100 books like A Report of the Kingdom of Congo

I promised my publisher, who edited Kapuscinski, a book as elemental, pure, and wild as Kapuscinski's seminal account of the Angolan independence struggle in 1975.

Though I’m not sure I succeeded, Breakup is that book.

I was inspired by this classic of reportage for its simple and profound observations of the city, and countryside, trying to make sense of the chaos and what Angolans, in Portuguese, called confusão.

I met Aidan in Bunia, on the frontline of the Congo war, where he kindly offered his help, and then, not knowing who he was, I discovered his memoir in the Nairobi airport.

His story of starting as a lowly stringer and working his way up resonated with my own journey as a stringer for The AP in DR Congo, a journey I recount in my first memoir, Stringer.

"Congo is a tough place," he told me in Bunia, "not many people move here to report." I enjoyed reading a book by a reporter who wanted to help young stringers.

Naipaul's long-form reportage "Crocodiles of Yamoussoukro," included in this collection of essays from around the world, including Africa, taught me to root my stories simply.

When I was struggling to locate the core thread of Stringer, I stumbled upon this essay about the Ivory Coast, and more than the descriptions of the place—often dark and mystical—what moved me most was when Naipaul described his reasons for traveling to the Ivory Coast: in part because he was enamored with his French teacher, an elegant woman wearing an African headdress.

It seemed to me marvelous that a large journey could begin in such a precise, universal moment.

This is one of the books that sparked my interest in the cult of personality that dictators cultivate in order to secure their own power.

It helped inspire a number of essays I later wrote about dictators and informed some of the characters in my own books. In fact, Mobutu is one of the most interesting dictators to me because he chose as his mistress his wife’s identical twin.

Seriously, you can’t make this stuff up!

The Art of Conversion by art historian Cécile Fromont provides us with a rich overview of visual images and material objects witnessing the first contacts between African men and women in the Kingdom of Kongo and European conquerors and missionaries starting in the late fifteenth century.

Richly illustrated with color images of paintings, objects, and artifacts of Christian devotion, this book shows how these early encounters that led to the rise of the Atlantic slave trade in the region of present-day Angola in West Central Africa were marked by the mutual exchanges of valuable objects.

These exchanges were also immortalized in paintings, watercolors, and engravings that help us to understand these first encounters between Africans and Europeans that were so important for the development of the trade in enslaved Africans.

Written in a riveting style, this book by Black British writer and photographer Johny Pitts likewise combines personal narrative with journalism and historical research. Pitts recounts his journey visiting numerous, often invisible Black urban communities across the European continent. By highlighting their lived experiences and identity formations, Pitts’ account challenges conventional understandings of ‘Black Europe’ and the ‘Black Atlantic.’ These are too often drawn from the Black British experience and its connections to the Americas, even though the majority of Europeans who identify (or are identified) as Black live on the continental mainland, speak languages other than English, and came to Europe after World War II. Memories of slavery and the transatlantic slave trade accordingly are not always central to their identities. Above all, the book uncovers the multi-layered and personal meanings of ‘Blackness,’ while underscoring the poignant ways in which those whom Pitts dubs as ‘Afropeans’ in individual European… show more.

The canon of anti-colonial, anti-racism writing from and about Africa includes many authors whose passion and insights are sometimes muddied by turgid or masculinist prose. For me, Rodney stands out – and stands the test of time – by the way he so masterfully weaves history into a compelling narrative that utterly demolishes the lies and conceits about supposed Western benevolence toward the continent. Scales fell from my eyes the first time (of many) I read this book. And yes, Rodney is almost as androcentric in his language, sources, and arguments as was the norm in those days. But his acknowledgment of the dignity of African women is implicit, and his discussion of the regressive elements of the colonial economy and education for African women and girls presaged a field of scholarly enquiry and activism that still intrigues me.

In these times of Black Lives Matter, emboldened white-supremicists, and with European dominance descendant, Born into Blackness is a revelatory and blunt dose of historical reality. I was not fully aware of the centrality of the slave economy in Europe’s rise to global dominance. Most importantly, I was ignorant of the level of cultural, political, and economic sophistication of the African nations when the Portuguese first explored the west coast of Africa. I had some understanding of the Haitian revolution and its manifestation of the enlightenment ideals, but this book opened my eyes to the historical ripples of the revolution: the Louisiana purchase, ceding much of present-day Southern US from Napoleon’s France; the sale and forced-march of thousands of slaves into the cotton-growing south, fueling an economic take-off that made the US an imperial power.

Northup provocatively challenges our perceptions of the early modern world. By offering a relativist view and investigating the primary sources written by Africans themselves — the Africans of the early modern period. They reveal much about sixteenth and seventeenth-century Europe, as well as African civilizations.     

This is a story of love and friendship set in 1950s Algeria before and during the Algerian War of Independence. The main character, Younes, is an Arabic Algerian but forms friendships with some European boys and falls in love with Emilie a beautiful European girl. Great descriptions of the environment and the characters’ feelings make for an engrossing and moving read as Younes has to make choices about his loyalties towards his friends and family from the two different cultures.