I love exploring new places, buildings, and artworks. Luckily, my job, as a professor of ancient Roman art history at Case Western Reserve University in Cleveland, Ohio, allows me to do so! I am fascinated by the material culture of the Roman Empire and the ways in which buildings and objects—whether grand monuments like the Pantheon in Rome or humbler items like a terracotta figurine of a gladiator—shape how we experience the world and relate to other people. Whether I am living in Paris or Rome, excavating in Greece or Italy, or traveling elsewhere in the former lands of the Roman Empire, these topics are never far from my mind.
This lavishly illustrated book offers a visually stunning and information-packed tour of ancient Rome’s most popular forms of entertainment: chariot racing, gladiatorial combats, and theater performances. I was astonished by the sheer range and creativity of Roman spectacles and their material commemorations, from action figures of gladiators with removable helmets, piggy banks with pictures of lucky winning charioteers, and mosaic puzzles that challenged viewers to guess the names of famous racehorses based on visual clues. As an art historian, I particularly love the beautiful color illustrations; my own copy of this book is dog-eared because I am constantly returning to look at the fascinating objects she discusses. For me, this book about spectacles is spectacular in its own right.
Theater, spectacle, and performance played significant roles in the political and social structure of the Roman Empire, which was diverse in population and language. A wide and varied range of entertainment was available to a Roman audience: the traditional festivals with their athletic contests and dramatic performances, pantomime and mime, the chariot races of the circus, and the gladiatorial shows and wild beast hunts of the arena. In Theater and Spectacle in the Art of the Roman Empire, which is richly illustrated in color throughout, Katherine M. D. Dunbabin emphasizes the visual evidence for these events.Images of spectacle appear in…
I ardently began research and writing on Jean-Michel Basquiat in grad school (2004), before his paintings demolished sales records and when he was still somewhat misunderstood and marginalized by perplexed art historians. Since then, his potency and intrigue have blazed a global pop culture inferno. I’ve conducted dozens of interviews, befriended those close to him, memorized his lines, colors, words, and spaces in books and real life, and re-read countless pages. Currently I’m writing and compiling a field guide to his work. All Basquiat publications are imperfect. I hope with sensitivity and intellectual intent, fans can move through their initial impressions to better understand his meaningful motives, inclinations, and artwork.
No single book on my list is the perfect gateway to Basquiat, but taken as a group, you have a strong primer.
This recommendation includes abundant personal memories, photos, ephemera and artworks from the private collection of Jean-Michel Basquiat, his family, and close associates. After so many publications without input, Basquiat’s sisters finally come out here and share some personal experiences.
Research-wise this book is somewhat useless as his estate was not able to catalog much detailed substance. Yet the works within, which Basquiat withheld in his personal collection—are some of his most brilliant, especially the drawings, dated or not.
Organised by the family of Basquiat, the exhibition and accompanying catalogue feature over 200 never before and rarely seen paintings, drawings, ephemera, and artifacts. The artist s contributions to the history of art and his exploration into our multi-faceted culture incorporating music, the Black experience, pop culture, African American sports figures, literature, and other sources are showcased alongside personal reminiscences and firsthand accounts providing unique insight into Basquiat s creative life and his singular voice that propelled the social and cultural narrative that continues to this day. Structured around key periods in his life, from his childhood and formative years,…
Of all my university courses, the one that had the greatest impact on me was called "Informal Logic." Accurate, but misleadingly dry and academic. One of the assignments in that course—and the one I remember most, of all my university assignments—was to prepare a "Crapbook": a collection of ten bits of crap—ads, arguments, whatever—that were full of crap (essentially, incorrect reasoning/logical fallacies). I loved it. So when, twenty years later, I was hired by a small university to teach Critical Thinking …
Although many critical thinking texts include some analysis of bits from popular culture, I wanted to include this book on my list because, as its title indicates, it focuses on popular culture—which is good because most of us immerse ourselves in popular culture and so it influences our thinking in a huge way. There's a whole chapter. There's a whole chapter dedicated to "Analyzing American Television," another dedicated to "American Advertising and the Subtle Art of Manipulation," and one dedicated to "Popular Culture in Speeches."
I have had a lifelong interest in history and in particular the history of democracy. When I became a cognitive scientist, I initially studied basic memory processes using a mix of computer simulations and experimentation. I became interested in misinformation during the invasion of Iraq in 2003 when the purported “Weapons of Mass Destruction” never materialized but large segments of the American public continued to believe in their existence. Some 20 years later, misinformation has taken center stage in public life and has metastasized into a danger to democracy in many countries around the world. The books on this list should present a warning and inspiration to all of us.
This is a page-turner that I read in one go from front to finish. It reads like a thriller and keeps you hooked, although it is also a very serious analysis of contemporary Russia by one of the UK’s most skilled journalists and authors. It is as thrilling as it is frightening because there are so many signs that western countries are heading in a similar direction—a country that “is a dictatorship in the morning, a democracy at lunch, an oligarchy by suppertime, while, backstage, oil companies are expropriated, journalists killed, billions siphoned away”, as Peter put it in one of his memorable phrases.
In the new Russia, even dictatorship is a reality show. Professional killers with the souls of artists, would-be theater directors turned Kremlin puppet-masters, suicidal supermodels, Hell's Angels who hallucinate themselves as holy warriors, and oligarch revolutionaries: welcome to the glittering, surreal heart of twenty-first-century Russia. It is a world erupting with new money and new power, changing so fast it breaks all sense of reality, home to a form of dictatorship--far subtler than twentieth-century strains--that is rapidly rising to challenge the West. When British producer Peter Pomerantsev plunges into the booming Russian TV industry, he gains access to every nook…
I’ve always loved to read and laugh, and the weirder the humor, the better. It’s a strange and turbulent world out there, and sometimes, it seems like you have to laugh for crying. Fortunately, there are plenty of other talented writers and entertainers out there who share this outlook – and not just authors. Many musicians, actors, and comedians can convey this sense of cosmic absurdity, and I’m a huge fan of most of them. These books just skim the surface of the wild worldviews of kindred spirits who are capable of appreciating just how weird our society really is and can lampoon it to hilarious effect.
Forty years on, The Book of the SubGenius continues to mystify. Is SubGenius a joke disguised as a religion or a religion disguised as a joke? Either way, it’s hilarious.
I picked this book out at random at a bookstore and opened it to find a passage reading, “You probably think you may have wandered into a bookstore and picked this book out at random, but it was ordained that you would find this.” Spooky but intriguing.
I was taken in with the hilarious description of the religious teachings of award-winning siding salesman J.R. “Bob” Dobbs. The doctrine of the Church of the SubGenius is an incisive and unapologetic skewing of pop culture and religious dogma. Plus, tons of astounding artwork and demented collages to drive home the weirdness.
Either a hilarious parody of a religious text or an informative collection of totally real stories from a definitely real church that could be the foundation-stone of the promised kingdom of peace and harmony—the decision is yours to make.
What is the Church of SubGenius? Who is J.R. "Bob" Dobbs, and what kind of truths does he know? What is "Slack" and why do you need it? Will aliens truly descend upon our planet, and can you survive its destruction by becoming a member? Does The Book of SubGenius answer any of these questions? There are no straightfoward answers—you just…
I’ve written a couple of books about other subjects, but most of my professional life has been devoted to writing, speaking, and teaching about the South. I’ve been doing it ever since I went north to college and graduate school in the 1960s. My early books and articles were written as a sociologist, mostly for other sociologists, but in the 1970s I started writing what I learned to call “familiar essays” for a more general readership, and lately I’ve been writing about Southern foodways—three books about barbecue (so far), one of them a cookbook. I’ve also written several country songs (only one of them recorded).
Smith, professor of communications at the University of Arkansas, examines the stories that Southerners have told about themselves—the “myths” of the South. The Old South/Lost Cause/New South myths “controlled Southern culture and Southern rhetoric for one hundred fifty years,” he argues, but by the mid-twentieth century, the strain between myth and reality finally became too great and “a period of mythic confusion,” ensued. By the 1970s, however, Southern artists, scholars, journalists, politicians, and preachers—both Black and white—had forged a new myth, based on the themes of distinctiveness, racial civility, and community. When Smith wrote, he was confident that there will always be somemyth of the South, that it won’t become a mere quadrant of the U.S. with a "dysfunctional amythic culture." We shall see.
In what I would call a companion to Lewis’ classic The
Great Divorce, Webster offers up a modern-day descent into hell that is
theologically thought-provoking, honest, profound, and—perhaps most
surprisingly—playful.
The plot is relatively straightforward: a demon visits an
ordinary Joe & takes him to hell, where Joe must complete three challenges
to see and save his beloved twin sister, who died as a child. Along the way, Joe
is faced with the fracturing of beauty, truth & goodness, as well as
flashbacks that reveal more of his schism humanity.
The plot is compelling,
but it’s Webster’s story-telling, setting details, and multifaceted symbolism
that make this story shine, and the literary references and mythic quality had
me queuing up for a second read-through to catch the layers.
This has an unexpectedly delightful effect on the reader
of feeling like you are journeying with a beloved friend through this difficult…
Can the reality of Imago Dei eclipse the failings of a troubled protagonist? Can the Christian imagination speak to a generation captivated by Stranger Things, Squid Game, and the Marvel universe? Can the means of pop culture advance theological ends? These were just some of the questions I wrestled with during the creation of Follow the Devil / Follow the Light. What follows is a supposal, a work of fiction, a dark vision for dark times. There are fits of allegory throughout, but nothing to advance the tradition of Plato, Spencer, Bunyan, Hawthorne, etc. I have no unique access into…
In my opinion, a good adventure story does two things at once: it compels you to turn pages, while, paradoxically, also enticing you to get off the couch and go out into the beautiful, magical world, pregnant with unlimited possibilities, right outside your door, just waiting for you to notice it. I’ve hitchhiked, I’ve been lost in the jungle, I’ve sailed, I’ve run whitewater rivers, and I’ve written and drawn New Yorker cartoons and picture books. I hope these books are as hard for you to put down as they were for me, and when you do put ‘em down, it’s only to throw on your rucksack and head out in search of adventure!
Tom Strong is a throwback to classic pulp heroes, and the closest thing to a superhero you’ll find on my list. Tom is super strong, super smart, and super white, but that’s where comparisons to the heroes from which the author drew inspiration end! Tom’s Black wife and daughter are fully realized characters with thoughts and feelings of their own. Tom doesn’t punch out the bad guys, he doesn’t even believe in bad guys! Instead, he uses his intelligence to recognize that conflict arises not from malice, but from misunderstanding and incompatible needs and desires. With this in mind, Tom can use his super-intelligence to craft a compromise that reestablishes order. Far from preachy, eat-your-vegetables sermonizing, these stories are witty, layered, thought-provoking, and hilarious.
In a first volume featuring a popular physical and mental super-human, Tom battles with the Nazi super-woman Ingrid Weiss and her pre-human monster called the Pangean. A Graphic Novel. Original.
While I love straight-up fiction and read plenty of novels, I’ve always been just as interested in art as I have been in writing. The further into my writing career I get, the more it becomes obvious that art and illustration are just as vital to the way I want to tell my stories. I did the covers for my first few books and started experimenting with illustrating them as well with The Writhing Skies, creating a very strange blend of splatterpunk horror and Betty Boop-inspired illustration. Soft Places is a further step in the direction of telling stories in a way that’s a little different.
Edward Gorey is a forever favorite of mine, a pen and ink artist popular for the dozens of strange and macabre little books he created. The West Wing is unique in that it has no words at all, and the story is told entirely through his meticulous pen and ink images. Without a plot, or even any characters, there is only mood and vibes, and they are spooky and mysterious. Each page shows a different part of The West Wing and its seemingly endless rooms with their hints of ghosts and the feeling that someone has just left, or that something horrible has just happened. It’s my favorite haunted house story of all time.
Edward Gorey's The West Wing is an invitation to the imagination. On each page, a room beckons, inviting the reader to wonder why three shoes lie here abandoned, what is retreating in that mirror's reflection, or why there is an imprint of a body on the wallpaper, faded and floating four feet above the floor. A wordless mystery, it is one of Gorey's finest works.
I’m a university academic who writes and teaches on American popular culture. I’ve played video games all my life—I remember first playing Breakout and Boot Hill at the local arcade back in the late 1970s as a young child, and yes, I had an Atari VCS. Today, I write, teach, and exhibit work on the history of video games, especially how games depict and connect with the USA. I still play video games, probably too much, and my favorite console is the Sega Dreamcast.
Originally written in 1938 in Dutch (Huizinga was a Dutch cultural theorist), Homo Ludens contemplates the meaning and function of play in society. It’s a seminal text, widely cited by anyone who researches games (including video games), and really gets you thinking about what we mean by ‘play’. It also predates the commercial video game industry by some 30-40 years but still speaks to the mechanics and appeal of gaming.
