As a publishing professional for over 20 years, I’ve worked in a variety of jobs and positions with some of the biggest pop culture creators and brands. Just before the pandemic, I finally took time to invest in myself as a writer and set out to combine my lifelong passions for film, TV, music, video games, and books–with my skills as an award-winning poet–to write my debut novel, from my “certain point of view” as a first-generation Asian American. The books on my list here are from some of the authors that I admire–who are also “one of us”: the bookworms, the pop culture geeks, the hopeless romantics.
My book is a literary coming-of-age story set in the 80s and 90s with a primarily Asian American cast of characters. Filled with pop culture references and exploring themes of identity, mental and spiritual health, love and luck, free will vs. destiny–it’s ultimately a joyful, uplifting story.
This is a novel about finding yourself, all the parts of you–from East to West–with inspiration and guidance from David Lynch to John Hughes, from Depeche Mode to Def Leppard, from Stephen King to Neil Gaiman.
I came to this book late. My wife is the real reader in the family, but she’s also a sports fan and a quiet indie rock fan. Suffice it to say, our tastes vary widely and wildly–with me being the more gothmetalcomicbooknerd of the pair. But she told me that this might be a book for me, and it reminded her of my writing.
I was hooked within the first ten pages. You had me at that first Oregon Trail reference! And video games and Shakespeare and Dickinson? The serotonin triggers were firing in rapid succession. There is enough praise and recommendations out in the world for Zevin’s book–I’m just raising my hand and waving to a kindred spirit that I imagine I might see across the way at Hall H one day.
Tomorrow, and Tomorrow, and Tomorrow takes us on a dazzling imaginative quest, examining identity, creativity and our need to connect.
This is not a romance, but it is about love.
'I just love this book and I hope you love it too' JOHN GREEN, TikTok
Sam and Sadie meet in a hospital in 1987. Sadie is visiting her sister, Sam is recovering from a car crash. The days and months are long there, but playing together brings joy, escape, fierce competition -- and a special friendship. Then all too soon that time is…
If there is anything I can relate to and appreciate, it’s how music informs every aspect of life. All the big and small moments–there is a song, a soundtrack for that. Nick Hornby is certainly one of “my people” who totally gets it.
Though our music preferences may not have a tight Venn Diagram collision–I can understand how his song and band choices help to tell the story and add to the reader's sensory experience of that certain feeling for that certain someone–heart-pumping adrenaline/soul-wrenching heartbreak. Music nerds like us–we appreciate this shorthand, playing in the background at 33 rpm. The songs (and the stories) remain the same (sort of?)–they just get played in different rotations.
"I've always loved Nick Hornby, and the way he writes characters and the way he thinks. It's funny and heartbreaking all at the same time."—Zoë Kravitz
From the bestselling author of Funny Girl, About a Boy, A Long Way Down and Dickens and Prince, a wise and hilarious novel about love, heartbreak, and rock and roll.
Rob is a pop music junkie who runs his own semi-failing record store. His girlfriend, Laura, has just left him for the guy upstairs, and Rob is both miserable and relieved. After all, could he have spent his life with someone who has a…
For me, this one is all about the plot and the deep, delicious levels of fan service. I admit these are the main draws for me–but wow, I’ll take it. I’ll often see works of art in all types of media and think to myself that the comic book, anime, and manga master storytellers certainly influenced the creators. But did Ernest Cline just mention Cowboy Bebop? And Ultraman? And the main quest–doesn’t that sound just like something straight out of a PS2 RPG? And all those 80s games and movies and music and all the things I love so much, and… they were THAT important–as in universally important? Yes, and yes.
No one was more surprised that this fantastic fanboy fiction was actually filmable. Surely, it was a labyrinthian rights, permissions, and royalty nightmare–directed by none other than Steven Spielberg! I’m completely fine with the book vs. movie differences because, in the end, it all became a mind-blowing perfect definition of “meta”–in the most satisfying way.
SOON TO BE A MAJOR MOTION PICTURE DIRECTED BY STEVEN SPIELBERG
It's the year 2044, and the real world has become an ugly place. We're out of oil. We've wrecked the climate. Famine, poverty, and disease are widespread.
Like most of humanity, Wade Watts escapes this depressing reality by spending his waking hours jacked into the OASIS, a sprawling virtual utopia where you can be anything you want to be, where you can live and play and fall in love on any of ten thousand planets. And like most of humanity, Wade is obsessed by the ultimate lottery ticket that…
I am a lifelong Stephen King fan. I was that potbellied kid, perpetually with a stack of books, who insisted that the librarian let me check out Skeleton Crew, even if she told me it would absolutely give me nightmares. One of many, and often. I read the classics like The Stand and It–and watched the TV and film adaptations of Uncle Stevie’s best. Stephen King’s love of pop culture (music, movies, comic books) is evident in most of what he writes, no less so than in his magnum opus: The Dark Tower series.
Want to see where Marvel Comics, Harry Potter, and Stephen King's other fictional characters start to clash and co-mingle? Well, I’m sure you do, because you know. By the time you get to Book V: The Wolves of the Calla–you are already along for the ride and you know how thin that thinny can get, especially when everything is in service of the Beam.
WOLVES OF THE CALLA is the fifth volume in Stephen King's epic Dark Tower series. The Dark Tower is now a major motion picture starring Matthew McConaughey and Idris Elba.
In the fifth novel in StephenKing's bestselling fantasy series, Roland and his ka-tet are bearing through the forests of the Mid-World on their journey to the Dark Tower.
Tracking their every move is a group of farmers from the town of Calla Bryn Sturgis. The trackers have been warned that the Wolves, a band of masked riders, are about to gallop out of the dark land of Thunderclap and raid…
No one else can make me laugh through all the cringe-y, absurd, awkward pain like David Sedaris. His pop culture touch points are a bit more esoteric than (and a generation or two above) mine–but his Billie Holiday impression is impressive and absolutely pristine. Unexpected and revelatory, his essays and memoirs brought me to tears of laughter but also of compassion and empathy.
I started with this book and quickly devoured more. By the time I was a full-fledged David Sedaris reader, I was already a huge fan of Amy Sedaris–his equally talented sister–a skilled actress and comedian. Amy, matching the same level of genius as her brother, has been a mainstay of TV and film. She also appears in her brother’s writing, and the duo often collaborate creatively–notably in the respective audiobooks. I love the Sedaris family (including all the other, less Hollywood types) and always enjoy reading about them–and hearing about them, from them.
A new collection from David Sedaris is cause for jubilation. His recent move to Paris has inspired hilarious pieces, including Me Talk Pretty One Day, about his attempts to learn French. His family is another inspiration. You Cant Kill the Rooster is a portrait of his brother who talks incessant hip-hop slang to his bewildered father. And no one hones a finer fury in response to such modern annoyances as restaurant meals presented in ludicrous towers and cashiers with 6-inch fingernails. Compared by The New Yorker to Twain and Hawthorne, Sedaris has become one of our best-loved authors. Sedaris is…
I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age.
Dolça Llull Prat, a wealthy Barcelona woman, is only 15 when she falls in love with an impoverished poet-solder. Theirs is a forbidden relationship, one that overcomes many obstacles until the fledgling writer renders her as the lowly Dulcinea in his bestseller.
By doing so, he unwittingly exposes his muse to gossip. But when Dolça receives his deathbed note asking to see her, she races across Spain with the intention of unburdening herself of an old secret.
On the journey, she encounters bandits, the Inquisition, illness, and the choices she's made. At its heart, Dulcinea is about how we betray the people we love, what happens when we succumb to convention, and why we squander the few chances we get to change our lives.
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