As a writer and journalist in Iran, I knew many activists and journalists who spent time in solitary confinement. I noticed that this part of their prison experience was the hardest one for them to put to words, even those keen on sharing their experiences have a much easier time talking about the interrogation room but remain strangely reticent about the solitary cell. When I set out to write a novel about a bus driver who ends up in jail, I decided to dedicate several chapters of the book to his time in solitary confinement. That research sent me down the rabbit hole of interviewing former prisoners and reading widely about the solitary experience.
Those interested in the never-ending drama of US-Iranian relations since 1979 probably remember the affair of the mountain climbers. Three Americans, hiking the mountains in Iraqi Kurdistan, mistakenly crossed the border into Iran. They were taken to Evin prison in Tehran, where they were imprisoned for two years, a good part of which they spent in solitary confinement as Iran and the US used them as pawns in their complicated dance of diplomacy. After their release, the hikers wrote a memoir together. This is one of the best accounts of solitary confinement in Evin available in English.
Hikers held captive in Tehran tell their story in “a moving memoir by three individuals who found the strength to survive” (San Jose Mercury News).
During the summer of 2009, Shane Bauer, Joshua Fattal, and Sarah Shourd were hiking in the mountains of Iraqi Kurdistan when they unknowingly crossed into Iran and were captured by border patrol. Wrongly accused of espionage, the three Americans ultimately found themselves in Tehran’s infamous Evin Prison, where activists and protesters from the Green Movement were still being confined and tortured. Cut off from the world and trapped in a legal black hole, the three…
I chose to study creative nonfiction during my MFA program so I could learn what makes great memoirs work, but I first fell in love with the genre as a teenager, when I picked up Angela’s Ashes off my mom’s bedside table. I’m grateful for the way memoir gives me a window into the lives of people of other races, religions, abilities, experiences, and even other centuries.While my book The Place We Make isn’t only a memoir—it’s a blend of memoir and historical biography—it was my desire to both understand the view through my research subject’s eyes, and analyze how I was seeing the world myself, that drove me to write it.
Persepolis is the book that made me fall in love with graphic memoirs.
I’ve typically been more of a word person than a picture person, but Satrapi’s stark black-and-white images make such creative use of the space on the page that I was converted. I learned so much about the history of Iranian conflict from this book—through the young girl eyes of its narrator—but my favorite part is the way Satrapi visually depicts her conversations with God.
After I read this book, I started drawing images of my conversations with God into my own prayer journal.
Wise, often funny, sometimes heart-breaking, Persepolis tells the story of Marjane Satrapi's life in Tehran from the ages of six to fourteen, growing up during the Iranian Revolution.
The intelligent and outspoken child of radical Marxists, and the great-grandaughter of Iran's last emperor, Satrapi bears witness to a childhood uniquely entwined with the history of her country. Persepolis paints an unforgettable portrait of daily life in Iran and of the bewildering contradictions between home life and public life.
Amidst the tragedy, Marjane's child's eye view adds immediacy and humour, and her story of a childhood at once outrageous and ordinary,…
A combination of things led me to this topic: My father was forced to leave his home in northern India during partition and was therefore a child refugee. In 2016, I was filming in Ukraine and became hugely interested in what was happening there. I have looked for a way to help ever since then. Discovering Monica Stirling’s novel about refugees from East Europe, I realised that here was an opportunity to help give voice to the refugee experience; to help raise funds for Ukraine, and to help bring back to life an incredible story written by an author who deserves to be rediscovered.
When his mother disappears, ten-year-old Enaiatollah Akbari embarks on what would end up being a five-year journey that would take him from Afghanistan, through Iran, Greece, and Turkey, and eventually to Italy where he would meet and be befriended by the family of the book’s author, Fabio Geda.
This is a novelisation of a true story – one that beggars belief – as young Enaiatollah works dangerous jobs and has to deal with unscrupulous people-traffickers as well as making perilous crossings across several borders. This is a story, nevertheless, of hope and so I feel it is something that will inspire as well as inform, and yes, entertain.
What would you do if, when you were ten, you were left to fend for yourself, and, in order to survive, you had to undertake a harrowing journey all the way from Afghanistan to Italy?
In early 2002, Enaiatollah Akbari’s village fell prey to the Taliban. His mother, fearing for his life, led him across the border. So began Enaiat’s remarkable and often publishing five-year ordeal—trekking across bitterly cold mountains, riding the suffocating false bottom of a truck, steering an inflatable raft in violent waters—through Iran, Turkey, Pakistan, and Greece, before he eventually sought political asylum in Italy, all before…
I am a translator specializing in Chinese historical novels, and also an academic researching marginalized groups in Chinese history—ethnic minorities, the disabled, people with mental health issues, and so on. The treatment of marginalized people tells you a lot about what is going on within mainstream society. I’ve always been interested in stories about people from distant times and places, and I have a particular love of long sagas, something that you can really get your teeth into. Kingdoms in Peril covers five hundred years of history: I translated this for my own enjoyment and was surprised when I realized that I’d managed to write 850,000 words for fun!
Shahnameh is the story of the birth of the Iranian people, told in a series of wonderful stories.
In the beginning, in a time of myth and legend, the Persian kings fight the devil, and sometimes they win and sometimes they are tempted into sin. Here are great heroes like the paladin Rostam, wicked queens like the young and beautiful Sudabeh, endlessly scheming against her husband’s son and heir, and the evil serpent-king himself, Zahhak.
These are the legends that have shaped Iranian culture for more than a thousand years, given definitive form in Ferdowsi’s epic tale.
Dick Davis, "our pre-eminent translator from the Persian" (Washington Post) has revised and expanded his highly-praised translation of Ferdowsi's masterpiece, including more than 100 pages of newly translated text. Davis's elegant combination of prose and verse allows the poetry of the Shanameh to sing its own tales directly, interspersed sparingly with clearly-marked explanations to ease along modern readers. Among the greatest works of world literature, this prodigious narrative, composed by the poet Ferdowsi in the late tenth century, tells the story of pre-Islamic Iran, beginning in the mythic time of creation and continuing forward to the Arab invasion in the…
I am a professor of politics and international relations with a focus on Iran. My passion for the country started while studying Persian or Farsi with an exceptional professor in graduate school. During that time, I had the privilege of traveling to Iran three times to study the language and conduct research on rural politics. This period coincided with the Green Movement uprising, a pivotal moment in the country. Since then, I have been enthralled by Iranian history, politics, and culture. Their richness and complexity make it a subject that can be studied and appreciated for a lifetime.
Straddling the boundaries between academic history and historical non-fiction, this book is difficult, if not impossible, to put down and draws the reader into the rich and multifaceted world of Iran’s history, politics, culture, and religion. The book is narrated through the life and lens of an ayatollah who is caught between tradition and modernity, religiosity and secularism, and east and west, much like Iran itself. Seamlessly weaving the past and present, the book reveals the inherent complexities and contradictions of Iranian identity that have been superimposed on a state and society torn between notions and aspirations of divine and popular sovereignty.
Drawn from the first-hand accounts of eyewitnesses, Roy Mottahedeh's account of Islam and politics in revolutionary Iran is widely regarded as one the best records ofd that turbulent time ever written. The true story of a young mullah, hi life in the sacred shrine city of Qom, and the dramatic events of the 1979 Revolution, this account paints a vivid picture of contemporary Iran, while providing a panoramic survey of Muslim, Shi'ite and Persian culture from the middle ages to the present day. From the ancient time of Zoroaster to the world of Khomeini, this saga interweaves biography with history,…
Walking the rims of remote crater lakes in Uganda to map a tiny piece of terra incognita was a big childhood dream coming true. I then went from a geography master to studies of conflicts, development & journalism. This brought me to the DRC, India, and Nepal, where I covered war, aid, and revolution. Since 2009 I combine professional environmentalism with freelance journalism, publishing books, and giving lectures. With a great global team of researchers and activists I co-created the largest database of environmental conflicts in the world, which doubled as fieldwork for my book Frontlines.
As a geographer specialized in conflicts, the title in itself is enough to pick it up. But the reason for reading and rereading this book is that even after two readings, I'm still torn between defending or debunking the controversial author. Like him, I feel frustrated by the neglect of physical geography in so many discussions of the conflicts in this world and Kaplan really opens eyes and puts things in a much needed context. At other times, his determinism and his “America first” undertone irritates me. But to understand the world better, this and his book Monsoon. The Indian Ocean and the Future of American Power are truly eyeopeners.
NEW YORK TIMES BESTSELLER • In this “ambitious and challenging” (The New York Review of Books) work, the bestselling author of Monsoon and Balkan Ghosts offers a revelatory prism through which to view global upheavals and to understand what lies ahead for continents and countries around the world.
In The Revenge of Geography, Robert D. Kaplan builds on the insights, discoveries, and theories of great geographers and geopolitical thinkers of the near and distant past to look back at critical pivots in history and then to look forward at the evolving global scene. Kaplan traces the history of the world’s…
Like the main character in my book, I went to Kurdish Iraq as a well-meaning (but admittedly naive) teacher, and fell in love with the Kurdish people and their culture. To be more specific, it was village women I really bonded with. Listening to their stories, and watching them try to cope with so many practical restrictions, tore at my heart. Part of me wanted to “liberate” them from the seemingly outdated traditions that held them back. Simultaneously, I couldn’t help but envy them for the solaces their tight community offered them -- and which Western society denied me. Rather than claiming to be an expert on Kurds, I am now someone who studies them with the greatest respect. The humble Kurdish villagers gave me moral examples that I wish every Westerner could be fortunate enough to have.
I have immense admiration for Ava Homa, the first female Iranian Kurd to publish in English. Her novel is part political expose, part history, and part feminist coming-of-age story, all wrapped up in a nail-biter of an adventure. The narrator is a woman, adding unexpected plot twists. Given the repression faced by Kurds in Iran, and the wall of silence maintained by the regime, Homa’s book is an important and courageous plea to the world for empathy and action -- plus it’s a downright riveting read.
The unforgettable, haunting story of a young woman's perilous fight for freedom and justice for her brother, the first novel published in English by a female Kurdish writer
Set primarily in Iran, this extraordinary debut novel weaves 50 years of modern Kurdish history through a story of a family facing oppression and injustices all too familiar to the Kurds. Leila dreams of making films to bring the suppressed stories of her people onto the global stage, but obstacles keep piling up. Her younger brother, Chia, influenced by their father's past torture, imprisonment, and his deep-seated desire for justice, begins to…
I’m an accidental historian, one that stumbled over a love of history in spite of myself. In school, history was all just dates and places—not the kind of thing to inspire a kid that loved stories about people, not dusty old battles. But then a funny thing happened on the way to an English degree. A few history electives suddenly seemed way more appealing than another round of Austen, and led me to a BA History with Distinction. The first half of the twentieth century is a favorite period, but I say bring on the Renaissance and Viking ships too!
This book is a gut punch of straight-up prose that reads like pure poetry. The story begins during the convulsions of the American Civil War, and tracks a line directly from the 1860s to the 1950s. This is no dry history lesson though. Presidents and generals don’t rate a mention and the heroes are ordinary people. And that’s where the novel shines: it proves that profound thoughts can be expressed in plain language, and the author delivers them here with powerful simplicity. A Shout in the Ruins is an absolute gem of a story that should not be missed.
The Sultanate of Oman overlooks one of the most strategic waterways in the Middle East: the Strait of Hormuz. Sharing the guardianship of the Strait with Iran, Oman's position is of key importance to the security of the entire Gulf, which holds a large portion of the world's oil resources. In a 1970 palace coup, Sultan Qaboos ibn Sa'id overthrew the repressive and reclusive rule of his father and embarked on a program of modernization. Oman became one of the success stories of the developing world, instituting a modern educational system, creating a modern infrastructure, becoming an oil exporter, and…
The
author takes us on a fascinating journey into one of the most mesmerizingly
contradictory megalopolis of the world: Tehran, the capital city of Iran.
From
the beautiful anecdotes about “nude watching” in the public baths of pre-modern
Iran, to the hustle and bustle in the ultra-modern shopping malls of today,
this book is an ode to Tehran and a complete guide into its labyrinthine
political and social forces at the same time.
As a scholar, but also as someone
who visited Tehran several times, this book will always be a reminder of why this
place has had such a unique influence on so many people from East and West,
North and South.
All the more, perhaps, because the book was preceded by
tragedy as the young author died in an avalanche while mountain climbing at the
tender age of 37.
Tehran, the capital of Iran since the late eighteenth century, is now one of the largest cities in the Middle East. Exploring Tehran's development from the nineteenth to the mid-twentieth century, Ashkan Rezvani Naraghi paints a vibrant picture of a city undergoing rapid and dynamic social transformation. Rezvani Naraghi demonstrates that this shift was the product of a developing discourse around spatial knowledge, in which the West became the model for the social practices of the state and sections of Iranian society. As traditional social spaces, such as coffee houses, bathhouses, and mosques, were replaced by European-style cafes, theatres, and…
Lois Pryce is a British author who has travelled extensively in Iran. Her book, Revolutionary Ride tells the story of her 2013 solo motorcycle tour of the country and was shortlisted for the Edward Stanford ‘Adventure Book of the Year’ Award. Her travels have taken her to over fifty countries and her writing has featured in The New York Times, The Guardian, CNN, BBC, The Telegraph and The Independent.
An astounding 20th century life-story told with honesty and warmth by one of Iran’s most impressive and pioneering women. From growing up as part of her father’s harem before setting sail for the USA during WWII to attend university, then returning to Iran to create a national social care system and finally, the unbearable tragedy of her life’s work being destroyed by the Islamic regime, this is an inspiring but heartbreaking story of bravery and humanity at its best.
Sattareh Farman Farmaian, the daughter of a once-powerful and wealthy Iranian prince, was raised and educated in the 1920s and 1930s in a Persian harem compound, along with numerous mothers and more than 30 brothers and sisters. As a young woman, she broke with Muslim tradition and travelled to America, where she became the first Persian to study at the University of Southern California. Her new life in the West fired a vision to lift her own people out of backwardness and poverty, and she returned to Iran to found the Tehran School of Social Work. For more than 20…
