Here are 100 books that Ride the Free Wind fans have personally recommended if you like
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I am a lifelong history lover. I was the kid who hung around the feet of the elders, listening to their stories and learning about the past. That led to a deep interest in tracing family history, which has been a passion since about the age of ten. I still can get lost for hours finding ancestors or reading about their lives. That interest led me to a double major in college and I earned a Bachelor of Arts in both history and English with a two-year degree in journalism. I live a short distance from Oklahoma and one of my favorite pastimes is to go to powwows whenever possible.
This is based on an actual captive woman in the early Colonial years. Since the topic was the subject of my thesis (Captive Or Captivated) I was enthralled in the way that the author brought the true story to life as fiction. Great historical accuracy and detail as well as a story sure to be remembered for a very long time.
From the author of Emily's House comes a “compelling, emotionally gripping”* novel of historical fiction—perfect for readers of America’s First Daughter.
Massachusetts Bay Colony, 1676. Even before Mary Rowlandson was captured by Indians on a winter day of violence and terror, she sometimes found herself in conflict with her rigid Puritan community. Now, her home destroyed, her children lost to her, she has been sold into the service of a powerful woman tribal leader, made a pawn in the ongoing bloody struggle between English settlers and native people.
Battling cold, hunger, and exhaustion, Mary witnesses harrowing brutality but also unexpected…
I am a lifelong history lover. I was the kid who hung around the feet of the elders, listening to their stories and learning about the past. That led to a deep interest in tracing family history, which has been a passion since about the age of ten. I still can get lost for hours finding ancestors or reading about their lives. That interest led me to a double major in college and I earned a Bachelor of Arts in both history and English with a two-year degree in journalism. I live a short distance from Oklahoma and one of my favorite pastimes is to go to powwows whenever possible.
It's a heart-wrenching tale of lost love and a second chance at happiness with edge-of-the-chair suspense. It appeals to me because I have some Cherokee heritage which resonates. I love second chance at romance stories because I married the man I fell in love with in high school – at the age of 32!
He was home from prison. Ten years compressed in the nerve-racking space of a few seconds. This tall, broad-shouldered stranger was her husband. Every memory she had of his appearance was there, stamped with a brutal decade of maturity, but there. Except for the look in his eyes. Nothing had ever been bleak and hard about him before. He stared at her with an intensity that could have burned her shadow on the floor. Words were hopeless, but all that they had. “Welcome back,” she said. Then, brokenly, “Jake.” He took a deep breath, as if a shiver had run…
I am a lifelong history lover. I was the kid who hung around the feet of the elders, listening to their stories and learning about the past. That led to a deep interest in tracing family history, which has been a passion since about the age of ten. I still can get lost for hours finding ancestors or reading about their lives. That interest led me to a double major in college and I earned a Bachelor of Arts in both history and English with a two-year degree in journalism. I live a short distance from Oklahoma and one of my favorite pastimes is to go to powwows whenever possible.
Sharon Sala is one of my personal favorite romance authors. She lives in Oklahoma – not far from the southwest corner of Missouri I call home. Her writing is rich and filled with powerful emotion. This story appeals – the hero, John Nightwalker, is everything I find appealing – he's dark and handsome, strong and sexy, capable and caring, yet he is also intense, not to be messed with and amazing.
John Nightwalker is a strong, rugged Native American soldier who has seen many battles. While hunting down an old enemy, he crosses paths with Alicia Ponte. On the run from her father—a powerful arms manufacturer—Alicia seeks to expose her father's traitorous crimes of selling weapons to our enemies in Iraq. But Richard Ponte will do anything to stay below the radar…even if it means killing his own daughter.
Drawn to the mystery that surrounds Alicia, John feels compelled to protect her. Together they travel through the beautiful yet brutal Arizona desert to uncover deadly truths and bring her father to…
I am a lifelong history lover. I was the kid who hung around the feet of the elders, listening to their stories and learning about the past. That led to a deep interest in tracing family history, which has been a passion since about the age of ten. I still can get lost for hours finding ancestors or reading about their lives. That interest led me to a double major in college and I earned a Bachelor of Arts in both history and English with a two-year degree in journalism. I live a short distance from Oklahoma and one of my favorite pastimes is to go to powwows whenever possible.
This book blends the past with the present and takes the heroine Zora Hughes from New York City to South Dakota where she and John Iron Hawk. The story combines history with mystery and romance with suspense in an engaging way that kept me turning the pages to see what happened next.
Her visions brought her here. Her heart tells her to stay. But someone dangerous wants her gone…
Zora Hughes is haunted by someone else’s past. Plagued by dreams of her ancestor fleeing captivity, the former NYC fashion editor travels to South Dakota to uncover the truth. And until she can put her visions to rest, she won’t let anyone stand in her way… not even the handsome captain of the local tribal police.
John Iron Hawk is on a mission to clean up his reservation. Trying to raise a teenage daughter on his own while working to expose a corrupt…
Greg Shed is a self-taught California illustrator specializing in Americana. In addition to commercial work and portraits, he has illustrated more than a dozen children’s books—several of which are about American history. A dedicated researcher, Greg has traveled from the Plymouth colony to the American prairie in search of authenticity and details. He has consulted with Native American craftsmen on the manufacture of native period attire. He is known for capturing golden light in his paintings, which often depict Native American cultures, wildlife, and landscapes.
Bury My Heart at Wounded Knee is a broad, well-researched tale of the indigenous people of the American West, chronicling the destruction of their way of life and their relocation to reservations amid the gradual encroachment of western civilization across the continental United States in the 19th Century. Describing the tribes and their leaders, Dee Brown captures the hardships and persecution of Native Americans, evoking an appreciation for their legacy and compassion for their plight. This book ignited my passion for painting the visual diversity and unique differences of various native nations.
The American West, 1860-1890: years of broken promises, disillusionment, war and massacre.
Beginning with the Long Walk of the Navajos and ending with the massacre of Sioux at Wounded Knee, this extraordinary book tells how the American Indians lost their land, lives and liberty to white settlers pushing westward. Woven into a an engrossing saga of cruelty, treachery and violence are the fascinating stories of such legendary figures as Sitting Bull, Cochise, Crazy Horse and Geronimo.
First published in 1970, Dee Brown's brutal and compelling narrative changed the way people thought about the original inhabitants of America, and focused attention…
Though from different backgrounds, we share a profound passion for Native culture. As an enrolled member of the White Earth Chippewa Tribe of Minnesota, Gordon’s poetry and fiction draw deeply from his Anishinabe heritage and contribute to the current flowering of Indian writing. Ivy is the grandchild of Jewish immigrants from Eastern Europe. As a scholar and teacher, she was appalled that Native writers are largely excluded from the American canon and worked to right that wrong. They met through their shared interest in Samson Occom, an 18th-century Mohegan writer, and decided to collaborate on increasing awareness of the necessity of Native writing to sustaining our future.
Though we are thankful for the current movements to decolonize archives and museums, from at least 1750, Native writers have been doing this important survival work of asserting Native ways of knowing. This revelation is the subject of Wisecup’s ground-breaking study. It shows how early Native writers assembled lists, collages, and literary texts that, through juxtaposition and recontextualization, resisted the way colonial archives defined their bodies, belongings, and words as ethnographic evidence of vanishing peoples. Wisecup offers revealing ways to read the Indigenous compilations of key figures like Mohegan Samson Occom’s medicinal recipes, Ojibwe Charlotte Johnston’s poetry scrapbooks, and Abenaki leader Joseph Laurent’s vocabulary lists. We also deeply appreciate how Wisecup ends each chapter by connecting the early writer it focuses on to contemporary Indigenous culture.
A wide-ranging, multidisciplinary look at Native American literature through non-narrative texts like lists, albums, recipes, and scrapbooks
"An intricate history of Native textual production, use, and circulation that reshapes how we think about relationships between Native materials and settler-colonial collections."-Rose Miron, D'Arcy McNickle Center for American Indian and Indigenous Studies at the Newberry Library
Kelly Wisecup offers a sweeping account of early Native American literatures by examining Indigenous compilations: intentionally assembled texts that Native people made by juxtaposing and recontextualizing textual excerpts into new relations and meanings. Experiments in reading and recirculation, Indigenous compilations include Mohegan minister Samson Occom's medicinal…
I’ve always been a history lover. Since my 7th-grade teacher brought history to life I have been interested in a wide variety of topics and times. After living in Oregon for twenty-five years I found myself wanting to contribute to the cataloging of this great state’s history. The niche I discovered was to explore the world of work over Oregon’s history. Researching Oregon at Work: 1859-2009 I spent many hours across kitchen tables with the descendants of Oregon pioneers. They had boxes of ancient documents and photographs on their side, I came equipped with my laptop and scanner. Through this process, I researched thousands of documents, books, maps, diaries, photos, and more. I became an expert on the subject and my interest only grew.
I love the authenticity of this book. The voices are of First Residents, not settlers. It gives the reader the inside story as to what native Oregonians thought of incoming pioneers and how they impacted tribal life. It captures not only the decimation brought on native tribes but also how they reconstructed and revitalized themselves over time. To truly understand Oregon you must understand its native residents - this book accomplishes that in spades!
In 1991, the Oregon Council for the Humanities published The First Oregonians, the only single-volume, comprehensive history of Oregons Native Americans. A regional bestseller, this collaborative project between the council, Oregon tribes, and scholars served as an invaluable reference for teachers, scholars, and general-interest readers before it went out of print in 1996. Now revised and expanded for a new generation of Oregonians, The First Oregonians provides a comprehensive view of Oregons native peoples from the past to the present. In this remarkable volume, Oregon Indians tell their own stories, with more than half of the books chapters written by…
Greg Shed is a self-taught California illustrator specializing in Americana. In addition to commercial work and portraits, he has illustrated more than a dozen children’s books—several of which are about American history. A dedicated researcher, Greg has traveled from the Plymouth colony to the American prairie in search of authenticity and details. He has consulted with Native American craftsmen on the manufacture of native period attire. He is known for capturing golden light in his paintings, which often depict Native American cultures, wildlife, and landscapes.
Creation’s Journey ties actual native stories and beliefs with genuine artifacts from the vast collections of the National Museum of the American Indian. It provides a refreshing approach to our understanding of indigenous people’s utilitarian objects and how important they are in their daily lives. The photos in this book show the care for detail and craftsmanship that was pervasive in everyday Native American objects and clothing. It inspired me to commission native Americans to hand make the various costumes shown in my book.
Drawing on the vast collections of the National Museum of the American Indian, Creation’s Journey retells the story of native life from the Arctic to the Tierra del Fuego, and from childhood to old age.
Growing up as a mixed kid (Mexican, African, Indigenous, and Eastern European) in a homogenous rural town, I relied on stories to offer a peek into different cultures. My love for storytelling strengthened during my studies at UCLA, leading to a career as an actress and author. In my debut children’s book, food is at the center of my mixed character’s journey because of its inviting, universal nature. I truly believe stories centered on food are a lovely way to introduce children to diverse cultures. I hope you enjoy my picks and feel inspired to share a meal with someone new.
I wish Fry Bread was around when I was growing up! This book is absolutely touching and spoke to me in such a personal way.
Having Native American ancestry, but not knowing a lot about my family’s history has left me feeling disconnected from that part of my heritage. However, this story is such an immersive way to learn and connect with modern Indigenous culture while also learning American history that is not widely shared.
Through the story and author’s note, I really appreciate how the book honors the significance of the pillowy bread in such a simple yet engaging way.
Fry bread is food. It is warm and delicious, piled high on a plate.
Fry bread is time. It brings families together for meals and new memories.
Fry bread is nation. It might look or taste different, but it is still shared by many, from coast to coast and beyond.
Fry bread is us. It is a celebration of old and new, traditional and modern, similarity and difference.
Fry Bread is a story told in lively and powerful verse by Seminole Nation member Kevin Noble Maillard, with vibrant art from Pura Belpre Award winner Juana Martinez-Neal.
I’ve been a historian of the period for more than two decades, and I am still fascinated by Andrew Jackson. He captures the attention of my undergraduate students and his name offers one of the best ways to start a shouting match at an academic conference. As I sifted through the various accounts of Jackson for this book, I was amazed at the range. Writers dealing with the same individual concluded that he was either a product of his age, a hero, the founder of American democracy, a populist, a racist, or a monstrous psychopath. All of these interpretations might have some merit, which made the project, in my opinion, all the more interesting.
If you ever thought to yourself, “Wow, Andrew Jackson would be a great candidate for psychotherapy, but no historian would ever actually try to view his life through Freudian analysis,” well, think again. Psychohistory enjoyed a brief moment in the sun during the 1970s and Rogin’s posthumous placement of Jackson on the couch was one of its shining examples. This book examines Jackson’s childhood trauma and fatherless upbringing as a major factor in his attitude and treatment of Native Americans throughout his life. Readers might find the analysis that dominates the second half of the book to be a bit dated in psychological terms, but Rogin offers a provocative way to explain Jackson’s confusing blend of patronizing and pathology towards Native Americans in the Early American Republic.
Rogin shows us a Jackson who saw the Indians as a menace to the new nation and its citizens. This volatile synthesis of liberal egalitarianism and an assault on the American Indians is the source of continuing interest in the sobering and important book.
