The refugee story is deeply rooted in my family, as my (great-/) grandparents fled Europe for a safer life in America. I grew up listening to their stories of escape and trying to integrate in their new land. Human rights were also a focus of my graduate studies – and later in founding the Human Rights Watch Committee NL and joining the Save the Children Board of Trustees. I am a writer and poet, Board member, and former strategy consultant who always wanted to write refugee stories for children. Their stories are difficult. But children should understand that although the world is not always safe or fair, there is always hope.
A non-fiction picture book that reads like poetry, this gorgeous book describes the author’s own journey from Mexico to the U.S. with her young son. The illustrations are as poetic as the language, which infuses English with Spanish words, simple words with more challenging ones, and words of pain with those of pride, resilience, and creativity. The book explores not only the refugee’s journey, but also, and most especially, the challenges and small victories of integrating and trying to make a new life in a new land. I also love the central role that books, words, and libraries play in paving the way toward this new life. Language is power, but it is also magic.
4
authors picked
Dreamers
as one of their favorite books, and they share
why you should read it.
This book is for kids age
4,
5,
6, and
7.
What is this book about?
We are resilience. We are hope. We are dreamers.
Yuyi Morales brought her hopes, her passion, her strength, and her stories with her, when she came to the United States in 1994 with her infant son. She left behind nearly everything she owned, but she didn't come empty-handed.
Dreamers is a celebration of making your home with the things you always carry: your resilience, your dreams, your hopes and history. It's the story of finding your way in a new place, of navigating an unfamiliar world and finding the best parts of it. In dark times, it's a promise that…
I’m a language scientist and a writer, but most of all, a person who is smitten with language in all its forms. No doubt my fascination was shaped by my early itinerant life as a child immigrant between Czechoslovakia to Canada, with exposure to numerous languages along the way. I earned a PhD in linguistics and taught linguistics and psychology at Brown University and later, the University of Calgary, but I now spend most of my time writing for non-academic readers, integrating my scientific understanding of language with a love for its aesthetic possibilities.
This book calls itself a novel, but it is deeply intertwined with the author’s own life and experiences as a second-generation immigrant from Pakistan. The chapters often read more like incisive personal essays than segments advancing the plot of a conventional novel, as the author grapples with the economic obsessions and spiritual poverty of contemporary American culture, the experience of everyday racism and the rage it provokes, and the feelings of alienation that many immigrants feel from both their country of origin and their adopted home.
The central preoccupation of the book is the difficulty of living as a complete, nuanced, self-contradictory individual in a world that forces you to choose—between cultures in conflict with each other, between absolutist world views that permit no ambivalence, between economic success and authenticity. It is a tension that may be especially pronounced in an immigrant’s life, but one that entraps everyone and results…
This "beautiful novel . . . has echoes of The Great Gatsby": an immigrant father and his son search for belonging—in post-Trump America, and with each other (Dwight Garner, New York Times).
One of the New York Times 10 Best Books of the Year One of Barack Obama's Favorite Books of 2020 A Best Book of 2020 * Entertainment Weekly * Washington Post * O Magazine * New York Times Book Review * Publishers Weekly * NPR * The Economist * Shelf Awareness * Library Journal * St. Louis Post-Dispatch * Slate Finalist for the 2021 Andrew Carnegie Medal for…
I grew up in Los Angeles in the 80s and 90s. I was a shy teenager, an obsessive reader, and a secret writer. I went to an all-girls high school where we wore uniforms, did a lot of homework, and mostly had no idea how to meet boys. The teen girls I encountered in movies, TV shows, and even literature were sexualized to the point of being unrecognizable to me. Now that I work with teenagers (and am a mom to one), I’m fascinated by the variability of girls this age, their wide-ranging intelligence, passions, and ways of being in the world. I love novels that reflect that complexity.
This book is the best love story I’ve read, full stop. There’s nothing like the first time you fall in love, and Ifemelu and Obinze’s relationship reminded me of that feeling—its paralyzing awkwardness and overwhelming joy.
Before I read this book, I’d never thought about what it must be like for immigrants from Africa to encounter (and enter) the long and tortured story of race in America for the first time, and the novel gave me a lot to think about on that score. I also love a novel that takes me somewhere I’ve never been, and the scenes of contemporary Lagos, where Ifemelu and Obinze are reunited, come alive in Adichie’s precise and brilliant description.
Introducing the Collins Modern Classics, a series featuring some of the most significant books of recent times, books that shed light on the human experience - classics which will endure for generations to come.
How easy it was to lie to strangers, to create with strangers the versions of our lives we imagined.
Ifemelu and Obinze are young and in love when they depart military-ruled Nigeria. Self-assured Ifemelu heads for America. But quiet, thoughtful Obinze finds post-9/11 America closed to him, and plunges into a dangerous undocumented life in London.
Fifteen years later, they reunite in a newly democratic Nigeria,…
I love humorous tales with quirky characters who find themselves in bizarre situations, especially in foreign countries. This mirrors my own experience of the world! After Brown University, I found myself teaching rowdy Egyptian girls; I resided in a converted classroom in Istanbul; and I was tamed by an eighty-year-old Spanish nun at a girls’ school in Tokyo. In my late thirties, I dropped my anchor in Lattakia, Syria, only to be tailed by the Syrian secret police. Like the character in my novel, Confessions of a Knight Errant, I returned to Cairo from Almeria, Spain where I was on a writers’ residency on January 28th, the Friday of Rage, of the Egyptian uprising, 2011.
I reviewed this novel, and I really loved it. Many folks think they know what migrants experience from the news, but this novel tells the story with a different spin: an Egyptian Bedouin who tries to get to Italy via Libya.
Living in Libya is as absurd as it is dangerous. The narrator is a hassler, but you still feel sorry for him when he almost gets killed by a customer for using cheap spray paint in a body shop in Libya. Besides the body shop, he works as a bootlegger, cook, and a concrete-block maker before he makes a harrowing crossing on a flimsy boat across the Mediterranean.
Once in Italy, he gets a few jobs in construction but then falls into a gang of drug dealers. He is Egyptian but pretends to be an Iraqi named “Baffo.” One crazy thing happens after another until he needs to make…
Abu Golayyel’s gritty tale of two men’s ill-conceived quest for a better life via the deserts of the Middle East and the cities of Europe is pure storytelling
Two Bedouin men from Egypt’s Western Desert seek to escape poverty through different routes. One—the intellectual, terminally self-doubting, and avowedly autobiographical Hamdi—gets no further than southern Libya’s fly-blown oasis of Sabha, while his cousin—the dashing, irrepressible Phantom Raider—makes it to the fleshpots of Milan.
The backdrop of this darkly comic and unsentimental story of illegal immigration is a brutal Europe and Muammar Gaddafi’s rickety, rhetoric-propped Great State of the Masses, where “the…
I developed an interest in the Middle East after taking a class on the Peoples and Cultures of the Middle East and North Africa as an undergraduate student. I later lived and worked in Kuwait for two years and traveled extensively across the Middle East, including to Syria, a country whose hospitality, history, and cultural richness left an indelible impression on me. During subsequent travel to Syria, I became acquainted with the Palestinian refugee camp of Yarmouk, in Damascus. This camp, which physically blended into its surroundings while retaining its Palestinian-ness, ignited my desire to better understand Palestinian refugee identity and the political claims at the heart of this identity.
Reluctant Reception is a worthwhile read in that it addresses refugee policy from the perspective of Egypt, Morocco, and Turkey, three states located in the Middle East and North Africa. Norman argues that, like other states in the Global South, these states are often perceived as transit countries for migrants and refugees, who ultimately want to reach Europe. Norman shows, however, that these states’ lack of a strong formalized refugee policy hides the fact that political and economic interests play a major role in informing their response to migrants and refugees.
Norman also shows that apparent disinterest in migration is part of a deliberate strategy that countries in the Global South use in order to have international organizations, as well as Western governments (the latter being keen on limiting migration from the Global South), provide for the basic costs of hosting migrants and refugees. Reluctant Receptionnot onlyprovides compelling…
Seeking to understand why host states treat migrants and refugees inclusively, exclusively, or without any direct engagement, Kelsey P. Norman offers this original, comparative analysis of the politics of asylum seeking and migration in the Middle East and North Africa. While current classifications of migrant and refugee engagement in the Global South mistake the absence of formal policy and law for neglect, Reluctant Reception proposes the concept of 'strategic indifference', where states proclaim to be indifferent toward migrants and refugees, thereby inviting international organizations and local NGOs to step in and provide services on the state's behalf. Using the cases…
I was born in Ghana and migrated to the US, where I have spent most of my adult life. The antipathy in certain circles towards immigrants still surprises me. I have tried to address this in my own way through fiction in the hope that readers can come to see migrants as multi-dimensional people with similar hopes, dreams, and aspirations. As such, I am similarly drawn to books that address the humanity of migrants. It has always been my belief that a better understanding of those we think are different from us will help bridge our various divides. I hope my recommendations help get readers there. One book at a time.
Writing about a Nigerian family’s migration from Nigeria to the US, I appreciated Atta’s ability to masterly cover a wide range of issues without losing focus.
I was totally charmed by the remarkable way in which this novel managed to take me along on a journey that ultimately raises deep appreciation of each character’s point of view in the course of touching on issues such as interracial as well as intra-racial tensions and familial strains exacerbated in a new geographic and cultural environment.
An account of an immigrant family's struggle and the lessons learned about diversity
Writing at the height of her powers, The Bad Immigrant cements Sefi Atta’s place as one of the best storytellers of our time. Through the voice of her first male protagonist, Lukmon, Atta peels away nuanced layers to expose the realities of migration from Nigeria to the USA, such as the strains of adjustment and the stifling pressure to conform without loss of identity.
Covering a wide range of issues, including interracial and intra-racial tensions, and familial strains exacerbated in a new geographic and cultural environment, this…
I look out for great stories for younger readers that also happen to normalize mental illness. This YA novel is about Alberto, a sincere and kind undocumented young man from Mexico who lives with his sister in the US and works long hours for her dodgy boyfriend.
Alberto has auditory hallucinations due to increasingly severe bipolar disorder, and then is accused of a grisly crime. Stork shows us how easily the mentally ill are victimized and preyed upon versus the converse, and we fear the predators may pull it off as Alberto is indeed ill. However, with the help of friends and community, he’s got a chance in this high-stakes YA thriller.
Alberto's life isn't easy: He's an undocumented immigrant from Mexico who lives with his sister's abusive boyfriend, but he'd always accepted his place in the world. Until he starts hearing the voice of a man called Captain America, a voice that wants him to achieve more, no matter the cost. Grace has it all: She has a supportive boyfriend, she's on track to be valedictorian, and she's sure to go to the college of her dreams. Still, nothing feels right to her any more after the divorce of her parents, and feels she needs something more. When Alberto and Grace…
Growing up, I was always the outcast. I wasn't the smartest in class. I wasn't the strongest in sports. I was always the shy kid in the back, trying not to make a noise. But when I made a connection with someone or they made the effort to say hi. I treasured our friendship. I love writing and sharing stories where we are talking about inclusion and building empathy toward each other. I hope you will enjoy these books on the list.
A fun rhyming story about being from somewhere else and now living in Australia. How the country is welcoming of immigrants.
We learn how much more enriched Australia is when we have people, culture, and experiences from around the world living together. And the rhythm and rhyme of the text makes for a sing-song book.
From beloved Australian author Mem Fox comes a timely picture book about how all of our lives are enriched by the vibrant cultural diversity immigrants bring to their new communities.
What journeys we have travelled, from countries near and far! Together now, we live in peace, beneath the Southern Star.
Inspired by the plight of immigrants around the world, Mem Fox was moved to write this lyrical and rhyming exploration of the myriad ways immigrants have enriched her home country of Australia. Young readers everywhere will see themselves—and their friends and neighbors—in this powerful and moving picture book.
As a Jamaican migrant, I often read Jamaican fiction to feel recognized, but I struggle with the word “best,” so consider this an exceedingly tentative ranking. I read each of these texts to learn about what it means to be a part of the Jamaican diaspora and to write a Jamaican novel, and each one elicited in me something that I often did not know about myself. Their attention to gender, to migration, to family, and more are as enlightening as they are captivating. And if that is not enough, then come for the plots, all of which are gripping, and the prose, all of which delights.
If you have not yet read Patsy, just read it. I won’t regale you with tales of its critical and commercial success, as you may already have heard about it. What I will say is that this is a book that will stick with you. Its portrait of longing, of love, of motherhood, and of childhood is so attentive to the thought of its central two characters—a mother and child—that they will feel so real to you that you will think of them when you encounter their facsimiles in your own life.
Heralded for writing "deeply memorable . . . women" (Jennifer Senior, New York Times), Nicole Dennis-Benn introduces readers to an unforgettable heroine for our times: the eponymous Patsy, who leaves her young daughter behind in Jamaica to follow Cicely, her oldest friend, to New York. Beating with the pulse of a long-withheld confession and peppered with lilting patois, Patsy gives voice to a woman who looks to America for the opportunity to love whomever she chooses, bravely putting herself first. But to survive as an undocumented immigrant, Patsy is forced to work as a nanny, while back in Jamaica her…
Two things are true about me: I’m fascinated by the early twentieth century and I'm a diehard feminist. My grandfather nurtured my love of the 1920s and 1930s by introducing me to Dorothy Parker, John O’Hara, Ella Fitzgerald, and The New Yorker. My mother, a petite woman who can wield a welder like few others, encouraged the development of my feminist sensibilities. These two parts came together when my father offhandedly mentioned that his grandmother had an unplanned pregnancy during the Great Depression. As I researched reproductive issues through the years, my fascination for the topic grew. Each of the books here takes a different view of how to deal with an unwanted pregnancy.
No graphic novel has ever blown me away like Unterzakhn(which means “underthings” in Yiddish). The story takes place in the early 1900s on the Lower East Side of New York, and the black-and-white bold strokes illustrate the bleakness of the lives of the new immigrants. Twin sisters find themselves taking roaringly divergent paths: one works in a whorehouse before becoming a star of the stage; the other assists the “lady-doctor,” from whom she learns about birth control and abortion. With strong feminist themes, I found it impossible not to root for both sisters. This is the only graphic novel whose ending made me cry.
A mesmerizing, heartbreaking graphic novel of immigrant life on New York’s Lower East Side at the turn of the twentieth century, as seen through the eyes of twin sisters whose lives take radically and tragically different paths.
For six-year-old Esther and Fanya, the teeming streets of New York’s Lower East Side circa 1910 are both a fascinating playground and a place where life’s lessons are learned quickly and often cruelly. In drawings that capture both the tumult and the telling details of that street life, Unterzakhn (Yiddish for “Underthings”) tells the story of these sisters: as wide-eyed little girls absorbing…
