularly beautiful city but it has a vitality like an electric charge and the hospitality of most Turks is amazing. When I’ve been struggling with writer’s block it's taking off to Istanbul that’s unstuck me.
For Istanbul the best walking guide ever. This book seamlessly conducts a visitor around the city’s sights, weaving stories from its history into street-by-street locations and managing above all else to avoid the sin of becoming boring. It makes you want to see every stretch of pavement and every building mentioned in the book. The only warning is it’s a thick paperback and you’ll want to take notes from it in advance rather than carrying it around with you.
This classic guide to Istanbul by Hilary Summer-Boyd and John Freely - the 'best travel guide to Istanbul' (The Times), 'a guide book that reads like a novel' (New York Times) - is here, for the first time since its original publication thirty-seven years ago, published in a completely revised and updated new edition.
Taking the reader on foot through this captivating city - European City of Culture 2010 - the authors describe the historic monuments and sites of what was once Constantinople and the capital in turn of the Byzantine and Ottoman Empires, in the context of the great…
Strangely as an English writer who loves skiing, the one place in the world in which I feel most at home is the old town of Istanbul. I’ve been there so many times and every visit inspires me to write. One trip provided the opening sentences of my first novel, another the middle chunk of my second novel, Copper Trance & Motorways, and yet another a suite of poems. Despite the historical sites it’s not a particularly beautiful city but it has a vitality like an electric charge and the hospitality of most Turks is amazing. When I’ve been struggling with writer’s block it's taking off to Istanbul that’s unstuck me.
As publishers Dorling Kindersley have invented a great format, juxtaposing pictures and information in a way nobody else has ever done. The volume on Turkey is a browser’s paradise and if it doesn’t inspire you to want to visit the country and its largest city, then there’s something wrong with you. The introduction to Turkish life and the 80 or so pages on Istanbul are superb, cramming in so much knowledge but in a way that lets you skim and peruse it at your own pace, skipping about in the text, and lost in awe over the photographs of human structures and scenery. A Turkish traveler must-have!
The guide that shows you what others only tell you! Fancy de-stressing on paradise beaches or discovering grand palaces in the city? Make sure you don't miss a thing with this essential guide to Turkey. Meander through mesmerising landscapes and discover the hustle and bustle of mystical Istanbul using the unique cutaways and 3D models. Relevant tips on where to discover historical gems and up to date cultural facts will ensure that you stay one step ahead with where you want to go and what you want to see! Voted Best Guide Book series by Guardian and Observer readers in…
Strangely as an English writer who loves skiing, the one place in the world in which I feel most at home is the old town of Istanbul. I’ve been there so many times and every visit inspires me to write. One trip provided the opening sentences of my first novel, another the middle chunk of my second novel, Copper Trance & Motorways, and yet another a suite of poems. Despite the historical sites it’s not a particularly beautiful city but it has a vitality like an electric charge and the hospitality of most Turks is amazing. When I’ve been struggling with writer’s block it's taking off to Istanbul that’s unstuck me.
A big fat, fact-packed but readable history of the city as it changed from Constantinople into Byzantium and finally Istanbul. This is the book that places Viking immigrants alongside Romans, Goths, Moors, Ottomans, Venetians, and so many other races in a glorious cultural stew that makes the history of most other cities seem linear and dull by comparison.
Istanbul has always been a place where stories and histories collide and crackle, where the idea is as potent as the historical fact. From the Qu'ran to Shakespeare, this city with three names - Byzantium, Constantinople, Istanbul - resonates as an idea and a place, and overspills its boundaries - real and imagined. Standing as the gateway between the East and West, it has served as the capital of the Roman, Byzantine, Latin and Ottoman Empires. For much of its history it was known simply as The City, but, as Bettany Hughes reveals, Istanbul is not just a city, but…
Strangely as an English writer who loves skiing, the one place in the world in which I feel most at home is the old town of Istanbul. I’ve been there so many times and every visit inspires me to write. One trip provided the opening sentences of my first novel, another the middle chunk of my second novel, Copper Trance & Motorways, and yet another a suite of poems. Despite the historical sites it’s not a particularly beautiful city but it has a vitality like an electric charge and the hospitality of most Turks is amazing. When I’ve been struggling with writer’s block it's taking off to Istanbul that’s unstuck me.
I confess, I like food. I’m also keen to use cafes and restaurants where the emphasis is on cheap, tasty, and nutritious fare rather than forking out for establishments where a hefty bill is occasioned as much by expenditure on the decoration, linen, and silverware as the quality of the cooking. This is not a book about the westernised hotels and restaurants but about back street locantas serving lentil soup and stewed chicken with bottles of Turkish red wine or even just Coca-Cola and selling satisfying lunches for a pittance (thanks of course in part due to the impact of Turkish inflation on the exchange rate). This book is why even if you’re on a city break in Istanbul as a family you won’t need to rely on self-catering or standardised hotel dinners. There’s a wonderful English language bookshop near the Grand Bazaar that’ll sell you a copy of this…
A guide to the best food spots in Istanbul, now fully revised and expanded. Written by the acclaimed experts at Istanbul Eats, which was named Saveur's "Best Culinary Travel Blog" in 2012.
I’ve always been captivated by stories about powerful women. After a corporate career as one of the first female executives in the international world of Wall Street, while raising two children as a single working parent, I returned to academia. I am a magna cum laude graduate of Smith College, hold a doctorate in modern European history, with academic distinction, from New York University. I wanted to ascertain whether the mostly male writers of history were correct in attributing the success of exceptional women to the bedroom. Meticulous research yielded a different narrative, one I delight in sharing.
Beautiful, intelligent, ambitious, and self-confident, headstrong Sarah sought to parlay her friendship with Princess Anne into political power when Anne became queen. But Anne disagreed with Sarah’s strident Whiggism, and resented her attempts at manipulation. Sarah’s persistence in pestering Anne about politics, her arrogance, and her inability to admit either another opinion than her own, or take responsibility for her mistakes, combined with her uncontrollable temper to kill the friendship and with it, Sarah’s political ambitions.
Sarah, Duchess of Marlborough, was a woman with a `passion for government': a compulsion to wield power not only in her own family but in public affairs as well. She was the favourite of Queen Anne, the devoted wife and political associate of the Queen's most powerful subject, the passionate ally or bitter enemy of most of the leading public figures of her day, and in her widowhood the effective head of one of England's great families. Despite her stormy relationship with the architect Vanbrugh, she played a major role in the building of Blenheim Palace, one of England's most…
The French court has fascinated me since boyhood visits to Blois and Versailles. The appeal of its unusually dramatic history is heightened by the prominence of women, by the number and brilliance of courtiers’ letters and memoirs, and by its stupendous cultural patronage: Even after writing seven books on the French court, from Louis XIV to Louis XVIII, I remain enthralled by Versailles, Fontainebleau, and Paris where, as the new science of court studies expands, there is always more to see and learn. The power and popularity of the French presidency today confirm the importance of the French monarchy, to which it owes so much, including its physical setting, the Elysée Palace.
Born a German princess, married to Louis XIV’s gay younger brother, ‘Liselotte’, as the Duchesse d’Orleans was often known, was an outsider who also, by her rank, was an insider. She put her venom and her frustrations into her letter-writing, denouncing the French court’s morals, policies, and personnel to her German relations. Versailles made her prefer dogs to people: she called Madame de Maintenon, the king’s second wife, ‘the old whore’. Her letters make us feel we are living at Versailles, when it was at the heart of European politics and culture.
Married in 1672, at 19, to Louis XIV's bisexual brother, the Duke of Orleans, Liselotte began her voluminous and fascinating correspondence from the Court of Versailles which she continued until her death 50 years later, making her the greatest chronicler of her day. Feared for her sharp tongue and her bluntness, Liselotte refused to be drawn into the viscious life at the Sun King's Court, of which she was outspokenly critical and her letters, collected here in this volume, describe the bawdy, spontaneous and idiosyncratic personages and life of Louis XIV's corrupt court.
Unlike most authors, who only write one genre, I write mystery/suspense, thriller, fantasy, and dystopian. I love plotting and naming stories. I studied Criminal Justice & Legal Studies in college and absolutely loved it. I've also been reading these genres since I was little. I certainly never thought I’d be a writer, but the ideas kept coming so I guess the writing chose me. As a self-published writer, I get to make every decision concerning my books and I wouldn’t have it any other way. I write my books, design the covers, make the trailers, market the books, and everything else. I enjoy using my writing to point to the things I believe are important.
This book was absolutely breathtaking. Even though it was twice the size of most books, I flew through it. I couldn’t put it down.
This book paints a wonderful picture of what forgiveness is all about. Lennox killed Annika’s mother. Annika struggled with what he’d done for a while but after being trapped in the cave with him, she realized how much he struggled with his sin. It was during this time, she realized she loved him.
The story was so sweet, pure, and still action-packed. It was a beautiful combination of all my favorite things.
#1 New York Times bestselling author of The Selection series Kiera Cass is back with her most epic novel yet - a sweeping enemies-to-lovers standalone romance.
'Love has a sound. It sounds like a thousand heartbeats happening at the same time.'
Annika has lived a life of comfort and luxury as the Princess of Kadier-but now, after the death of her mother, she's weighted under the looming threat of a loveless marriage arranged by her cold father.
Far outside the palace walls, on the outskirts of the land Annika's family has long ruled over, Lennox is waiting for his moment.…
As an author and a lifelong lover of books, I read all genres. My favorites are set in fantastical worlds with unique settings. The mash-up of history and fantasy is endlessly compelling to me, and I always want to see a romantic subplot (or main plot!) in the books I read. I want a happily-ever-after even when the strange world and its villains are conspiring against the main characters.
Set in the mid-1400s in France, this series starter contains action, court intrigue, romance, and assassin nuns! I read it years ago and it remains a favorite, not only for the beautiful language, but for the strong heroine, Ismae, and her journey from following the rules and doing as she’s been told, to learning how to discern right from wrong and follow the guidance of her own moral compass. This is a book I would loveto watch as a movie, not only for the action, but the costumes.
Seventeen-year-old Ismae escapes from the brutality of an arranged marriage into the sanctuary of the convent of St. Mortain, where the sisters still serve the gods of old. Here she learns that the god of Death Himself has blessed her with dangerous gifts—and a violent destiny. If she chooses to stay at the convent, she will be trained as an assassin and serve as a handmaiden to Death. To claim her new life, she must destroy the lives of others. Ismae’s most important assignment takes her straight into the high…
One fateful day in 4th grade, after finishing the Chronicles of Narnia, I picked up a YA spy novel off my teacher’s bookshelf. I never went back. I was immediately drawn to the depth of the characters, the nuance of how their public persona didn’t always match their internal thoughts, and their ability to succeed when no one thought they could. Eventually, what I read became what I wrote. Now, whenever I get overwhelmed, I love to turn to the genre that helped me through High School. Whether I reread old favorites, revisit my own stories, or find new friends, these characters remind me I can do anything.
When my roommate suggested I read The False Prince, I did not expect to be drawn in and read the entire 5 book series in a week. What’s a sleep schedule?
Sage is the kind of character that can keep everyone guessing…including the reader, even though you are reading from his point of view. He is guarded and defiant. As he is being sculpted to be what someone else wants him to be, he remains spitefully himself, even when it might mean his demise. He might not technically be a spy, but he embodies everything I love about the genre.
Sage has an unwavering knowledge of who he really is, and I can only hope I can have that for myself someday.
If you love the danger and sword-fighting of MERLIN, you'll like this! In a discontent kingdom, civil war is brewing. To unify the divided people, Conner, a nobleman of the court, devises a cunning plan to find an impersonator of the king's long-lost son and install him as a puppet prince. Four orphans are recruited to compete for the role, including a defiant boy named Sage. Sage knows that Conner's motives are more than questionable, yet his life balances on a sword's point - he must be chosen to play the prince or he will certainly be killed. As Sage's…
When I was a child, I was forever drawing pictures of princesses in elaborate medieval and early modern dress. I devoured history books—especially those containing artworks that helped me visualize the people whose names rang out from their pages. Inexplicably, I was passionate about France and French language and culture from my primary school years. Then, in my early twenties, I stumbled onto Umberto Eco’s, The Name of the Rose, which appeared in English translation around 1983. History has been, and remains, my passion (as do whodunits). I have been passionately obsessed with in my research for over two decades—uncovering the truth that lies beneath the spin and the ashes.
With this excellent and seamlessly co-authored study, Christine and Tracy have Adams delve into the creation of the post of the royal significant other—an often-overlooked category of premodern female power and influence. They move beyond the salacious to an intellectual understanding of the complementarity of gendered premodern political power.
Kings throughout medieval and early modern Europe had extraconjugal sexual partners. Only in France, however, did the royal mistress become a quasi-institutionalized political position. This study explores the emergence and development of the position of French royal mistress through detailed portraits of nine of its most significant incumbents: Agnes Sorel, Anne de Pisseleu d'Heilly, Diane de Poitiers, Gabrielle d'Estrees, Francoise Louise de La Baume Le Blanc, Francoise Athenais de Rochechouart de Mortemart, Francoise d'Aubigne, Jeanne-Antoinette Poisson, and Jeanne Becu.
Beginning in the fifteenth century, key structures converged to create a space at court for the royal mistress. The first was…
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