The most recommended books about racism

I’m an American author and writing teacher both at Harvard and Oxford’s online programs. I've mostly written poetry and nonfiction, then in 2021 I published my first novel, She Never Told Me about the Ocean. I started writing the book when my daughter was born as a way to explore the complicated feelings and fears that suddenly washed over me. The book—like a daughter—outgrew my plans and expectations for it. It became, unexpectedly, a mythology of mothers and daughters. For two decades I've studied fairy tales and myths. Fairy tales deal in fears and the stories we tell ourselves to feel safe—which is why I read them and use them in my writing.

I am a scholar of global politics, and I am drawn to psychoanalysis because it studies the unseen in politics, or rather, those things that are often in plain sight but remain unacknowledged. For example, why is it that, especially in this information economy, we are well aware of the inequality and environmental destruction that our current capitalist system is based on, but we still continue to invest in it (through shopping, taking out loans, using credit cards, etc.)? Psychoanalysis says that it's because we are unconsciously seduced by capitalism—we love shopping despite knowing about the socioeconomic and environmental dangers of doing it. I’m fascinated by that process of disavowal.

Thirty-five years ago, I bought a dilapidated olive farm overlooking the Bay of Cannes. I was well-known as an actress for such roles as Helen Herriot in All Creatures Great and Small. Moving to Provence, living on the Mediterranean, transformed my life. I became passionate about the landscape, history, art, languages, literature of the region. I spent 17 months travelling solo round the Mediterranean basin, searching out the history and cultures of the olive tree, a mythical plant. I was invited to work with UNESCO to create a Mediterranean Olive Route. I make films, TV programmes, and write books. Almost all my work is set in the south of France.

The first twenty-five years of my life appeared to be atypical for an inner-city African American boy from a large family. Only a small number of children were bused to more “academically advanced” schools. I earned that honor by frequently running away from the local school. Overcoming the challenges of being a minority in a demanding, predominantly Jewish, school district eventually benefited me greatly. In the early 1970s, my parents did something unprecedented for a working-class African American family from Queens: They bought an old, dilapidated farmhouse in Upstate New York's dairy country as a summer home. What other unusual life experiences that impact people of color have taken place on the American tapestry? 

In Rochester, New York, where I was raised, Susan Anthony and Frederick Douglass are local heroes. But in the late 1960s, I was drawn more to grassroots movements than charismatic leaders. Despite dropping out of college—twice—I completed a B.A. in 1974 and then pursued a PhD in History. My 1981 dissertation and first book focused on three networks of mainly white female activists in nineteenth-century Rochester. Of the dozens of women I studied, Amy Post most clearly epitomized the power of interracial, mixed-sex, and cross-class movements for social justice. After years of inserting Post in articles, textbooks, and websites, I finally published Radical Friend in hopes of inspiring scholars and activists to follow her lead. 

As a historian and someone who grew up in Cold War Berlin, I am constantly inspired by efforts to curb the devastating effects of industrialised warfare. I love learning about people who had the courage to speak up, and how their historical understanding of the military abuse of power enables us to think differently about present-day warfare. So much of my research has been inspired by social movements and their difficult efforts to improve the world. While I am no expert on Vietnamese history, I have been fortunate to have learned a lot about how ingenious the Vietnamese revolutionaries were in actively pedalling the global emergence of Vietnam War protest. 

My expertise as a scholar of the women’s music movement spans 40 years--ever since I attended my first concert and music festival in 1981. A lecturer at UC-Berkeley, I’m the author of 19 books on women’s history, and published the first book on women’s music festivals, Eden Built By Eves, in 1999 (now out of print.) More recently I’ve organized exhibits on the women’s music movement for the Library of Congress, co-authored The Feminist Revolution (which made Oprah’s list), and I’m now the archivist and historian for Olivia Records.

Gabriella Lepore is a YA author from Wales in the UK. When she isn’t reading or writing, she can usually be found exploring the coastline or perusing a bookstore. She enjoys autumn days and cups of tea and is always searching for the next mystery!

I am a Pulitzer Prize winning journalist who has worked for the past 10 years as the senior researcher for the National Registry of Exonerations. In that capacity, I have written nearly 2,500 individual accounts of men and women and teenagers who were wrongly convicted of crimes they did not commit. Some of them were sentenced to death. I have seen and written about these tragedies firsthand.

I didn’t know I was going to end up being a management writer. I was minding my own business in the lower rungs of business journalism when it finally struck me – after an ordeal too far – that what was really bothering me was the way people (ok, me too) were being managed. Why did bosses behave like...this?! That was nearly 30 years ago. Ever since I've been fascinated by businesses, organisations, and the people in them, how and why they work the way they do. For me, management is personal as well as professional. Having been a boss twice, I know how hard it is to be in charge and why it matters.