I grew up in historic old houses. They were haunted too. (Think things that went bump in the night and were rife with the unexplained.) My imagination didn’t stand a chance and caught on fire. Later, I chose history as a career path with research as the job—which is really just solving mysteries. My fiction writing naturally extended from these beginnings and remains heavily influenced by the past. A bonus to the mix is the Celtic storytelling DNA coursing through my veins. I read and write stories that blend the mysterious with the historic and am especially inspired by all things gothic. I'm the author of The Spinster’s Fortune and Campbell’s Boy.
This book was so much fun. It rolls in so many nuances from historic gothic reads while adding its own special takes in clever ways. It brought back fond memories of so many other writers and books for me as I was reading it. It is clearly influenced by many of the greats. But it also stands on its own two feet with rich and layered language and detail. The twist near the end is crafty and pulls it all together. Paulette Kennedy knows what she is doing!
Some houses hold secrets that are meant to be kept forever...
When Eliza Sullivan inherits an estate from a recently deceased aunt, she leaves behind a grievous and guilt-ridden past in New Orleans for rural England and a fresh start. Eliza arrives at her new home and finds herself falling for the mysterious lord of Havenwood, Malcolm Winfield. Despite the sinister rumors that surround him, Eliza is drawn to his melancholy charm and his crumbling, once-beautiful mansion. With enough love, she thinks, both man and manor could be repaired.
Not long into their marriage, Eliza fears that she should have…
As my debut novel demonstrated, I’m a massive fan of Gothic literature. Compelling stories are found in many genres, but rarely with such atmosphere and style. The freedom and enjoyment of writing in this category are unparalleled, offering an excuse to use language your editor would prefer to eliminate from contemporary fiction.
In a Glass Darkly is a collection of unusual Gothic tales. The shorter stories provide the foreboding inevitability of the genre, with atmospheric hauntings and ghostly floating eyes. Fans of M. R. James or H. P Lovecraft will appreciate these.
In addition, the collection features two novella-length stories. Carmilla, an early and influential vampire story, and "The Room At The Dragon Volant", which is a romance horror. Carmilla inspired many of the elements Bram Stoker used in Dracula. Both these longer stories are atmospheric and wonderfully picturesque in their descriptions of the people and places.
`the ideal reading...for the hours after midnight'
Thus Henry James described the style of supernatural tale of which Sheridan Le Fanu was a master. Known in nineteenth-century Dublin as `The Invisible Prince' because of his reclusive and nocturnal habits, Le Fanu was fascinated by the occult. His writings draw on the Gothic tradition, elements of Irish folklore, and even on the social and political anxieties of his Anglo-Irish contemporaries. In exploring sometimes inexplicable terrors, the tales focus on the unease of the haunted men and women who encounter the supernatural, rather than on the origin or purpose of the visitant.…
Growing up in Chicago, I’ve always had a fascination for history, (even if it was sometimes a bit gory!), from Capone and the St. Valentine’s Day Massacre to reading about monsters and the unique worlds created by favorite author Stephen King. So, it’s probably not too surprising that I combined both interests and offered a new solution to the infamous Lizzie Borden axe murders of 1892 in my own book series. I enjoy reading, and writing, the serious to the not-so-serious, often incorporating touches of humor, or at least the absurd, where and whenever I can.
While there are better-known vampire novels from the classic Dracula by Bram Stoker, to Anne Rice’s Vampire Chronicles, this was a story that mesmerized me with a perfect combination of history, music, and vampires. In this story of one vampire’s unquenchable desire to possess a particular violin, I found the supernatural elements and historic details as riveting as the haunting music this priceless violin is said to make.
After centuries of life, the Vampire has just two passions left: blood and music. The blood of innocents is plentiful and easily attained—it is his other passion that torments him. Many years ago he owned and lost a violin that sang with the voice of the angels. Now this unearthly monster will do anything to press the instrument once more against his neck.
As it summons a hellish creature of the night
Maggie O’Hara was a talented if unremarkable violinist—until the day her grandfather gives her a violin he had brought home from World…
If
there’s a theme with my favorite fiction books, it’s that I tend to read them
in one sitting. I read Hawk Mountain while waiting for and then on an airplane, and I cried, to the alarm of my seat partner.
Not for the faint of heart, this
is an incredible little novel that examines cycles of abuse, what repression
does to someone over time, and how it bleeds out and affects everyone around
them. This horror story about a man, his son, and the thoughts he won’t let
himself think until he’s confronted with a boy from his past is just
incredible.
If you’re averse to gore, pass this one by, but if you have the
stomach for it, this book is a moving portrayal of one very stunted man having
the worst possible reaction to what could have been a late-in-life gay
awakening.
Single father Todd is relaxing at the beach with his son, Anthony, when he catches sight of a man approaching from the water's edge. As the man draws closer, Todd recognizes him as Jack, who bullied Todd relentlessly in their teenage years but now seems overjoyed to have "run into" his old friend. Jack suggests a meal to catch up. And can he spend the night?
What follows is a fast-paced story of obsession and cunning. As Jack invades Todd's life, pain and intimidation from the past unearth knife-edge suspense in the present. Set in a small town on the…
Richard Vetere’s teleplay adaptation of his published stage play The Marriage Fool, starring Walter Matthau, Carol Burnet, and John Stamos, now streaming on Amazon.He co-wrote the movie The Third Miracle, which is a screenplay adaptation of his own novel. It was produced by Francis Ford Coppola, directed by Agnieszka Holand, and stars Ed Harris and Anne Heche released by Sony Picture Classics. His screenplay Caravaggio, an adaptation of his own published stage play, won the Golden Palm Award for Best Screenplay at the Beverly Hills International Film Festival in 2021. In 2005, the Frank Melville Library at Stony Brook University created the Richard Vetere Collection, an archive of his work.
You cannot mention a coming-of-age novel without mentioning this classic.
Pip is an orphan who meets an escaped prisoner in a graveyard, does him a good deed, then is made a gentleman from an inheritance he knows nothing about. All of us enter our youth with great expectations and some of us are lucky enough, or unlucky, to meet our own beautiful Estella or the damaged and doomed Miss Havisham or the worldly and wise attorney Mister Jaggers.
Set in London where the worlds of extreme poverty and privilege co-exist side by side, we experience this world firsthand as Pip does wondering, all the time, if we can survive it unscathed. Ignore all other movie adaptations since they will only disappoint. Screen the 1946 version directed by David Lean. It is a great film.
'His novels will endure as long as the language itself' Peter Ackroyd
Dickens's haunting late novel depicts the education and development of a young man, Pip, as his life is changed by a series of events - a terrifying encounter with an escaped convict in a graveyard on the wild Kent marshes; a summons to meet the bitter, decaying Miss Havisham and her beautiful, cold-hearted ward Estella; the sudden generosity of a mysterious benefactor - and he discovers the true nature of his 'great expectations'. This definitive edition includes appendices on Dickens's original ending, giving an illuminating glimpse into a…
I’ve been a fanatic of horror, especially Gothic horror since I was about eight years old when I read all of Poe’s short stories. It’s the genre I read most often and the one I’m dedicated to writing about. For me, the most effective horror novels have a setting that is as rich and fully developed as any of the characters. You can battle vampires, zombies, and all of the other delightful monsters out there, but how do you battle what’s trapped in the walls around you? How do you fight a home that hates you? Or one that loves you too much to let you go? It’s endlessly fascinating.
The vivid, lush descriptions in this book bring the titular hacienda to roaring life.
Although initially I was drawn in by the comparisons with Rebecca, this novel is its own thing. It brings in folk beliefs as well as thoughts on colonialism, all within the hacienda’s oppressive yet intoxicating atmosphere. It’s what you look for in a Gothic horror novel.
Mexican Gothic meets Rebecca in this debut supernatural suspense novel, set in the aftermath of the Mexican War of Independence, about a remote house, a sinister haunting, and the woman pulled into their clutches...
During the overthrow of the Mexican government, Beatriz’s father was executed and her home destroyed. When handsome Don Rodolfo Solórzano proposes, Beatriz ignores the rumors surrounding his first wife’s sudden demise, choosing instead to seize the security that his estate in the countryside provides. She will have her own home again, no matter the cost.
But Hacienda San Isidro is not the sanctuary she imagined.
I started in publishing at the Advocate magazine, twenty years ago in its heyday, then moved to Alyson Books, who first published Emma Donoghue among many others, offering a place for queer writers showcasing queer stories to find their audience. Afterwards, I became involved with Gertrude literary journal, a beloved, 25-year-old non-profit, LGBTQA journal that has now evolved to The Gertrude Conference. All the while, I read, wrote, and supported queer stories, like these gems!
Here is another period piece, set in the 1850s and inspired by Mary Shelley’s Frankenstein.
Our Hideous Progeny is a Gothic, magical novel that begs to be brought (no pun intended) to life. It’s a rich, delicious adventure through time and across several countries while Mary, the name of the main character, tracks down the secrets of her great uncle, Victor Frankenstein, in an effort to build back some of the money lost by her husband, Henry, a gambler.
Like the series, Lessons in Chemistry (also an adaptation) and others, there is a feminist current running through the book, which modern audiences might appreciate, in the trials a woman had to overcome in a time when there were no “scientists”, only “men of science.” And, of course, a queer love story.
Author C.E. McGill has already ruminated on possible actors to play the key roles in an adaptation, including Sophie…
A gothic adventure story, a classic tale with a feminist twist, a story of ambition and obsession, forbidden love and sabotage...
'It is not the monster you must fear, but the monster it makes of men...'
Mary is the great-niece of Victor Frankenstein. She knows her great uncle disappeared in mysterious circumstances in the Arctic but she doesn't know why or how...
The 1850s is a time of discovery and London is ablaze with the latest scientific theories and debates, especially when a spectacular new exhibition of dinosaur sculptures opens at the Crystal Palace. Mary, with a sharp mind and…
I never outgrew the curiosity of wanting to know more about the things we fear. Plenty of monsters are just neat! But the more you learn about them, whether they’re animals like bears and sharks or figures of myth like werewolves and dragons, the more interesting they become. I wanted to take audiences deep inside a skin unlike their own so they could understand how it feels to be cast out and how much a monster might look down on us. Because the more you look at monsters, the more you recognize us in them.
The Brides of Dracula are a classic overlooked group. Most adaptations treat them like a sexy slideshow of danger, not allowed to do anything other than lust and hunger. They’re a flattened idea of feminine desire, put on Dracula’s leash.
S.T. Gibson breathes them to life (or undeath) by imagining what their long existence is like, constantly under a temperamental abuser’s thumb. Yes, they are angry and hungry, and they yearn, but it’s a deeply human yearning for more than companionship. You root for them to be the ones to plunge knives into the count’s heart.
S.T. Gibson's sensational novel is the darkly seductive tale of Dracula's first bride, Constanta.
This is my last love letter to you, though some would call it a confession. . .
Saved from the brink of death by a mysterious stranger, Constanta is transformed from a medieval peasant into a bride fit for an undying king. But when Dracula draws a cunning aristocrat and a starving artist into his web of passion and deceit, Constanta realizes that her beloved is capable of terrible things.
Finding comfort in the arms of her rival consorts, she begins to unravel their husband's dark…
I’ve written about war for years. To be honest, it all began in school when we studied the terrible events of The Great War. Hearing the hearts shatter of men on the frontline never left me. I wanted to understand. I needed to understand. PTSD is something I’m familiar with, even if I’ve never been on the front line in battle. I’m also obsessed with myths, legends, ghost stories, and mysteries. My Lorne Turner series combines my passions and the books shine a light, in fiction, on what happens to old soldiers when they come home.
This is where it all began. When I read this, I thought, I want to write a book like this one day. This long-running series is carefully crafted to walk the line between the real world and what might be out there, beyond the veil. They are cosy thrillers at their heart, I suppose, but the supernatural element adds a layer of spooky that darkens them, makes them more savage. The characters are wonderful, they can infuriate you at times, but they do not bore you. The locations, the weather, the buildings, they all play a part. These are very good British spooky thrillers.
THE FIRST IN THE INCREDIBLE MERRILY WATKINS SERIES Merrily Watkins: late thirties, single mum, parish priest. Cosy? I don't think so...
The new vicar had never wanted a picture-postcard parish - or a huge and haunted vicarage. Nor had she wanted to walk into a dispute over a controversial play about a seventeenth-century clergyman accused of witchcraft... a story that certain long-established families would rather remained obscure.
But this is Ledwardine, steeped in cider and secrets...
A paradise of cobbled streets and timber-framed houses. And also - as Merrily Watkins and her teenage daughter, Jane, discover - a village where…
As a writer of Gothic-inflected suspense and horror fiction, I just can’t help it: I love to be scared! We are lucky to be in a time when so many wonderful thrillers, mysteries, suspense, and horror stories are being written and published, but I have a great love for the classics of the genre. These are the books I turn to again and again, not just to marvel at their craft and ingenuity, but to feel the skin prickle on my arms and shoulders and the hairs rise on the back of my neck. Whether for the first or the twentieth time, let these masterworks cast their spells over you.
I have been a fan of Gothic and melodrama since I first watched the 1931 film Frankenstein with Boris Karloff–and I was delighted to discover that the book is even better and so much more than what we’ve ever seen on screen.
Frankenstein’s monster is articulate and soulful in Mary Shelley’s atmospheric, dread-filled original novel, and his plight is all the more moving because of it. She wrote it when she was just 18 years old, still grieving over the death of her first child two years earlier. I feel her aching sorrow on every page.
One of the BBC's '100 Novels That Shaped Our World'
'That rare story to pass from literature into myth' The New York Times
Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley on Lake Geneva. The story of Victor Frankenstein who, obsessed with creating life itself, plunders graveyards for the material to fashion a new being, but whose botched creature sets out to destroy his maker, would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third…
