100 books like The Secret History of the Blitz

Juliet Gardiner blends memoirs, official accounts, and personal experiences, many derived from Mass Observation, to present a gripping and emotive history of the Blitz and illustrate the strength and resilience of the civilians whose lives were torn apart in its indiscriminate violence. She uses eyewitness accounts to throw the horrors of total war into sharp relief. Although London absorbed the brunt of the campaign, the reader is also taken to the smouldering bombsites of Coventry, Birmingham, the south coast ports, Belfast, and other cities that the Luftwaffe ranged across, where the voices of rescue squads and fire services shine an unwavering light on the harrowing consequences of aerial bombardment for civilian populations.

We’re all familiar with wartime images of young evacuees gathered together on railway stations. But over fifty percent of children were not evacuated from British cities, and it is they that Penny Starns has studied. Once we get past the mothers’ ‘keep or send’ moral dilemma, there are the issues of discipline, education, health, food, and psychological development to consider. Starns takes these subjects chapter by chapter, relating stories of disease, poverty, criminality, and terror (including one child who spent the night in a shelter within reach of an unexploded bomb). These tales she counterpoints with examples of unexpectedly increasing emotional and physical wellbeing amongst some of the stay-behinds. This is an important record of the experiences of a demographic that war histories often ignore.

British Radio Direction Finding stations (RDF), later to be dubbed Radar, with their iconic arrays of masts along England’s south coast, contributed greatly to the RAF’s success in the Battle of Britain by detecting approaching raids and giving early warning. Both sides in the European war possessed similar technologies operated from ground stations. The race to miniaturise RDF sets for airborne interception, once realised, would have devastating consequences for intruding bomber crews facing A.I. equipped night fighters over Britain and Germany. Price takes an even-handed approach in relating the development of these technologies in Britain, Germany, the US, and Japan, making this an absorbing and enjoyable read that demystifies an aspect of the war that is usually only mentioned in passing.

It is June 1943 and the RAF are mounting another bombing raid on Fortress Europe, part of the whirlwind that Arthur Harris had promised Germans would reap following the night blitz they waged against Britain. Deighton’s fictional account follows a single crew on a mission that would go horribly wrong, mixing their narrative with the stories of their adversaries in the air and their victims on the ground. Deighton writes with forensic clarity and at key points delivers events in a kind of literary slow-motion that drills the harrowing details into his reader. Set over a single twenty-four-hour period, and played out mostly in darkness, the drama is tense and exhausting. This is indeed a modern classic that illuminates the biggest contradictory moral dilemma of the war.

There are a lot of World War II books out there, and in truth, I was growing tired of them until I read Sarah Blake’s. Partially located on my home turf of Cape Cod, Massachusetts, the brush against our local history pre-World War II fascinated me. But Blake doesn’t stay local; she leaves the postmistress to do—or not do—her job and flies off to London with a female war correspondent. How their stories cleverly intertwine is part of my fascination with this tale. Blake has a habit of dropping unforgettable characters on my doorstep, where they tease and tantalize long after I’ve turned the last page. 

This gorgeously illustrated book is the story of Morgan, who becomes the Book Cat at the real publisher Faber. I adored TS Eliot’s Old Possum’s Book of Practical Cats as a child, and Morgan was a real cat who was one of the inspirations for the poems. These are his adventures during the London Blitz – in some ways a familiar story, but so moving from a cat’s point of view! 

The Night Watch is a chilling, atmospheric book that shows us the lives of a group of Londoners through the air raids of the 1940s. The story is told backwards from a point shortly after the war and reveals the motivations and characters of the story slowly, painfully, and with great care. A group of lesbian women, a woman entangled with a married man, and a young man punished for his part in a desperate pact: their personal stories are played out against a backdrop of fear and destruction. Perhaps my favourite of all Sarah Water’s fabulous novels, The Night Watch is so intricately and cleverly constructed it takes your breath away.

It’s too easy, in time travel fantasies, to imagine that you would feel a step above the people around you... that you alone know what’s coming, and just, in general, have your advanced-future-person perspective on the world. That’s not how history should feel. The All Clear series’s time-traveling historians arrive to observe the London Blitz and have that comforting certainty ripped out from underneath them. They’re left lost, alone, and isolated in a well-painted portrait of a world on the edge of collapse.

An accumulation of memories haunt and inform Noonday, a novel that stands alone as the third in a trilogy spanning both world wars. I particularly love Barker’s avoidance of sentimentality. She is an honest writer who digs deep and gives no easy solutions as she follows a cast of characters who originally met as students at the Slade School of Art in London. Elinor, who is central, still suffers from the death of her brother Toby in the Great War. Barker’s skillful evocation of the past gives weight and resonance to every word, reminding the reader of the increasing complexity of character formation with life’s most intense and sometimes tragic experiences. 

An unsparing portrait of a cast of characters working for the BBC in London at the outset of the war, this novel is both funny and moving, though Fitzgerald’s keen sense of irony assures that the writing is never sentimental. Even the most minor characters come to life, as they adjust to both the bureaucracy of the wartime BBC and the realities of life during the Blitz.