86 books like The Lost Art of Resurrection

I first read this book while at university. I re-read it after touring the Langue d’Òc region of France focusing on the folklore surrounding Mary Magdalene. This book advances the hypothesis that the historical Jesus married Mary Magdalene and travelled to the south of France, where their children married into nobility and established what became known as the Merovingian dynasty. This book provided a source of information as well as support, given my subject matter and the two entwining histories: the biblical era of Jesus and the 13th C siege of Montsegur. Its extensive bibliography provided a rich source of research, including academic articles, essays, and books.

Mary Magdalene is a central character in my novel. Aside from researching the folklore in the south of France and reading Mary’s Gospel discovered at Nag Hammadi, I needed to delve into contemporary writings of this historical and maligned woman.

I read many academic articles, essays, and books on Mary Magdalene, notably Karen King’s book The Gospel of Mary of Magdala, which could have just as easily been my third pick. I selected Cynthia Boudreault’s book as I appreciated the application of her reasoning and intuition. Her writing was accessible without being laden with religious overtones.

The Gospel of Mary is often interpreted as a Gnostic text. Gnosis is mystical and esoteric and refers to knowledge based on personal experience with the divine. It is an inward ‘knowing,’ and I was interested in interweaving a psychological approach. This book dived into spiritual aspects in an exploration of the soul’s journey and the spiritual heights attained from a psychological position and was instrumental in some components of Sara’s personal development. My character Sara is a messenger for Persephone, and I used this book to examine the deeper, mythical meanings of how our wounds can become the source of spiritual grace. 

This book provided a great opportunity for me to step outside of my entitled white Caucasian colonial skin and read the lived experience of someone who was treated as an ‘Other’ and who, when returning to his community, undertook and shared (through his book) his Initiations. I incorporated aspects of his shamanic experience with books on the Eleusian Mysteries (rituals for Demeter and Persephone), as well as interviews with women who had undergone shamanic experiences – both here in Australia with Indigenous elders and in South America.

I frequently return to Plato and his portrayal of Socrates. The Phaedrus intrigues me. It is a difficult work for piecing together, yet with fascinating thoughts, taking us from rhetoric to erotic love to the search for Beauty, Truth, the Good.  What it is to be human continues to baffle me — not least because we often do have a sense of 'going beyond' the mystical. Yes — I do write as an atheist.  

Andrija’s a lifeguard on the river in a small town in the Balkans. During the war, he jumps in to save a man from drowning. Turns out he wasn’t a local, or even a partisan, but a high-ranking Nazi officer. Labelled a collaborator, Andrija flees at the end of the war and ends up an odd-job man in West Germany. When his employer falls into his own swimming pool, Andrija is convicted of his murder—for the man who died was the officer he’d once saved. In prison, Andrija discovers a book by Plato and he tries to write his own defense as if he were a philosopher too. The contortions he gets into as he tries to undo the tangle he’s been put in by history get funnier and funnier every time you reread this forgotten classic.

Along with his other book, Berossus and Genesis, Manetho and Exodus: Hellenistic Histories and the Date of the Pentateuch, Russell Gmirkin puts forward compelling evidence to show that many of the most revered works of Jewish scripture were produced after the conquests of Alexander the Great, hundreds of years later than widely believed. Relationships between the Jewish Torah and the works of Plato have long been acknowledged by scholars, dating back to antiquity. Jews had long claimed that it was Plato who had derived his concepts from their writings, but here Gmirkin shows convincingly that the relationship goes the other way around. This realization has profound implications for our understanding of the origins of Judaism and Christianity.

These dialogues introduce the ideas that gave birth to western philosophy and its contributions to civilization. Providing the foundations of rational thought and theoretical knowledge in multiple domains, Greek philosophers, especially Socrates and Plato, imbued the search for truth with the urgency of both a personal, and a communal, quest for meaning. Just as the advances of Greek mathematics required concepts that are precisely defined or rigorously governed by axioms, so, the dialogues teach, advances in our knowledge of the world, and of ourselves, require well-regulated concepts like truth, knowledge, justice, virtue, and happiness. In these dialogues, we see the birth of philosophy's two great projects--providing concepts needed to advance theoretical knowledge in every domain and charting the path to wisdom in leading a good and meaningful life.

This is it. If you want to see what the other most important Socratic writer has to say about Socrates, this book is required reading. The old translations of this (Loeb Library) have been wonderfully refreshed here by one of my favorite translators, Jeffrey Henderson.

What fun to read a new translation of Socrates chatting with the courtesan, Phryne, in the Memorabilia or doling out advice on domestic issues in the Oeconomicus. Yikes! Plato’s Socrates would never say such things!

If you love Borges, and thought you’d read everything he wrote, this is the book for you—a collection of his “lost lectures,” delivered at Harvard in 1967-68 and finally published in 2000. And if you want to hear the actual voice of a creative genius, as if risen from the dead, the recordings are also available. Best known for his intricate short stories and essays, Borges was also—perhaps foremost—a poet. As he puts it in the book, “The central fact of my life has been the existence of words and the possibility of weaving those words into poetry.” Starting from the creation of poems, Borges explores the creation of metaphors, meaning, and life’s irreducible mystery.