100 books like Gone With the Wind

When I was fifteen, I stayed up reading the end of this book under the covers with a flashlight because I could not put it down.

A scandalous bestseller in 1847, this was the first romance to feature an antihero. Mr. Rochester is far from pure and kind. He mocks Jane, who describes herself as small and plain and stands up to him. He has an immoral secret and when Jane learns of it, she leaves him. I doubt I would have.

When Inman decides he’s had enough of the Civil War, he takes a very long walk home. Along his path, he encounters the detritus of the conflict in shattered land and people. Meanwhile, his love, Ada, tries to cobble together some remnants of her former life.

Maybe a book out of fashion these days because it’s set in the defeated South, and that I understand. However, it remains a masterclass in style, vision, plot, and insight. 

This fifth pick isn’t fiction. But like the best fiction, poetry can pierce through to the very essence. Although shaggy poet Whitman was the furthest thing from a soldier imaginable, he was deeply involved in the war effort nonetheless. After the Battle of Fredericksburg, Whitman traveled to Virginia to find his wounded brother. He then chose to remain in Washington, DC, nursing wounded soldiers. Whitman’s war-time experiences gave rise to some of the finest poems in Leaves of Grass such as “The Wound-Dresser,” “Come Up from the Fields Father,” and “A Sight in Camp in the Daybreak Gray and Dim.”

The Winds of War is a powerful and intimate story about WWII.

It follows one fictional family through the buildup to the most devastating war in human history. The cultural and political details are most impressive. The writing itself is captivating. I have used it as a model for my own book.

Wouk’s work demonstrates the impact of war on families and establishes the importance of advocating for peaceful resolutions to global disputes.

This one will probably surprise a few people, but it is a historical romance. For those who haven’t read the book, please know that the movie starring Daniel Daydream- Lewis does not accurately parallel the book. I chose this novel because it is an American story with American characters, published in 1826. Cora is another very strong character, certainly ahead of her time and admired by Hawkeye, who was also an unusual character for the period. I enjoyed the historical details intertwined with fiction. Definitely worth your time to read.

Beyond the usual five stages of grief—denial, anger, bargaining, depression, and acceptance—a sixth stage of heavy responsibility may develop when someone dies in the service of a great cause. As the Battle of Franklin played out in the yard of her Carnton Plantation, Carrie MccGavock felt that sense of obligation to the 9000 soldiers who died in that battle. It is in that sense that Carrie called herself the “Widow of the South.” She disinterred over 1000 anonymous bodies, identified them, reburied them in her own cemetery, and sought to give their families a sense of closure. This moving novel, based on a true story, reminds us that the Civil War was more than maps and casualty statistics. It is a story of heartbreak and devotion.

When recommending Geraldine Brooks’ multi-layered and intricately crafted March, another book must always be mentioned. Louisa May Alcott’s Little Women. March is the Pulitzer Prize-winning historical fiction rooted in Alcott’s classic novel that’s been read and loved for centuries. The March of the title is Jo March’s father in Little Women. In real life, his name was Amos Bronson Alcott. And he was the father of Louisa May Alcott. Brooks tells March’s fictitious story masterfully and with great historical acumen. Her depictions of Henry David Thoreau and Ralph Waldo Emerson are truly historic. Geraldine Brooks is not a historian. Her husband Tony Horwitz was. In Brooks’ case it seems that to fall in love with a historian is to fall in love with history as well. March is the beautiful proof.

Shiloh is an early novel by writer and historian, Shelby Foote, that recounts the story of this bloody battle through multiple perspectives—both Union and Confederate. Foote does a masterful job of portraying how the lives of the various narrators are interrelated, especially the lives of those in each of the armies. In addition, he illuminates just how crazed and violent the experience of the battle itself was—in contrast to the often quite rational, even humane men who fought it. The success of Shiloh also led to Foote writing his monumental three-volume The Civil War: A Narrative and playing a starring role in Ken Burns’ documentary on the war. 

A stone-cold classic in war writing, I studied this short novel at university and loved it. Crane never actually went to war and yet his depiction of men fighting in the American Civil War felt so real, that it gave me the confidence to write historical fiction, knowing I’d never experienced these things but my research and imagination could be brought to bear and hopefully transport the reader in the same way Crane did. It also began a lifelong obsession for me with the American Civil War. When I first started writing historical novels I knew I wanted to write about other combat arenas than the two C20th world wars, choosing the Boer War and The Seven Years’ War respectively. 

Though set less than a century ago, the world of Steinbeck’s novel is so very different from our own. This masterpiece follows the Joad family as they head west to California, escaping the hardship and poverty of the Oklahoma Dust Bowl.

Depression-era America is described with such detail and emotion that the reader feels almost like a companion of the Joads, each of whom are rendered with precision and depth. In other hands, this might have been a grim, gloomy tale, but Steinback evokes themes of loyalty, kindness, and pride with peerless power and skill.