78 books like Monsoon

This is the first book in the breathtaking House of Niccolò series that takes readers across Europe from Flanders to Tuscany, then to Scotland, Cyprus, and Constantinople, among other places, in the mid-fifteenth century. It is the story of a humble but gifted Bruges dye-works apprentice named Claes who turns himself into the wealthy, well-respected, often feared Niccolò, who wreaks havoc on his enemies. Dunnett’s hist-fic is for serious fans of the genre: kings, duchesses, and courtiers, financial machinations with the Medici, international intrigue, and the very best sort of timeless narrative. Not an easy read, but unforgettable, and so worthwhile. Dunnett inspired me to write action-packed but quality historical fiction based on serious research. 

Lace-making and swordsmanship, and a deadly personal feud; swashbuckling hist-fic with a well-researched core about cultural conflict in 17th century Spain. The story opens in London, in 1609, then moves to Seville, where a young woman tries to reclaim her inheritance from a man devoted solely to fencing and himself. I married into a traditional Spanish family; I know Seville. Deborah Swift captures the summer heat and dust, and the pervading sensation that violence is just one stone's throw away in a page-turning novel that made me think more deeply about Moorish Andalucía, what happened in the past here – and is still happening. Quality fiction.

Book 1 in Gill’s Troubadour series opens in Provence, in 1150. A young runaway wakes in a ditch protected by a huge white dog. The girl becomes the celebrated lutist Estela at the court of Alienor of Aquitaine. Her tutor, then lover, is the Queen’s finest troubadour, Dragonetz los Pros. Using Jewish money and Moorish expertise, Dragonetz builds a paper mill, bringing him into desperate conflict with the Christian Church. This is a compelling story woven into real events: the writing is captivating, the history fascinating. Jean Gill is one of those authors who can ‘take you there’. I was watching what was happening and fearing for the safety of the protagonists to the last page. History, action, and a not-too-treacly romance. A great read all round.

Technically this is not historical fiction, but if you know anything about Venice and Constantinople, you will recognise our world in the past. Guy Gavriel Kay’s magical writing weaves history into fantasy, where incredible occurrences become perfectly credible. This story is about various individuals caught up in a conflict between those who worship the stars and those who pray to the sun. Each character is very real in their flaws and ambitions and desires. Battles are fought across the fantasy Balkan states and the Adriatic Sea, involving Seressa (Venice) and the Asharites (the ‘infidel’). Kay’s books are quite simply splendid; I love the way they take me on exciting journeys with fascinating characters. Un-put-downable.

In this fictional story about the Battle of Gettysburg, two 11-year-old buglers (one from the 71st Pennsylvania Infantry and the other from 11th Mississippi) meet in the woods and share some moments in conversation away from the din of the fighting.

The story helps young readers reflect on the common humanity and suffering of the soldiers on both sides during the Civil War. In elegant prose and beautiful pictures it humanizes the experiences, fears, and uncertainties faced by these men and boys (and their families).

Although this novel isn’t about a historical biblical woman, both the setting and the premise bring the latter half of the New Testament to vibrant life. In Corinth of the first century, a girl thief is befriended by a Jewish teacher named Paul, leading us into a fast-paced story of action and intrigue. Afshar’s novels brim with authentic historical detail as well as great empathy for what it meant to be a woman in this time in history. Turning the last page of the story, I felt like I’d lived and breathed alongside this long-ago woman.

I often feel like fiction "does" loneliness far better than nonfiction. This is because loneliness is so abstract and messy and the way that it is "lived" is often depicted more realistically in fiction.

I loved Michel Houllebecq’s novel because it’s a painfully beautiful portrayal of the ways that loneliness manifests in modern lives. The characters are achingly lonely in so many ways, and you can see yourself refracted in them as a contemporary human being.

I read this book a few years ago and have never forgotten it, it affected me so profoundly.

It tells the story of two Kurdish brothers in a mountain village in Iran who are forced to flee persecution and slaughter, one of whom ends up in California. Khadivi, Iranian herself, tells this with such haunting beauty and honesty that it still gives me chills to remember it.

It's part of a trilogy, and I've read all three, but this is my favorite volume.

This one was very unique in that it barely introduces the dystopian world in the first book and focuses on it much later in the series despite the significant impact it has on the characters from the very first page. The lead is male, which is becoming less common these days, and gives us a more calculating look into the world of dystopia. I enjoyed seeing things from another angle as that really reminds me to explore those less-common threads in my own writing as well. And what could be more interesting than people disappearing on their birthday and then finding out who is taking them, right?

As a bookseller as well as a writer and editor, I believe strongly that good children’s books should also be read by adults.

The setting here is 1683, and the River Thames is frozen. I studied history, and I often stand on London Bridge and try to imagine the flowing water as a field of ice with stalls and side shows on the frozen surface. Embankments and new bridges mean the river no longer freezes, but this story brings historical London to life and allows us to feel what it would have been like.

A magic nocturnal Frost Fair, a lost boy, and a determined twin sister are at the heart of this bewitching story, which is dark yet uplifting–a perfect combination that had me gripped throughout.