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I’m a storyteller. I’ve told stories through journalism, theater, film, and comics. When I was the editor of a film magazine, Scenario: “The Magazine of the Art of Screenwriting” I interviewed filmmakers about the craft of telling a great story. As a journalist, I love original sources and voices, for the way they tell a personal version of history. They say history is told by the winners. I prefer the reverse angle—history told, not by the “losers” but by true, strong, authentic voices. I somehow want to read, reveal, recommend, and illuminate marginalized voices.
This book is quietly hilarious. I loved being “inside” Patricia Lockwood’s mind. As a fellow lapsed Catholic, I resonated with her upbringing and living in the strange shadow of religion. Lockwood weaves a contradictory coming-of-age story with profound wit and lyricism.
She also explores the complexities of what she calls “The Portal”—the internet of things that boggle the mind even as they bring solace. I loved how Lockwood used “the portal” to understand her conservative upbringing and eventually find her own irreverent path in the world.
The book led me to follow her online presence too, and helped me learn new ways to “be” online. As Lockwood writes in Priestdaddy: “Part of what you have to figure out in this life is, who would I be if I hadn’t been frightened? What hurt me, and what would I be if it hadn’t?”
'Glorious' Sunday Times 'Laugh-out-loud funny' The Times 'Extraordinary' Observer 'Exceptional' Telegraph 'Electric' New York Times 'Snort-out-loud' Financial Times 'Dazzling' Guardian 'Do yourself a favour and read this memoir!' BookPage
The childhood of Patricia Lockwood, the poet dubbed' The Smutty-Metaphor Queen of Lawrence, Kansas' by The New York Times, was unusual in many respects. There was the location: an impoverished, nuclear waste-riddled area of the American Midwest. There was her mother, a woman who speaks almost entirely in strange riddles and warnings of impending danger. Above all, there was her gun-toting, guitar-riffing,…
As a writer and editor, I spend a lot of time thinking about what prose—especially first-person nonfiction, which is mostly what I edit—does, and how it sets out to accomplish its project. Across forms, I tend to think humor is largely underused! No matter how serious the subject, there’s always a place for it to sharpen the critique. My book engages with topics like systemic discrimination and inequity, but throughout, I always stay attuned to the comic absurdity of my subject—both as a way to give more pleasure to the reader, and as a way to cut to the heart of what I want to express.
Tolentino’s essay collection is already a contemporary classic. In it, she lays bare—with surgical precision—the illusions and compromises of late-capitalist subjectivity, but pairs that existential dread with a sharp eye for the comic absurdity of it all. It explains so much of our contemporary life, and why that contemporary life so often feels bad. It stayed with me for the clarity of its arguments, but also for a truly hilarious scene involving escaped bodily air and a yoga class.
A Times book of the year
A Guardian book of the year
'Magnificent'The Times
'Dazzling' New Statesman
'It filled me with hope' Zadie Smith
What happens to our behaviour when we live most of our lives online? What does it mean to 'always be optimising'? And what is it about scams and the millennial generation?
Offering nuanced and witty reflections on feminism, reality TV, the internet, drugs, identity and more, Trick Mirror is a multifaceted, thought-provoking and entertaining response to our zeitgeist - a must-read for anyone interested in the way we live and think today.
As a writer and editor, I spend a lot of time thinking about what prose—especially first-person nonfiction, which is mostly what I edit—does, and how it sets out to accomplish its project. Across forms, I tend to think humor is largely underused! No matter how serious the subject, there’s always a place for it to sharpen the critique. My book engages with topics like systemic discrimination and inequity, but throughout, I always stay attuned to the comic absurdity of my subject—both as a way to give more pleasure to the reader, and as a way to cut to the heart of what I want to express.
Whether in her book or her writing for BuzzFeed, Koul’s voice and humor are always instantly recognizable. Their distinctive tone is right there in the title. In her debut collection, Koul explores growing up as a South Asian woman in Canada, braiding her personal narrative with deft cultural critique. Essay collections rarely have such a strong sense of characters as this one does—Koul’s parents, especially, are deeply felt and sharply rendered figures who appear across the essays as sources of humor, pathos, and exasperation.
A DEBUT COLLECTION OF FIERCE, FUNNY ESSAYS ABOUT GROWING UP THE DAUGHTER OF INDIAN IMMIGRANTS IN WESTERN CULTURE, ADDRESSING SEXISM, STEREOTYPES, AND THE UNIVERSAL MISERIES OF LIFE
In One Day We’ll All Be Dead and None of This Will Matter, Scaachi Koul deploys her razor-sharp humor to share all the fears, outrages, and mortifying moments of her life. She learned from an early age what made her miserable, and for Scaachi anything can be cause for despair. Whether it’s a shopping trip gone awry; enduring awkward conversations with her bikini waxer; overcoming…
I am an author who also penned a novel during the pandemic, with a timeline that stretched into the first six months of the pandemic–against the advice of my agent and the publishing industry at large. I know many authors choose not to write about intense political and social happenings, but that “life will never be the same again” feeling was something I couldn’t avoid. The pandemic threw people together and kept us apart at the same time. I was intensely interested in its incubator effect as well as the silo aspect quarantining had on all of our lives.
The opening of this book knocked me out, and I was hooked.
I usually veer toward literary, slower, familial dramas, but this book combined what I love in literary family dynamics with the frightening premise of an inexplicable disaster occurring in the outside world. The suspicion we were quick to possess about others during the early days of the pandemic is heightened to a new level with two couples pitted against each other, one preoccupied with the welfare and antics of their children.
I loved the construct that had even spouses second-guessing each other. The intensity of the situation brought out the worst and eventually the better sides of all the characters, a phenomenon that resonated as I read this book during the first year of the pandemic, at the same time rioters invaded our nation’s capital.
Rory MacLean is one of Britain's most innovative travel writers. His books – which have been translated into a dozen languages — include UK top tens Stalin's Nose and Under the Dragon as well as Pravda Ha Ha and Berlin: Imagine a City, "the most extraordinary work of history I've ever read" according to the Washington Post which named it a "Book of the Year". Over the years he has travelled throughout Burma – apart from when banned by the military government for his writings – coming to know it as a deeply-wounded and fractured golden land of temple bells, be-medalled generals who enrich themselves through drug deals and ever-optimistic men and women who fight on to restore its ‘democratic transition’.
Should a Sunday-born man marry a lady born on Wednesday? To bring luck is a house to be built on male, female or neuter foundation posts? George Scott served as Frontier Officer for three decades at the end of the nineteenth century, but his enduring legacy is as a collector and sympathetic chronicler of the old ways in a country ‘where people are small and ghosts are big’.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
Rory MacLean is one of Britain's most innovative travel writers. His books – which have been translated into a dozen languages — include UK top tens Stalin's Nose and Under the Dragon as well as Pravda Ha Ha and Berlin: Imagine a City, "the most extraordinary work of history I've ever read" according to the Washington Post which named it a "Book of the Year". Over the years he has travelled throughout Burma – apart from when banned by the military government for his writings – coming to know it as a deeply-wounded and fractured golden land of temple bells, be-medalled generals who enrich themselves through drug deals and ever-optimistic men and women who fight on to restore its ‘democratic transition’.
Among the 20th century’s finest travel writers, Norman Lewis visited Burma in the early 1950s. ‘Golden Earth’ is a bittersweet portrait of the then-optimistic, now-lost land – before communist incursions and military dictatorship shattered the dream.
"a simple blueprint for Utopia" - the best travel book on Burma since World War II - despite travelling at a time of massive internal insecurity, Norman Lewis still found the eternal Burma, where pagodas are the only punctuation on the horizon and strangers are treated with an overwhelming friendliness - an overnight best-seller when first published - revisits the tragic Burma road, treked by so many refugees fleeing Burma before the Japanese advance in 1942
I've lived in Asia for more than 22 years and have extensively traveled around the region, both for work and pleasure, from the Middle East and central Asia to Japan, and Australia, New Zealand, and every country in between. Asia is the perfect setting for a thriller, as a region that’s deeply rooted in traditions, but where modernity and growth are also breathless. There can be political instability at times, and even corruption, unsurpassed wealth and shocking poverty, bankers, and prostitutes. I worked for many years as an investment banker and my experiences inspired me to write my debut thriller, Hard Underwriting, in Hong Kong, and uncover the dark side of Asia’s financial capital.
This is the latest book in Boczar’s Eric Ketch series, which follows the adventures of an American international man of mystery across Hong Kong, Macao, Thailand, Cambodia, Vietnam, and Burma, in the pursuit of rubies, exotic women, and ruthless assassins.
Boczar himself knows the region very well, having lived in Hong Kong for over three decades, and worked as a war correspondent, on the porous borders of the golden triangle and in Lebanon during the civil war.
The descriptions, whether of cities, weapons, smugglers, or guerilla fighters, all feel true, and Boczar knows only too well how to tell a convincing and edge-of-your-seat story that is difficult to put down.
Southeast Asia. Eric Ketch returns to take down bad guys while still making time to take out bad girls. Some things have stayed the same while some things have changed. Communist countries have become capitalist markets. But powerful, entitled elites continue to control politics and business. The communist cadres have simply become the capitalist kingpins. Ketch gets hired as a freelance agent to do what he does best. Delivering justice. His way. However, the game board continues to elude him and he still gets torn between completing the mission and doing the right thing. Meanwhile, he remains vulnerable to exotically…
Rory MacLean is one of Britain's most innovative travel writers. His books – which have been translated into a dozen languages — include UK top tens Stalin's Nose and Under the Dragon as well as Pravda Ha Ha and Berlin: Imagine a City, "the most extraordinary work of history I've ever read" according to the Washington Post which named it a "Book of the Year". Over the years he has travelled throughout Burma – apart from when banned by the military government for his writings – coming to know it as a deeply-wounded and fractured golden land of temple bells, be-medalled generals who enrich themselves through drug deals and ever-optimistic men and women who fight on to restore its ‘democratic transition’.
"Nearly every night I dream of the Shan State, of Mandalay, of the jungle. The landscapes of my dreams resemble real ones, yet they shift like images on silver screens…" Pascal Khoo Thwe’s mesmerizing biography stretches from his grandmother’s creation stories to civil war and a chance conversation about James Joyce which leads to a new life in Britain. A minor masterpiece.
The astonishing story of a young man's upbringing in a remote tribal village in Burma and his journey from his strife-torn country to the tranquil quads of Cambridge.
In lyrical prose, Pascal Khoo Thwe describes his childhood as a member of the Padaung hill tribe, where ancestor worship and communion with spirits blended with the tribe's recent conversion to Christianity. In the 1930s, Pascal's grandfather captured an Italian Jesuit, mistaking him for a giant or a wild beast; the Jesuit in turn converted the tribe. (The Padaung are famous for their 'giraffe women' - so-called because their necks are ritually…
Rory MacLean is one of Britain's most innovative travel writers. His books – which have been translated into a dozen languages — include UK top tens Stalin's Nose and Under the Dragon as well as Pravda Ha Ha and Berlin: Imagine a City, "the most extraordinary work of history I've ever read" according to the Washington Post which named it a "Book of the Year". Over the years he has travelled throughout Burma – apart from when banned by the military government for his writings – coming to know it as a deeply-wounded and fractured golden land of temple bells, be-medalled generals who enrich themselves through drug deals and ever-optimistic men and women who fight on to restore its ‘democratic transition’.
No surprise that George Orwell, author of the two defining parables of the 20th century, should be at the top of my list, especially as his five years in Burma attuned him to the suffering of the oppressed. More moving than ‘Burmese Days’ is his short story ‘A Hanging’ in which he watches a condemned criminal walk towards the gallows … and sidestep a puddle. In that fleeting moment Orwell marks the preciousness of human life and the heartlessness of power.
It was in Burma, a sodden morning of the rains. A sickly light, like yellow tinfoil, was slanting over the high walls into the jail yard. We were waiting outside the condemned cells, a row of sheds fronted with double bars, like small animal cages. Each cell measured about ten feet by ten and was quite bare within except for a plank bed and a pot of drinking water. In some of them brown silent men were squatting at the inner bars, with their blankets draped round them. These were the condemned men, due to be hanged within the next…
I've spent the last 30-years studying, reading about, writing, and teaching the story of the war between the Allies and the Japanese in the Far East during WWII. It includes of course the story of the fighting between the main protagonists, but there’s much more that has been neglected by writers and historians, certainly in the West. It includes the story of Burma and its various people; the role of India and its people as it moved rapidly towards independence and the role of China throughout. Every time I look at an aspect of the war, or read another memoir or open a dusty file in the archives, I come across more exciting material.
Too many books about war aren’t written by those with any experience of it. This, one of my all-time favorites, was written by a young infantry platoon commander fighting the Japanese in Burma in 1945. It tells of the men usually lost to history – what Cooper describes as the ‘little men’ – and who have no voice in the histories written about their exploits. This isn’t a work of great literature, but Cooper’s focus on the small-scale actions of men fighting men with bayonets, bullets, and grenades brings the reality of arrows on a general’s map to focus.
The Burma campaign, in which General Slim's 14th Army halted the Japanese at the mountain passes into India and finally drove them back across the Irrawaddy, destroying them in the process, was among the last Allied victories in World War II. The author of this book served as an infantry platoon and company commander in this historic campaign and this book is based on the notes he made in 1945. He describes patrol engagements, night fighting, company and battalion attacks, and the crossing of the vast Irrawaddy.
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