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All the Light We Cannot See: A Novel Paperback – April 4, 2017
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Winner of the Pulitzer Prize and National Book Award finalist, the beloved instant New York Times bestseller and New York Times Book Review Top 10 Book about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II.
Marie-Laure lives with her father in Paris near the Museum of Natural History where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris, and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel.
In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the Resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge.
Doerr’s “stunning sense of physical detail and gorgeous metaphors” (San Francisco Chronicle) are dazzling. Deftly interweaving the lives of Marie-Laure and Werner, he illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, All the Light We Cannot See is a magnificent, deeply moving novel from a writer “whose sentences never fail to thrill” (Los Angeles Times).
- Print length544 pages
- LanguageEnglish
- PublisherScribner
- Publication dateApril 4, 2017
- Dimensions5.25 x 1.3 x 8 inches
- ISBN-101501173219
- ISBN-13978-1501173219
- Lexile measure880L
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A blind girl and a German boy's paths collide in occupied France during World War II.Popular highlight
Open your eyes and see what you can with them before they close forever.14,489 Kindle readers highlighted thisPopular highlight
“Your problem, Werner,” says Frederick, “is that you still believe you own your life.”13,572 Kindle readers highlighted thisPopular highlight
Walk the paths of logic. Every outcome has its cause, and every predicament has its solution. Every lock its key.12,325 Kindle readers highlighted thisPopular highlight
Open your eyes and see what you can with them before they close forever.7,204 Kindle readers highlighted this
From the Publisher
Cloud Cuckoo Land | The Shell Collector | About Grace | Memory Wall | Four Seasons in Rome | |
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More books from the Pulitzer Prize-winning Novelist | “If you’re looking for a superb novel, look no further.” –The Washington Post | "The Shell Collector is breathtaking.... Perilously beautiful." –Boston Globe | Doerr's first novel: "One of those novels that works its way into your very dreams." –Newsday | "Doerr writes about the big questions, the imponderables, the major metaphysical dreads, and he does it fearlessly" –The New York Times Book Review | A "dazzling" (Azar Nafisi, author of Reading Lolita in Tehran) memoir about art and adventures in Rome |
Editorial Reviews
Review
“Hauntingly beautiful.” -- Janet Maslin ― The New York Times
“History intertwines with irresistible fiction—secret radio broadcasts, a cursed diamond, a soldier’s deepest doubts—into a richly compelling, bittersweet package.” -- Mary Pols ― People (3 1/2 stars)
“Anthony Doerr again takes language beyond mortal limits.” -- Elissa Schappell ― Vanity Fair
“The whole enthralls.” ― Good Housekeeping
“Enthrallingly told, beautifully written…Every piece of back story reveals information that charges the emerging narrative with significance, until at last the puzzle-box of the plot slides open to reveal the treasure hidden inside.” -- Amanda Vaill ― Washington Post
“Stupendous…A beautiful, daring, heartbreaking, oddly joyous novel.” -- David Laskin ― The Seattle Times
“Stunning and ultimately uplifting… Doerr’s not-to-be-missed tale is a testament to the buoyancy of our dreams, carrying us into the light through the darkest nights.” ― Entertainment Weekly
“Doerr has packed each of his scenes with such refractory material that All the Light We Cannot See reflects a dazzling array of themes….Startlingly fresh.” -- John Freeman ― The Boston Globe
“Gorgeous… moves with the pace of a thriller… Doerr imagines the unseen grace, the unseen light that, occasionally, surprisingly, breaks to the surface even in the worst of times.” -- Dan Cryer ― San Francisco Chronicle
“Incandescent… a luminous work of strife and transcendence… with characters as noble as they are enthralling” -- Hamilton Cain ― O, the Oprah magazine
“Perfectly captured…Doerr writes sentences that are clear-eyed, taut, sweetly lyrical.” -- Josh Cook ― Minneapolis Star Tribune
“A beautiful, expansive tale…Ambitious and majestic.” -- Steph Cha ― Los Angeles Times
“This tough-to-put-down book proves its worth page after lyrical page…Each and every person in this finely spun assemblage is distinct and true.” -- Sharon Peters ― USA Today
“Doerr is an exquisite stylist; his talents are on full display.” -- Alan Cheuse ― NPR
“Vivid…[All the Light We Cannot See] brims with scrupulous reverence for all forms of life. The invisible light of the title shines long after the last page.” -- Tricia Springstubb ― Cleveland Plain Dealer
“Intricate… A meditation on fate, free will, and the way that, in wartime, small choices can have vast consequences.” ― New Yorker
“Doerr deftly guides All the Light We Cannot See toward the day Werner’s and Marie-Laure lives intersect during the bombing of Saint-Malo in what may be his best work to date.” -- Yvonne Zipp ― Christian Science Monitor
“To open a book by Anthony Doerr is to open a door on humanity…His sentences shimmer…His paragraphs are luminous with bright, sparkling beauty.” -- Martha Anne Toll ― Washington Independent Review of Books
“Endlessly bold and equally delicate…An intricate miracle of invention, narrative verve, and deep research lightly held, but above all a miracle of humanity….Anthony Doerr’s novel celebrates—and also accomplishes—what only the finest art can: the power to create, reveal, and augment experience in all its horror and wonder, heartbreak and rapture.” ― Shelf Awareness
“Magnificent.” -- Carmen Callil ― The Guardian (UK)
“Intricately structured…All the Light We Cannot See is a work of art and of preservation.” -- Jane Ciabattari ― BBC
“A revelation.” -- Michael Magras ― BookReporter.com
“Anthony Doerr writes beautifully… A tour de force.” -- Elizabeth Reed ― Deseret Morning News
“A novel to live in, learn from, and feel bereft over when the last page is turned, Doerr’s magnificently drawn story seems at once spacious and tightly composed. . . . Doerr masterfully and knowledgeably recreates the deprived civilian conditions of war-torn France and the strictly controlled lives of the military occupiers.” ― Booklist (starred review)
“Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.” ― Kirkus Reviews (starred review)
“If a book’s success can be measured by its ability to move readers and the number of memorable characters it has, Story Prize-winner Doerr’s novel triumphs on both counts. He convinces readers...that war—despite its desperation, cruelty, and harrowing moral choices—cannot negate the pleasures of the world.” ― Publishers Weekly (starred review)
“This novel has the physical and emotional heft of a masterpiece…[All the Light We Cannot See] presents two characters so interesting and sympathetic that readers will keep turning the pages hoping for an impossibly happy ending…Highly recommended for fans of Michael Ondaatje’s The English Patient.” -- Evelyn Beck ― Library Journal (starred review)
"What a delight! This novel has exquisite writing and a wonderfully suspenseful story. A book you'll tell your friends about..." -- Frances Itani, author of Deafening
“This jewel of a story is put together like a vintage timepiece, its many threads coming together so perfectly. Doerr’s writing and imagery are stunning. It’s been a while since a novel had me under its spell in this fashion. The story still lives on in my head.” -- Abraham Verghese, author of Cutting for Stone
“All the Light We Cannot See is a dazzling, epic work of fiction. Anthony Doerr writes beautifully about the mythic and the intimate, about snails on beaches and armies on the move, about fate and love and history and those breathless, unbearable moments when they all come crashing together.” -- Jess Walter, author of Beautiful Ruins
“Doerr sees the world as a scientist, but feels it as a poet. He knows about everything—radios, diamonds, mollusks, birds, flowers, locks, guns—but he also writes a line so beautiful, creates an image or scene so haunting, it makes you think forever differently about the big things—love, fear, cruelty, kindness, the countless facets of the human heart. Wildly suspenseful, structurally daring, rich in detail and soul, Doerr’s new novel is that novel, the one you savor, and ponder, and happily lose sleep over, then go around urging all your friends to read—now.” -- J.R. Moehringer, author of Sutton and The Tender Bar
“A tender exploration of this world's paradoxes; the beauty of the laws of nature and the terrible ends to which war subverts them; the frailty and the resilience of the human heart; the immutability of a moment and the healing power of time. The language is as expertly crafted as the master locksmith's models in the story, and the settings as intricately evoked. A compelling and uplifting novel.” -- M.L. Stedman, author of The Light Between Oceans
“The craftsmanship of Doerr’s book is rooted in his ability to inhabit the lives of Marie-Laure and Werner…[A] fine novel.” -- Steve Novak ― Pittsburgh Post-Gazette
“Beautifully written… Soulful and addictive.” -- Chris Stuckenschneider ― The Missourian
“Doerr conjures up a vibrating, crackling world…Intricately, beautifully crafted.” -- Rebecca Kelley ― Bustle.com
“There is so much in this book. It is difficult to convey the complexity, the detail, the beauty and the brutality of this simple story.” -- Carole O'Brien ― Aspen Daily News
“Sometimes a novel doesn’t merely transport. It immerses, engulfs, keeps you caught within its words until the very end, when you blink and remember there’s a world beyond the pages. All the Light We Cannot See is such a book… Vibrant, poignant, delicately exquisite. Despite the careful building of time and place (so vivid you fall between the pages), it’s not a story of history; it’s a story of people living history.” ― Historical Novel Society
About the Author
Product details
- Publisher : Scribner; Reprint edition (April 4, 2017)
- Language : English
- Paperback : 544 pages
- ISBN-10 : 1501173219
- ISBN-13 : 978-1501173219
- Lexile measure : 880L
- Item Weight : 1 pounds
- Dimensions : 5.25 x 1.3 x 8 inches
- Best Sellers Rank: #571 in Books (See Top 100 in Books)
- #7 in War Fiction (Books)
- #26 in 20th Century Historical Fiction (Books)
- #113 in Literary Fiction (Books)
- Customer Reviews:
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About the author
Anthony Doerr has won numerous prizes for his fiction, including the Pulitzer Prize and the Carnegie Medal. His novel, 'All the Light We Cannot See,' was a #1 New York Times Bestseller and his new novel, 'Cloud Cuckoo Land,' published in September of 2021, was a finalist for the National Book Award. Learn more at www.anthonydoerr.com.
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Anthony Doerr’s book is simply stunning. Dazzling is a good word for it. I have reviewed many other books and have sometimes said this or that writer writes fluidly and well. I have given five stars to quite a few writers. “All The Light We Cannot See” is a higher level of excellence that not many authors achieve. No wonder Anthony Doerr won the 2015 Pulitzer Prize for fiction with this book!
The chapters are short and beautifully written. I could say “beautifully and elegantly painted”; they remind me of a painting. This book is poetic, creative, imaginative and historically enlightening as well. Science and technology, it’s fascination and the power to help or harm, is explored along with the characters’ thoughts and feelings; we learn about their courage or lack of and why they make their individual decisions during the rise of Hitler and on into World War II. The descriptions are incredibly sensitive and vivid. Objects are palpable; I could see and feel them. The book pulled me in so much that I was part of each scene. The poignant images remained with me and made the characters come alive.
The author skillfully writes using a juxtaposition of events in the life of a blind French girl, Marie-Laure LeBlanc, and that of a German boy, Werner Pfennig. Towards the end of the book their lives meet.
Marie-Laure, the blind French girl, lives with her father in Paris. She became blind at 6 years old due to congenital cataracts. She has developed her other senses, namely, hearing, touch and smell to compensate for her loss of sight. In her imagination, she can see colors when she uses her other senses to explore her world. Her father carves wooden replicas of all the buildings in Paris for her to learn to find her way home by herself. He is a very devoted and loving father and teaches her independence but promises her he will always be there for her and will never leave her. He is the master locksmith at the Museum of Natural History. Marie-Laure, who is a curious and bright child, goes with him to work and studies paleontology, archeology, geology and other branches of science with Dr. Gefford, while her father works.
The boy, Werner, lives in an orphanage, “Children’s House” in Zollverein, Germany. The children in the orphanage are very close to starving. A good deal of the population is very poor and not getting enough to eat. When Hitler comes to power, the economy improves dramatically. People are getting more food (meat even) and new appliances. The German population is inundated with radio propaganda. Only state supported German radio channels are allowed. The German population is brainwashed. The people think Hitler is helping them climb out of poverty, build a better society and take pride in their Country again.
Yet the future looks bleak to Werner. Nazi officials tell the boys in the orphanage that they will all have to work in the coalmines when they turn 15 years of age. Werner’s father had died in the coal mines, and Werner is not happy with the prospect of being underground in the dark pit of the mines. After finding a broken radio in the city trash, Werner gets it working. His fascination with radios and his skill in fixing them gives him a chance to escape the coal mines and go to paramilitary school. He has a chance to pursue his interest in radio technology and contribute to the new Germany. He visualizes a glorious future.
In the attic at the orphanage, Werner and his sister Jutta had listened to foreign radio stations that were illegal under Nazi rule. A French radio station with science lectures fascinated them. How magical it was to hear a voice from afar, transmitted through the air! Jutta liked a program on magnets. Werner liked the program on light. “What do we call visible light? We call it color. But the electromagnetic spectrum runs to zero in one direction and infinity in the other, so really children, mathematically, all of light is invisible.” The radio was a symbol of freedom for them both, the freedom to learn and dream.
Before he leaves for school, however, Werner smashes the radio. He does not want anything to interfere with his chance for what he thinks will be a better life. Listening to foreign radio stations is illegal and dangerous. Jutta, a free spirit with a strong moral compass, feels betrayed. She thinks her brother is turning into a cold, brutal Nazi like Hans and Herribert, two older boys in the orphanage who have joined the brown-shirted Hitler Youth. She insists that the broadcasts from the foreign radio stations say the Germans are committing atrocities, just the opposite of what they hear on the state-owned German stations.
Werner gets caught up with his study of radios and blocks out the brutality around him at school. Despite his lack of courage to go against the dictates of his German superiors, the reader can see his conflict and the goodness in him that he wants to embrace. His friend, Frederick, a bird-lover and dreamer, is called the “weakest” by the field commander but shows his courage by refusing to participate in the brutal death of a prisoner. Frederick pays for it by being beaten so badly that he becomes no more than a living vegetable.
With the invasion of Paris in 1940, Marie-Laure and her father escape to Saint-Malo on the Brittany coast and find refuge with Marie-Laure’s great uncle, Etienne. Again her father observes and measures the buildings of this new city and carves a wooden replica of all 865 buildings. Unfortunately, his efforts cause suspicion, and he is arrested on his way back to Paris on an errand for the Museum of Natural History. He is convicted of “theft and conspiracy” and sent to a prison in Germany. Feeling abandoned but gathering her inner strength, Marie-Laure continues to live with her great uncle, Etienne, and his housekeeper Madame Manec. Madame Manec starts working for the French Resistance and Marie-Laure takes over some of her activities when the housekeeper becomes ill. Upon Madame Manec’s death from pneumonia, Etienne gets his courage up and joins the French Resistance.
Werner finds himself caught up in the brutality with no way to escape. His skill in detecting enemy radio transmissions results in many deaths, some of them innocent civilians. He is haunted by the deaths, especially that of one little girl in Vienna who reminded him of his sister, Jutta. Werner is sent to Saint-Malo to find the source of the radio transmissions of the French Resistance. He finds Marie-Laure’s broadcasts, but does not expose her. He recognizes the radio programs that had inspired him so much as a child. When he hears her voice saying that someone is in her house and is going to kill her, he vows to save her if he can reach her in time. Werner finds her and saves her life. The Americans are bombing the town, but during a lull, he helps her escape Saint-Malo.
Intertwined with the lives of our two main characters, Marie-Laure and Werner, fairytale and reality collide. The legend of the “Sea of Flames”, a 133 carat diamond said to be the intended gift of the Goddess of the Earth to the God of the Sea, parallels the calamities the characters experience in their lives. It was said that the person who had the diamond would live forever, but those he loved around him would die. If the stone were returned to the sea, the curse would be lifted.
Especially during the bombing of Saint-Malo, Marie-Laure and Werner both draw parallels to their own predicaments and Jules Verne’s “Twenty Thousand Leagues Under the Sea”. Trapped in the basement of the Hotel of Bees in Saint-Malo, Werner listens to Marie-Laure’s broadcasts of the science programs and music that had been recorded by her deceased grandfather. He thinks of Captain Nemo being trapped under the sea in the Nautilus. Werner and his fellow German soldier, Volkheimer, have run out of food and water and have very little air. “Who could possibly calculate the minimum time required for us to get out? Might we not be asphyxiated before the Nautilus could surface?” Are more monsters awaiting them when they do surface?
Marie-Laure is trapped in her uncle Etienne’s secret attic room where he had broadcast codes for the French Resistance. Down below is an intruder, the Nazi Sergeant Major von Rumpel. He is there to find the “Sea of Flames” diamond, which her father hid in the wooden house replica of her great uncle’s house. Instead of giving it to the Reich for Hitler’s dream museum in Linz, Austria, he wants to have the enchanted diamond to cure his cancerous tumor. He is dying, and he believes the diamond will save his life. Marie-Laure has not had food for two days and has had no water for one and a half days. She starts to think maybe this Nazi will spare her life if she gives him the diamond. Maybe the curse would end and her father would come back. Not trusting her safety, however, she has a knife handy. She thinks of Captain Nemo when he said to Ned Land, the Canadian harpooner, “But let me tell you that if we’re caught, I’m going to defend myself, even if I die doing it”.
There are many levels to this book and much to think about. The reader can get many insights into the human condition and why someone like Hitler could take over Germany and spread his sickness into so many other countries. The book is well researched and taught me a good deal about how it was to grow up in Germany when Hitler came to power. Additionally, I could understand more concretely how it was for the French when France was invaded by Hitler's armies. Good historical fiction brings all these events to life. Anthony Doerr brings a powerful humanism to the events in World War II. He made the characters come alive for me. This is a book to ponder, reread and treasure. The author brings an incredible immediacy to his writing that will draw you in and stay with you, perhaps, forever.
As one progresses into the novel's second half, the narrative picks up momentum, transforming into a beautifully crafted tapestry of human emotion, resilience, and interconnectedness that transcends the written page. Doerr's prose here is exquisite, painting each scene with a masterful touch that brings the historical backdrop of World War II to life in vivid detail. The characters' journeys converge in unexpected and deeply satisfying ways, offering a reflection on the impact of war, the power of hope, and the indomitable spirit of humanity.
For those who have come to the book after watching the television series, it's important to note that it offers a different experience. The novel's depth, character development, and the intricacy of its plot are more pronounced, providing a richer, more nuanced exploration of its themes and characters. This divergence is not a detriment but a testament to the novel's strength in using the literary form to delve into complexities that visual media can only brush upon.
In conclusion, "All the Light We Cannot See" is a testament to the enduring power of storytelling. Despite a slow start, the novel ultimately rewards its readers with a mesmerizing tale that is as enlightening as it is moving. It earns a solid four stars for its beautiful second half and the meticulous craftsmanship that defines the entire work.
Top reviews from other countries
Mal encontrei o livro, não hesitei em comprar e estou a Adorar 🥰
É de uma leitura viciante
Parabéns ao autor , um prémio Pulitzer muito bem concedido 👏
Reviewed in Spain on May 15, 2024
Mal encontrei o livro, não hesitei em comprar e estou a Adorar 🥰
É de uma leitura viciante
Parabéns ao autor , um prémio Pulitzer muito bem concedido 👏
I liked alternating between the viewpoints of blind Paris-born Marie-Laure, who spends the early part of her childhood in the protective environment of the museum where her father works and orphaned Werner, who is desperate avoid becoming a miner, the fate of all the male orphans with whom he is housed. They are such different children - the one cosseted by a loving and, if anything, overprotective father, the other fiercely intelligent and determined to escape the life which appears to be mapped out for him already; he is boy not only looking out for himself but also for his sister, who was perceptive and wise beyond her years - a character about whom I would have loved to know more. As for the plot - well, I don't want to give anything away, except that when it got going, I didn't want to put the book down, though I will point out, for the benefit those who like linear storyline development, that there are two time sequences running concurrently for each of the two main characters.
At the time of writing this, I was struggling to decide on the rating. I was quite satisfied that it was 4.5 stars overall, so which way should I go? Looking back from a distance of a few days, I feel the book was beautiful, even if the subject matters was not, and complex enough to give me something to chew over. I can imagine rereading it in the future, so I am awarding 'All the Light We Cannot See'' the full 5 stars