I study wolves. For the past three decades, much of that interest has focused on understanding the ecology of wolves who inhabit a wilderness island in Lake Superior, North America. I also work to improve the relationship between humans and wolves–knowing very well that wolves are a symbol to so many of all that we love and fear about nature. As a distinguished professor at Michigan Technological University, I teach classes in population ecology and environmental ethics. What ties my interests together is the desire to gain insights from the commingling of science and ethics.
This book is fiction, infused with magical realism, and I am a scientist. Yet, this book definitely belongs on my list of best books about wild animals.
Superficially, it is about a boy, Dave, who regularly observes a pine marten, a kind of large weasel, in the lush forests of Oregon. I love this book because even the slightest chance of properly empathizing with a wild animal requires a powerful yet constrained imagination. Some of Dave’s attributions to Martin are self-projected, and some of his attributions are deeply true. Reliability in telling the difference is not always so simple.
This book never let me stop wondering, are the thoughts and life of a marten beyond my imagination?
Dave is fourteen years old, living with his family in a cabin on Oregon's Mount Hood (or as Dave prefers to call it, like the Native Americans once did, Wy'east). He is entering high school, adulthood on the horizon not far off in distance, and contemplating a future away from his mother, father, and his precocious younger sister. And Dave is not the only one approaching adulthood and its freedoms on Wy'east that summer. Martin, a pine marten (a small animal of the deep woods, of the otter/mink family), is leaving his own mother and siblings and setting off on…
I'm the author of short stories and novels including my young adult debut, Pandemic, which continues to be a timely read about surviving a widespread deadly virus. After the H1N1 pandemic of 2009 (commonly called Swine Flu), I was fascinated with the idea of a global illness that could be much, much worse. I researched historical diseases, interviewed public health officials, and the idea for my novel was born. Written and published before COVID-19, some of the details are eerily predictive of coronavirus. Pandemic won SCBWI’s Crystal Kite Award the year after its publication, and a June 2022 reissue of the original novel includes updated resources and backmatter.
Set in Oregon during the 1918
influenza pandemic, this historical young adult novel features a teen girl
separated from her family as the illness spreads from the east coast of the US to
the west. Like Lil, the main character from my book, Cleo in A Death-Struck Year grapples
with moral dilemmas. I was drawn to Cleo’s struggle of wanting to help others,
which will put her life at risk, and of desperately wanting to survive.
Schools, churches, and theaters shut down. The entire city is thrust into survival mode-and into a panic. Headstrong and foolish, seventeen-year-old Cleo is determined to ride out the pandemic in the comfort of her own home, rather than in her quarantined boarding school dorms. But when the Red Cross pleads for volunteers, she can't ignore the call. As Cleo struggles to navigate the world around her, she is surprised by how much she finds herself caring about near-strangers. Strangers like Edmund, a handsome medical student and war vet. Strangers who could be gone tomorrow. And as the bodies begin to…
I grew up a fan of an evening news segment called “On the Road with Charles Kuralt.” Kuralt spotlighted upbeat, affirmative, sometimes nostalgic stories of people and places he discovered as he traveled across the American landscape. The charming stories he told were only part of the appeal; the freedom and adventure of being on the open road ignited a spark that continues to smolder. Some of my fondest memories from childhood are our annual family road trips, and I still jump at the chance to drive across the country.
Duncan follows the route Lewis and Clark took as they headed up the Missouri River. He embarks on the trip several generations later and drives a camper, so he experiences a very different landscape from the early explorers. It doesn’t matter; while the book itself is thirty-five years old, his blend of history, traveler’s and camping advice, and personal encounters make this memoir insightful, funny, and poignant even now. For anyone who would prefer to take a road trip from the comfort of their favorite reading chair, this is a satisfying read.
Describes the author's trip through the American West--retracing Lewis and Clark's historic trail from the Gateway Arch in St. Louis to the Oregon coast--and his encounters with the people who have adopted the myths of the West
I’ve been a lifelong fan of Halloween, from the time I visited my town’s haunted house as a young kid in the 1980s to watching horror movies as an adult. As a writer of romance and romantic women’s fiction, love stories are also my jam. Many people think horror and romance aren’t compatible, but I combined both in my novella series Crazy, Sexy, Ghoulish, and the books in this list prove that Halloween and romance are meant to be.
I can always count on Tiffany Reisz for a witty, banter-filled romance, and this sexy seasonal delight is no exception. After a bad breakup, Joey heads to her family’s Oregon cabin, where her troubles are eased by the presence of her brother’s gorgeous best friend, Chris. But this hookup with the handyman has the potential to last past October 31st.
The funny and flirtatious dialogue here kept me laughing.
Sun House is a sprawling,
challenging, intimate, and deeply engaging book that follows the lives of a
dozen or so amazing characters as they struggle to find meaning and purpose in
their lives. Although they are all extreme people in various ways, you can find
yourself in each of them.
The setting is the Pacific Northwest, especially
Oregon, Washington, and Montana from 1958-2016. The characters' lives intertwine
in remarkable ways, both with each other and with the urban, rural, and
wilderness landscapes that they inhabit.
As you read about their developmental
journeys, you will also get involved in challenging discussions about Buddhist
and Christian spirituality, wilderness philosophy, and ecological awareness.
Most importantly, you deeply care about each of the characters.
The book
sometimes seems like it's gone astray with wild spiritual speculation, but it
always returns to its home ground—the intriguing lives of its…
A random bolt from a DC-8 falls from the sky, killing a child and throwing the faith of a young Jesuit Jesuit into crisis. A boy's mother dies on his fifth birthday, sparking a lifetime of repressed anger that he unleashes once a year in reckless duels with the Fate, God, or Power who let the coincidence happen. A young woman on a run in Seattle experiences a shooting star moment that pierces her with a love that will eventually help heal the Jesuit, the angry young man, and innumerable others.
The journeys of this unintentional menagerie carry them to…
About thirty years ago I learned that my great-grandaunt Annie was, arguably, the first woman to circle the world by bicycle (1894-1895) and I spent years rescuing her story from the trash bin of history, for she was virtually forgotten for more than a century. An avid cyclist myself, Annie became both my muse and my inspiration. She was an outlandish character who stepped far outside the bounds of what was expected for women of her time; among other things, she was the married mother of three young children when she took off from Boston for fifteen months on the road, and she pioneered sports-related marketing for women, securing corporate sponsors and adorning her body and her bicycle with advertisements wherever she traveled.
Weber was for many years the lead obituary writer for The New York Times, hence the somewhat odd subtitle of this wry chronicle of a bicycle journey from Oregon to New York City. Weber has a sardonic wit that may not be everyone’s cup of tea, but I thoroughly enjoyed it.
Life Is a Wheel chronicles the cross-country bicycle trip Bruce Weber made at the age of fifty-seven, an “entertaining travel story filled with insightful thoughts about life, family, and aging” (The Associated Press).
During the summer and fall of 2011, Bruce Weber, an obituary writer for The New York Times, bicycled across the country, alone, and wrote about it as it unfolded. Life Is a Wheel is the witty, inspiring, and reflective diary of his journey, in which the challenges and rewards of self-reliance and strenuous physical effort yield wry and incisive observations about cycling and America, not to mention…
I'm an Iranian-American who left the country with my family after the Islamic Revolution. I'm watching the events unfold in Iran since the murder of Mahsa Amini with equal parts sadness and awe. Sadness for the loss of life and awe for the bravery of the young protestors in the country. My books will always have a nod to my culture of origin—whether about growing up in an immigrant household in my memoir, Americanized, or writing an Iranian-American character like Parisa in I Miss You, I Hate This. It's been fascinating to see people in America pay attention to what's happening in Iran and I wanted to share some books that'll help inform their perspective.
So back when I was a senior at UC Berkeley, I worked as an assistant at the Center for Middle Eastern Studies and totally fangirled over Tara Bahrampour when we hosted her as a guest speaker. She was basically who I wanted to be one day. What I love about her memoir is that it talks about growing up in America, and revisiting Iran—something I’ve never gotten to do but could imagine through Bahrampour’s eyes. I would have completely passed out if someone told me the day I met Tara that one day, I’d publish a book about being Iranian too. I’m not sure I would have attempted to write my memoir without having her as inspiration.
A compelling and intimate exploration of the complexity of a bicultural immigrant experience, To See and See Again traces three generations of an Iranian (and Iranian-American) family undergoing a century of change--from the author's grandfather, a feudal lord with two wives; to her father, a freespirited architect who marries an American pop singer; to Bahrampour herself, who grows up balanced precariously between two cultures and comes of age watching them clash on the nightly news.
Bad boys in young adult romance have always been one of my favorite tropes to read. For seven years, I facilitated a poetry workshop with teens in a juvenile detention center and got to hear their stories—the heartbreak, the challenges, and the triumphs under all that bad boy façade. My memoir, Kids in Orange: Voices from Juvenile Detention, is about the workshops and helped me understand both myself as a writer and the “bad boys” who wrote poetry each week. There are a lot of complexities to bad boy characters and the most satisfying stories are the ones where the bad boys redeem themselves and find love.
Bad boy, Christian Kane is one of those characters every young adult novelist hopes will find their heroine and challenge her to be who she is, no matter what. The story is set on the Oregon Coast, home to one of my middle-grade novels, and always a welcome setting that is not always seen in young adult stories.
From the bestselling author of Twenty Boy Summer comes a “compelling and original” (Kirkus Reviews) novel about a talented singer that loses her ability to speak after a tragic accident, leading her to a postcard-perfect seaside town to find romance.
The youngest of six talented sisters, Elyse d’Abreau was destined for stardom—until a boating accident took everything from her. Now, the most beautiful singer in Tobago can’t sing. She can’t even speak.
Seeking quiet solitude, Elyse accepts a friend’s invitation to Atargatis Cove. Named for the mythical first mermaid, the Oregon seaside town is everything Elyse’s home in the Caribbean…
I believe there is a supernatural spirit that guides the universe, and I am passionate about the God who created it. From the many experiences in my life, I have learned that there is a bigger picture. That picture is God. You can believe in his power to change lives or not. You can believe in him and his son or not, but that does not mean they don't exist. I may not believe in life in other galaxies, but that does not mean they are not out there somewhere.
The Shack shook me up. It took directions I didn’t see coming and the characters were not what I expected, yet full of depth and appeal.
Heartbreak, denial, and getting turned on my head is what reading The Shack did to me, and of all the crazy things, I was inspired by it. Rocked by it and I love when a book does that.
It isn’t easy to pick up the pieces of your life when disaster strikes, but you have to keep your focus on two things; firstly, God, and secondly, the devil who constantly tries to tear you away from God.
After his daughter's murder, a grieving father confronts God with desperate questions -- and finds unexpected answers -- in this riveting and deeply moving #1 NYT bestseller.
When Mackenzie Allen Phillips's youngest daughter Missy is abducted during a family vacation, he remains hopeful that she'll return home. But then, he discovers evidence that she may have been brutally murdered in an abandoned shack deep in the Oregon wilderness.
Four years later, in this midst of his great sadness, Mack receives a suspicious note that's supposedly from God, inviting him back to that shack for a weekend. Against his better judgment,…
Queer community means what we make it mean—but in the end, we mostly have each other, with our varied histories and problems and capacity to care for our peers and harm them. Intergenerational community is a model for young people that the problems they’re facing aren’t new. I grew up in LGBT youth groups, in a generational moment just before gay marriage, PrEP, and increased access to healthcare for trans people transformed our sense of what “activism” and “solidarity” meant. As the political pendulum swings in the other direction, I think some of the best stories we can tell are ones where we aren’t individuals or couples in our own narrative bubbles.
I don’t know if most librarians would understand or shelve this as YA, but Lowrey’s cast of eighteen-year-old trans punks and squatters have more in common with most trans kids, in 2006 or the present day, than many YA-marketed idyllic stories about teens with accepting families and limited substance use issues.
From nonprofits where suburban children pick fights with homeless teens to squats where young punks pressure each other into conforming to their own specific dysfunctional microculture in Portland, Oregon, this book resonates for me as tracking a moment in history—the youth of all the trans people who were in their twenties when I came out in my early teens, and were trying to devote themselves to the same community projects they had benefited from when they were runaways and train-hoppers.
Click, a straight-edge transgender kid, is searching for hir place within a pack of newly sober gender rebels in the dilapidated punk houses of Portland, Oregon circa 2002. Ze embarks on a dizzying whirlwind of leather, sex, hormones, house parties, and protests until hir gender fluidity takes an unexpected turn and the pack is sent reeling.
