Slaughterhouse-Five

I first read Slaughterhouse-Five as a callow college student, concluding with the certainty of youth that this was a brilliant but weird amalgam of dark humor and sci-fi wrapped inside an autobiographical anti-war screed. However, my real ‘duh’ moment came after rereading the book decades later.

The opening line, “Listen: Billy Pilgrim has come unstuck in time” – tells you everything you need to know: It’s about PTSD, written from the inside looking out. Like Billy Pilgrim, I could see myself time-jumping and being abducted by aliens to escape the trauma of war. Interestingly, the term “PTSD,” the acronym for… show more.

When I say Slaughterhouse-Five is funny, people eye me like I’m a monster. But it is. The New York Times even has my back on this.

Is the novel also gut-wrenchingly tragic and horrifying? Of course. It’s one of the most potent stories ever written, and I’m not sure I’ve encountered anything whose biting satire eviscerates the absurdity of war (and of existence) so well.

Vonnegut balances humor and grief on the head of a pin: “Billy turned on the Magic Fingers, and he was jiggled as he wept.” 

I got hooked on Vonnegut after reading his short story, Harrison Bergeron. Most of his books straddle the genres of literary fiction and science fiction, with just enough information to make the science believable.

In Slaughterhouse Five, there’s a time travel element, but how it happens really isn’t as important as where the main character ends up. With some historical content about World War II, which is another subject I enjoy, this book will take you on an interesting ride as the character becomes unstuck in time.

I do recommend anything by Kurt Vonnegut.

Slaughterhouse-Five is my favourite book of all time, and the book I would most like to have written myself (if only I had Vonnegut’s skill and didn’t have to live through the fire-bombing of Dresden).

Dealing with the atrocities of war while throwing in a mix of aliens and time travel, and regularly breaking the ‘fourth wall’, it’s a novel that shouldn’t work... but works superbly because of that.

Hilarious and tragically sad, mind-bending but soundly logical, the story of Billy Pilgrim and how he is kidnapped by Tralfamadorians to be mated in a zoo with a beautiful movie star… show more.

Slaughterhouse-Five is about A LOT. 

Consciousness, memory, our relationship with time, and free will—things that I’ve obsessed over since my days as a philosophy student. It’s also about trauma—in this case, being present at the fire-bombing of Dresden in World War Two.

Some months ago, someone close to me (who had long been suffering from PTSD) died by suicide. This great book comes directly from a place of suffering from PTSD and spoke to me for that reason. And for a book as dark as it is, it’s utterly hilarious.

I rediscovered the novel I first read in my high school AP English class and got me binge-reading Vonnegut through college.

Musician Elle Cordova describes it this way, “A soldier’s life playlist is stuck on shuffle.” And like a shuffled playlist, it brings many seemingly discordant elements together. Fantastic science fiction with brutal descriptions of war. Brilliant humor with heartbreaking drama. And all the pieces make sense when brought together.

Vonnegut showed me what is possible with narrative and combining comedy and tragedy. He is an inspiration for my own novels.

This classic appears regularly on my read-this-year list – I can’t get enough of it.

Vonnegut describes the horror and absurdity of war through a unique speculative fiction lens that punches me in the gut every time. Based on the WWII firebombing of Dresden, which Vonnegut personally experienced, the story makes its case in crisp, rye prose without ever preaching.

Billy Pilgrim, the main character, is one of my all-time favorite fictional characters; I just wish I knew whether he actually traveled through space and time to Tralfamadore, or if his PTSD-riddled mind was playing tricks on him.

I loved Slaughterhouse-Five when I read it as a teenager, and I still adore this great anti-war novel.

Like Twain, Vonnegut uses satire to weaken the hold of false moralities. His targets are war, trauma, cruelty, and death. Not surprisingly, given these concerns, the humor is dark, although it is lightened by the author’s wisdom and compassion.

Vonnegut uses techniques like metafiction and non-linear time to satirize conventional notions about everything from free will and predestination to the notion that there are good wars. It is one of the best and most provocative satires ever written, and I urge anyone… show more.

Slaughterhouse-Five was the first book I read that showed me that science fiction and fantasy can truly go to unexpected places. I was head-over-heals charmed by Vonnegut’s voice and his unassuming protagonist bouncing around through time and space and nutty adventures—but what an amazing thing: the way Vonnegut worked his sci-fi premise into a masterpiece of satire that, at the bottom of it all, was about the very real firebombing of Dresden in World War II, something he had witnessed first-hand. One of my favorite books of all time.

Slaughterhouse-Five is a literary classic about a man who becomes "unstuck in time" and travels between different points in his life. The blending of grim reality with science fiction elevates the book above a single anti-war genre. I was so intrigued by the idea of reliving any moment of your life as non-linear events. Everything always has existed and always will.

Foreshadowing and free will are strong undertones. How much of life is designed and how much do we get to choose? Mixed timelines can be confusing, but often the end is worth the journey. After all, a lifetime’s worth… show more.