I’ve been reading science fiction and fantasy since I was a kid, and I love when the two genres meet. I’m also fascinated by the power of stories and language, which has led me to work as an intern at a literary agency and later as an editor at a website that reviewed and gave feedback on unpublished manuscripts. I love finding ways to imbue stories with the kind of magic that can transport us to new worlds.
On an alien world, beneath twin red suns glowing in an orange sky, a middle school from Atlanta, Georgia appears. Wand-wielding warriors stand in a circle around the school, poised to attack. Inside the school, panic.
Seventh-grader Jeff and his eighth-grader sister Suzy must become champions for their school in the fight to get back to Earth, while the king of the aliens has plans of his own - plans that could wreak havoc on not one world, but two.
I remember being twelve, lying in bed and reading this into the wee hours of the night, dimly aware of the train whistle from the other side of town.
The magic of the story – the wonder of the aliens and their world – transported me and wrapped me up and made me want to go rescue alien princesses and liberate oppressed alien peoples. Nothing about this book makes sense scientifically (what else do you expect from the author of Tarzan?), but somehow it still made me want to go to be an astronaut and explore new worlds.
Don’t write it off because of the terrible movie adaptation or the schlocky book covers. Embrace the camp and feel the magic!
Rediscover the adventure-pulp classic that gave the world its first great interplanetary romance-now featuring an introduction by Junot Diaz
In the spring of 1866, John Carter, a former Confederate captain prospecting for gold in the Arizona hills, slips into a cave and is overcome by mysterious vapors. He awakes to find himself naked, alone, and forty-eight million miles from Earth-a castaway on the dying planet Mars. Taken prisoner by the Tharks, a fierce nomadic tribe of six-limbed, olive-green giants, he wins respect as a cunning and able warrior, who by grace of Mars's weak gravity possesses the agility of a…
Whenever I recommend this book, I start raving about how cool the setting is – a planet slowly freezing to death with a narrow livable corridor around the equator, which you eventually realize is only staying warm because of an orbiting reflective satellite.
Magic, you find, has sprung up in the ashes of a society that was once technologically advanced. But as cool as the setting is, Red Sister really works because the characters are so fun, and the story is so compelling.
Nona is a young girl taken in by nuns and trained to be an assassin, and you love seeing her come into her own. Very violent but very fun.
It's not until you're broken that you find your sharpest edge.
"I was born for killing - the gods made me to ruin."
At the Convent of Sweet Mercy young girls are raised to be killers. In a few the old bloods show, gifting talents rarely seen since the tribes beached their ships on Abeth. Sweet Mercy hones its novices' skills to deadly effect: it takes ten years to educate a Red Sister in the ways of blade and fist.
But even the mistresses of sword and shadow don't truly understand what they have purchased when Nona Grey is brought…
No one creates ambiance like Ray Bradbury. It’s his superpower.
I read this at thirteen and remember feeling the loneliness of that desolate planet in my bones. You feel this book, the melancholy, the magic, the wonder of it as Earth sends ships to colonize Mars. There’s a sadness to it as things don’t go the way the humans expect, but there’s also pleasure in this land refusing to be conquered.
A book that deeply shaped the way I think of society and growth. (Note that Bradbury probably wouldn’t call this a fantasy. But I say any book that ignores the laws of physics this hard has to be magic)
The Martian Chronicles, a seminal work in Ray Bradbury's career, whose extraordinary power and imagination remain undimmed by time's passage, is available from Simon & Schuster for the first time.
In The Martian Chronicles, Ray Bradbury, America’s preeminent storyteller, imagines a place of hope, dreams, and metaphor— of crystal pillars and fossil seas—where a fine dust settles on the great empty cities of a vanished, devastated civilization. Earthmen conquer Mars and then are conquered by it, lulled by dangerous lies of comfort and familiarity, and enchanted by the lingering glamour of an ancient, mysterious native race. In this classic work…
I read it at eleven and thought it was cool and exciting and different. I read it at seventeen and thought there might be some meaning behind the story.
I read it as a young father and thought, “Holy cow! It’s the meaning of life! A sci-fi/fantasy exploration of the creation and the fall of man… it’s an allegory for Adam and Eve leaving the Garden of Eden. And it’s so good!” But don’t let the depth intimidate you; it’s a super compelling story about a young man in hyper-advanced society who has a gift that gets him in trouble. A total page-turner.
Now I want to go read it again. I wonder what I’ll notice this time…
It was a miracle of science that permitted human beings to live, if not forever then for a long, long time. Some people, anyway. The rich, the powerful, they lived their lives at the rate of one year every ten. Somec created two societies: that of people who lived out their normal span and died, and those who slept away the decades, skipping over the intervening years and events. It allowed great plans to be put into motion. It allowed interstellar empires to be built. It came near to destroying humanity. After eons of decadence and stagnation, a few seed…
I know, I know. You say it’s not for kids, and it’s not magic. But as for the first: I read it when I was fourteen, and I loved it.
It opened my eyes to the possibilities of science fiction as real, thoughtful world-building - creating an ecology for a world (though maybe I couldn’t have put that to words). It was meticulous in a way that fascinated and intrigued me. And as for the magic: Spice lets them see the future. The Voice lets you control other people’s minds. It’s magic.
And so is this book! There's a reason it's still getting movie adaptations almost 60 years after it was published...
Before The Matrix, before Star Wars, before Ender's Game and Neuromancer, there was Dune: winner of the prestigious Hugo and Nebula awards, and widely considered one of the greatest science fiction novels ever written.
Melange, or 'spice', is the most valuable - and rarest - element in the universe; a drug that does everything from increasing a person's lifespan to making interstellar travel possible. And it can only be found on a single planet: the inhospitable desert world of Arrakis.
Whoever controls Arrakis controls the spice. And whoever controls the spice controls the universe.
I’m an avid reader of queer literary fiction not only because I write it but because I’m looking to see my life experience captured on the page. As a gay man, a father of two young boys, and one-half of an interracial married couple, I know the complexity of modern queer living firsthand. In recent years, I’ve been astounded by the breadth of great LGBTQ+ books that examine queerness fully and empathetically. I seek out these books, I read them feverishly, and I become a champion for the best ones. In an era of intense book banning, it’s so important to me to elevate these books and their authors.
The Birthright of Sons is a collection of stories centered around the experiences of marginalized people, namely Black and LGBTQ+ men. Although the stories borrow elements from various genres (horror, suspense, romance, magical realism, etc.), they are linked by an exploration of identity and the ways personhood is shaped through interactions with the people, places, and belief systems around us.
In each of these stories, the protagonists grapple with their understanding of who they are, who and how they love, and what is ultimately most important to them. In almost every case, however, the quest to know or protect oneself is challenged by an external force, resulting in violence, crisis, or confusion, among other outcomes.
The Birthright of Sons is a collection of stories centered around the experiences of marginalized people, namely Black and LGBTQ+ men. Though the stories borrow elements from various genres (horror, suspense, romance, magical realism, etc.), they're linked by an exploration of identity and the ways personhood is shaped through interactions with the people, places, and belief systems around us.
Underpinning the project is a core belief - self-definition is fluid, but conflict arises because society often fails to keep pace with personal evolution. In each of these stories, the protagonists grapple with their understanding of who they are, who and…
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