As a horror writer, the evil kid subgenre holds great appeal to me. I’ve written about them a few times, most notably in my novella Sour Candy, which remains the most popular thing I’ve written, perhaps because, like in the books mentioned above, we don’t expect our children to be evil monsters, and when they are, we’re ill-prepared to deal with the threat. They’re still children, after all, and we’re supposed to love and protect them. The emotional quandaries this situation presents are fascinating to write about.
At first glance, Phil Pendleton and his son Adam are just an ordinary father and son, no different from any other. Some might say the father is a little too accommodating given the lack of discipline when the child loses his temper in public. Some might say he spoils his son by allowing him to set his own bedtimes and eat candy whenever he wants. Some might say such leniency is starting to take its toll on the father, given how his health has declined. What no one knows is that Phil is a prisoner, and that up until a few weeks ago and a chance encounter at a grocery store, he had never seen the child before in his life.
Shriver’s novel is an astonishingly well-written and devastating book about every parent’s worst nightmare: the realization that your child is a killer. Topical and controversial, We Need to Talk About Kevin is one of the best books ever written about the gulf that can develop between a mother and child and how childhood discontent and teenage angst can foster catastrophic consequences. This one knocked the breath from my lungs, because there are no shambling monsters or undead nightmares here, just a very real horror that could happen to anyone.
Eva never really wanted to be a mother; certainly not the mother of a boy named Kevin who murdered seven of his fellow high school students, a cafeteria worker and a teacher who had tried to befriend him. Now, two years after her son's horrific rampage, Eva comes to terms with her role as Kevin's mother in a series of startlingly direct correspondences with her absent husband Franklyn about their son's upbringing. Fearing that her own shortcomings may have shaped what her son has become, she confesses to…
Stage’s wonderfully sinister novel documents the early years of a child who seems to have been born bad. The thrill in this one is the ever-escalating war between a precocious and seemingly sweet child and her anguished mother, who knows she’s being manipulated by her daughter, while the father remains oblivious to the horror. It’s unusual, and fun, to read a book in which we get to see things from the child’s perspective as she tries to drive her mother insane.
“Unnerving and unputdownable, Baby Teeth will get under your skin and keep you trapped in its chilling grip until the shocking conclusion.”―New York Times bestselling author Lisa Scottoline
One of Entertainment Weekly’s Must-Read Books for July | People Magazine's Book of the Week | One of Bustle's "Fifteen Books With Chilling Protagonists That Will Keep You Guessing" | One of PopSugar's "25 Must-Read Books That Will Make July Fly By!" | One of the "Biggest Thrillers of the Summer"―SheReads | "New & Noteworthy" ―USA Today | "Summer 2018 Must-Read"―Bookish | "One of 11 Crime Novels You Should Read in July"―Crime…
What’s worse than an evil child? Try a whole gang of alien telekinetic children who insinuate themselves into ordinary women’s wombs while they’re stricken unconscious. Wyndham’s sci-fi/horror book is a seminal classic and has been filmed several times, and it’s easy to see why. The destruction of a quiet (and rather uptight) British village at the hands of the coldly clinical children is terrifying fun, and the ending, in which the villagers attempt to defy their new overlords, is perfection.
A genre-defining tale of first contact by one of the twentieth century’s most brilliant—and neglected—science fiction and horror writers, whom Stephen King called “the best writer of science fiction that England has ever produced.”
“In my opinion, [John] Wyndham’s chef d’oeuvre . . . a graphic metaphor for the fear of unwanted pregnancies . . . I myself had a dream about a highly intelligent nonhuman baby after reading this book.”—Margaret Atwood, Slate
What if the women of a sleepy English village all became simultaneously pregnant, and the children, once born, possessed supernatural—and possibly alien—powers?
Hugely influential since its publication in the 1970s, Tryon’s deliciously twisted book about a pair of identical twins who happen to have different birthdays and are left to their own (unusual) devices after their father dies, has often been imitated, but never equaled. Shocking upon its initial release, jaded readers may see the ending coming now, but that doesn’t detract from the sheer ingenuity of the horror leading up to it. A masterpiece of psychological terror.
Holland and Niles Perry are identical thirteen-year-old twins. They are close, close enough, almost, to read each other’s thoughts, but they couldn’t be more different. Holland is bold and mischievous, a bad influence, while Niles is kind and eager to please, the sort of boy who makes parents proud. The Perrys live in the bucolic New England town their family settled centuries ago, and as it happens, the extended clan has gathered at its ancestral farm this summer to mourn the death of the twins’ father in a most unfortunate accident. Mrs. Perry still hasn’t recovered from the shock of…
Perhaps my favorite of the bunch, this Gothic horror tale sees a governess tormented by the children in her care, but are the children themselves evil or operating under the influence of something much darker? You’re likely very familiar with this wonderfully chilling tale, but it’s one that rewards rereading for its claustrophobic mood and skin-crawling reveals. And while it’s been adapted for the screen a number of times (most recently The Turning, and Netflix’s The Haunting of Bly Manor), the best of them is still The Innocents (1961), which all these years later is still beautifully done and genuinely unsettling. But the book is where it all began, and that’s where I recommend starting.
'A most wonderful, lurid, poisonous little tale' Oscar Wilde
The Turn of the Screw, James's great masterpiece of haunting atmosphere and unbearable tension, tells of a young governess sent to a country house to take charge of two orphans, Miles and Flora. Unsettled by a dark foreboding of menace within the house, she soon comes to believe that something, or someone, malevolent is stalking the children in her care. Is the threat to her young charges really a malign and ghostly presence, or a manifestation of something else entirely?
Edited and with an Introduction and Notes by David Bromwich Series…
In 1662, a man is wrongly executed for signing the death warrant of Charles I. Awaiting execution, he asks to speak with a priest, to whom he declares a curse on the village that betrayed him. The priest responds with a counter-curse, leaving just one option to nullify it.
Over four centuries later, Faith and James move to the country to start a new life and a family. They discover their village lives under the curse uttered by the hanged man. Could their arrival be connected? They fear their choice of new home is no coincidence. Unexplained events hint at threats or warnings to leave. They become convinced the village remains cursed despite their friends’ denials. Who can they trust, and who are potential enemies?
In 1660, a man is wrongly executed for signing the death warrant of Charles I. While awaiting execution, he asks to speak with a priest, to whom he declares a curse on the village that betrayed him. The priest responds with a counter-curse, leaving just one option to nullify it. Over four centuries later, Faith and James move to the country to start a new life and a family. They learn that their village lives under the curse uttered by the hanged man. Could their arrival be connected? Faith and James fear that their choice of a new home is…
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