96 books like Smeltertown

I have lived in Florida since 1969, attended public school here, and received my Master’s degree from a state college. My husband, Bob Randall, a photographer and an entrepreneur, and I have written six nonfiction books about Florida. An Ocklawaha River Odyssey is our favorite. Kayaking the 56 miles of winding waterways became less of a research expedition and more of a spiritual journey as the ancient river cast its spell on us. From wildlife, including manatees and monkeys, to wild orchids and pickerelweed, the Ocklawaha provides more than exercise and recreation; it also touches your soul. I hope my writing and Bob’s photography provide that experience for our readers.

I’ve worked in and around the tech, science and startup world for the past 10 years, and hype has played various roles in my work and life. From working in advertising where my job was to build narratives around ideas and products, then in journalism where I was tasked with sorting hype from reality when deciding who and what to write about, to now being a researcher who looks into the very nature and power of narratives, ideologies, political economies and cultures around science and technology – hype has been a recurring topic which is so important in understanding and navigating the tech industry. I hope you find these books as enlightening as I have!

I’m a philosopher fascinated by science and its relationship to society, who science benefits and who it harms; why scientists get some things right and some things wrong; and which scientific results make their way into the physician’s office, the courtroom, and the school textbook. Science impacts all facets of our lives: our health, our relationships with others, and our understanding of our place in our community and in the universe. I’ve spent decades investigating this relationship between science and society; these are some of the books I’ve found most influential in thinking about how we, as humans, impact the environment around us, which in turn circles back and impacts us.  

I’m a philosopher fascinated by science and its relationship to society, who science benefits and who it harms; why scientists get some things right and some things wrong; and which scientific results make their way into the physician’s office, the courtroom, and the school textbook. Science impacts all facets of our lives: our health, our relationships with others, and our understanding of our place in our community and in the universe. I’ve spent decades investigating this relationship between science and society; these are some of the books I’ve found most influential in thinking about how we, as humans, impact the environment around us, which in turn circles back and impacts us.  

Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime television in those decades. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really did happen in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is so much more interesting than the myth. As a Western historian, I've done my share of historical research, but I still gravitate toward fiction as a writer. I love the freedom to engage my characters’ thoughts and emotions.

I'm a writer of humorous fiction living in Austin, Texas. I enjoy writing novels about unusual friendships and the healing power that comes when people just shut up and listen to each other. Many of my stories have the odd-couple dynamic on full display and I love to explore what would happen if people with very different backgrounds and opinions are forced to deal with each other. I do have a couple of novels that wouldn’t seem to be humorous on the surface, but there is an element of humor or comedy that runs through all of my work. My next novel, The Codger and the Sparrow, will be published by TCU Press in 2024.

I’m a scholar of gender and state violence, and I live and work at the US-Mexico border. For the past several years, I’ve worked collaboratively with large teams of Latinx-identified students to study the impacts of US immigration policies on migrants from Mexico and Central America. We realized that even though about half of immigrants are women, around 95% of deportees are men. So, we started to think about how US policies criminalize immigrant men. I became especially interested in how immigration enforcement (at the border and beyond) intersects with mass incarceration. In the list, I pick up books that trace the multinational reach of the carceral apparatus that comes to treat migrants as criminals.

I have always been a seeker, fascinated by all cultures, philosophies, and spiritual perspectives. Although the concept is often different—for some, it’s a place of refuge, feeling safe or sheltered from pursuit, danger, or trouble; for others, it’s a state of being, an inner peace, I’ve found that the search for sanctuary—safe-haven—elsewhere—has ancient roots and contemporary reverberations. My novel, Guesthouse for Ganesha, further heightened my interest in this subject, for my protagonist, Esther Grünspan, both deeply wounded and unsafe, was compelled to seek sanctuary. As a first-time novelist with an 18-year journey to publication, I fully immersed myself in this topic’s study and comprehension.

I’m a journalism historian who sees an old newspaper the way Alice saw the looking glass, as a portal to a place where things wind up beyond the imaginable. In comparing English- and Spanish-language journalism, I examine how people from the same time and place live distinct constructed realities, separated by their news source looking glass. I aim to recenter the journalism of marginalized groups in the American experience and in media history. After more than 20 years at major U.S. news organizations and 10 years in academia, often as the first or only Mexican American—I’ve honed the ability to see from both sides of the glass.

I became passionate about the Mexico/US border question after meeting someone who is now a close friend, a Mexican academic who introduced me to some of the issues. She helped me write Saint Death as a way to explore the politics of ultra-capitalism, in the form of multinational business, and the action of drug cartels.