I'm a philosopher and psychotherapist, with a Ph.D. in Philosophy from Princeton. From the beginning of my work in philosophy, I have been interested in the nature of agency: what is it to be an agent, and how is agency even possible in the first place? These questions naturally drew me to the metaphysics of free will, as well as related topics in the logic and semantics of agentive modality (that is, the kind of possibility and necessity that is characteristic of agents). Much of my recent work has been on more clinical issues, especially on understanding addiction. I continue to be fascinated by fundamental topics in metaphysics, and especially the question of free will.
This book develops an original theory of agentive modality: the kind of modality that is distinctive to agents. The central thesis is that the idea of an option should be taken as primitive, and that other agentive notions – such as ability, skill, and free will – should be understood in terms of options.
The main contributions of this book are twofold. First, it resolves many of the outstanding questions in the metaphysics and semantics of agentive modality. In doing so, it develops original accounts of topics that have been central to philosophy since Aristotle. It also contributes to a lively contemporary literature on these topics. Second, it articulates an austere and uncompromising form of compatibilism about free will, termed “simple compatibilism.”
This book is now 40 years old, but it continues to set the agenda for analytic discussions of free will.
It is remarkably clear and honest about the difficulties faced by the author’s preferred view, as well as all alternative views. Despite its influence, a number of the ideas in this book (for example, parallels between the free will debates and external world skepticism) still remain largely unexplored.
The author defends the thesis that free will is incompatible with determinism. He disputes the view that determinism is necessary for free will and argues that free will is necessary for moral responsibility.
This book, I would argue, is among the most innovative books on free will in years.
Its key insight – that humans are just one kind of animal, and so the key question about free will is whether animals generally have free will – overturns the anthropocentric bias that has governed much of the philosophical literature on free will.
A Metaphysics for Freedom argues that agency itself-and not merely the special, distinctively human variety of it-is incompatible with determinism. For determinism is threatened just as surely by the existence of powers which can be unproblematically accorded to many sorts of animals, as by the distinctively human powers on which the free will debate has tended to focus. Helen Steward suggests that a tendency to approach the question of free will solely through the issue of moral responsibility has obscured the fact that there is a quite different route to incompatibilism, based on the idea that animal agents above a…
The previous two authors, van Inwagen and Steward, are libertarians: they believe free will exists and is incompatible with determinism (so determinism is false).
List, on the other hand, is a compatibilist: he believes free will exists and is compatible with determinism (so determinism might be true). This is a view that has surprising few book-length defenses, and List takes up that challenge with characteristic thoughtfulness and rigor.
A crystal-clear, scientifically rigorous argument for the existence of free will, challenging what many scientists and scientifically minded philosophers believe.
Philosophers have argued about the nature and the very existence of free will for centuries. Today, many scientists and scientifically minded commentators are skeptical that it exists, especially when it is understood to require the ability to choose between alternative possibilities. If the laws of physics govern everything that happens, they argue, then how can our choices be free? Believers in free will must be misled by habit, sentiment, or religious doctrine. Why Free Will Is Real defies scientific orthodoxy…
Ismael is one of our leading philosophers of physics, and of fundamental questions more generally.
This book is a comprehensive exploration of the intersection of physics and free will, with the surprising moral signaled by her title. Properly understood, contemporary physics, even if it is deterministic, does not threaten free will. On the contrary, it helps to explain how free beings like us are possible in the first place.
In 1687 Isaac Newton ushered in a new scientific era in which laws of nature could be used to predict the movements of matter with almost perfect precision. Newton's physics also posed a profound challenge to our self-understanding, however, for the very same laws that keep airplanes in the air and rivers flowing downhill tell us that it is in principle possible to predict what each of us will do every second of our entire lives, given the early conditions of the universe.
Can it really be that even while you toss and turn late at night in the throes…
This 17th-century debate remains both engaging and unresolved – testimony to the endurance of the free will problem.
Bramhall upholds a traditional view of free will, while Hobbes defends a more modern “materialist” view that is an ancestor to the views defended by List and Ismael above.
While many contemporary discussions of free will often focus on implications for moral responsibility, this debate is notable for the far broader range of considerations that the authors invoke, suggesting that the question of free will touches just about every aspect of our agency.
Do human beings ever act freely, and if so what does freedom mean? Is everything that happens antecedently caused, and if so how is freedom possible? Is it right, even for God, to punish people for things that they cannot help doing? This volume presents the famous seventeenth-century controversy in which Thomas Hobbes and John Bramhall debate these questions and others. The complete texts of their initial contributions to the debate are included, together with selections from their subsequent replies to one another and from other works of Hobbes, in a collection that offers an illuminating commentary on issues still…
I am a highly experienced outdoorsman, musician, songwriter, and backcountry guide who chose teaching as a day job. As a writer, however, I am a promoter of creative and literary nonfiction, especially nonfiction that features a thematic thread, whether it be philosophical, conservation, historical, or even unique experiential. The thread I used for thirty years of teaching high school and honors English was the thread of Conservation, as exemplified by authors like Aldo Leopold, Rachel Carson, Edward O. Wilson, Al Gore, Henry David Thoreau, as well as many other more contemporary authors.
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted repartee and dialogue that enhances the stories and experiences.
When I started teaching in the early 1990s, I brought into the classroom with me my passions for nature, folk music, and creativity. This book holds something new and engaging with every chapter and can be enjoyed by all sorts of readers, particularly those who enjoy nonfiction that employs wit, wisdom, humor, and even some down-to-earth philosophy.
Creativity, Teaching, and Natural Inspiration follows the evolution of a high school English teacher as he develops a creative and innovative teaching style despite being juxtaposed against a public education system bent on didactic, normalizing regulations and political demands. Doherty crafts an engaging nonfiction story that utilizes memoir, anecdote, poetry, and dialogue to explore how mixing creativity and pedagogy can change the way budding students visualize creative writing: A chunk of firewood plunked on a classroom table becomes part of a sawmill, a mine timber, an Anasazi artifact...it also becomes a poem, a song, an essay, and a memoir. The…
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