100 books like The U.S. Army in the Iraq War Volume 1

You cannot understand the military history of the Middle East without understanding the first five Arab-Israeli wars and over 40 years later the best book on the subject remains Dupuy’s touchstone work. Dupuy was a superb military analyst and historian. As an American he is about as even-handed as anyone can be with this ultimate of “Rorschach” tests. Better still, Dupuy extensively interviewed nearly all of the major political and military leaders on both sides of every war. He walked the ground of most of these battles with the combatants themselves. It is why his book remains the single best work on the subject and the foundation on which all later histories rest.

While Ariel Sharon is the best-known Israeli armor commander, Bren Adan was probably the best. This book is his memoir of commanding one of the most important—and most successful—Israeli armored divisions during the 1973 October War (the Yom Kippur or Ramadan war). It is an outstanding first-hand account of armored combat in the Sinai in the late 20th Century by one of its finest practitioners. Adan’s book is also distinguished by his ruthless honesty in pointing out his own mistakes as well as those of the larger Israel Defense Forces. As one of my mentors once put it to me, ‘everything I know about commanding an armored division I learned from Adan’s book.’

Wick Murray is one of America’s greatest military historians and Kevin Woods was the leader of the team sent by the U.S. government to exploit the documents and taped conversations captured by U.S. forces in Iraq after 2003. Murray was a key member of that team and they also interviewed many former Iraqi generals.  Finally, they also managed to unearth some Iranian accounts of the war—some from the Iraqi intelligence archives. Not surprisingly, this is a terrific account of the war, one that brings in all kinds of new material, especially from the Iraqi side. Their narrative description hits all of the key points of a very long, complex conflict, their insights and analysis are spot on, and the addition of the new material from the Iraqi side makes this the definitive work on the subject at least until comparable materials come to light from the Iranian side.

David Crist is the historian of the U.S. Joint Chiefs of Staff—and the son of former CENTCOM Commander, General George B. Crist.  He knows this subject backwards and forwards and brings to light any number of topics that I had only ever seen discussed in the classified world. But he does so with the perspicacity of a military historian and the insight of a superb military analyst. Most people simply do not know about the many close calls and bloody clashes there were between the U.S. and Iran during this era, and Crist’s book fills that important gap. Moreover, this is a fascinating example of a protracted, low-intensity or “hybrid” conflict with a canny and determined foe and so it has no end of lessons to teach. 

Major Scott Huesing is a Marine after my own heart. He was once a Lance Corporal and understands the Corps from top to bottom. He was the combat leader for Echo Company, 2nd Battalion, 4th Marines during their bloody battles in the deadliest city of the Iraq War. Reading this book taught an old Marine what the new Corps is like.

Military doctrine is rarely particularly enthralling reading. However, this manual, published by the University of Chicago Press, was featured on The Daily Show with Jon Stewart. It provided a road map for General Petraeus to follow on the ground in Iraq with its focus on creating an Army that could learn and adapt while protecting the population rather than creating more insurgents with excessive violence. For more than two centuries, the Army’s missions had been “Attack” and “Defend”; this book added “Protect,” making it perhaps the most important Army doctrinal manual since the end of the Cold War.

Ali Allawi has served as minister in several cabinets in post-2003 Iraq. His book provides fascinating insider details on the chaotic world of politics that pushed post-Saddam Iraq into an inferno of sectarianism, insurgency, terrorism, and incessant political crises. Allawi’s definitive history of the invasion of Iraq and its immediate aftermath is rich in detail, insightful in its observations, and candid and dispassionate in its analysis. The book leaves the reader with a sense of foreboding about the ability of Iraqi leaders to extricate the country from the vicious cycle of crises it has lurched into since 2003. Above all, this is a narrative of the agonies of a fragmented nation, devoid of a unifying collective identity, mired in political stalemate, burdened by the past, and unsure about its future.

My War is a true story set in 2004 post-invasion Iraq told by a US Army grunt on the bottom of the totem pole.

As a former infantryman near the bottom myself, I could relate to the rollercoaster ride war grunts endure that can go from extreme boredom and amp up to fierce combat in an instance. Buzzell’s language is grunt speak which is unrefined and full of profanity, not for everyone, but it’s the perfect dialect for describing everything from battles to talking trash with other grunts.

I also appreciated that Buzzell guided us through his life as a struggling twentysomething, before joining the army, rather than taking the reader straight to battle. Gen Xers will love \m/.

In To Start a War, Robert Draper investigates how it was that the US came to invade Iraq in 2003. A gifted writer, he reveals the paranoia and fear that led to the collecting of ‘intelligence’ that confirmed the biases of senior US officials – but which was often fabricated and false. 

This collection of poems by an Iraq war veteran opens a door into the crazy, horrifying world of America’s time in Iraq. I used this book while teaching a section on poetry to combat veterans at the local university. For some of these men and women, the poems offered their first glimpse into the power of verse. Turner showed my students how, through the searing beauty of words made into images, it was possible to capture—and thus contain—the horrors of war. As Turner writes:

This is a language made of blood.
It is made of sand and time.
To be spoken, it must be earned.