100 books like The Chamber

Notes on an Execution gutted me as a reader. I became the sociopath on death row with only 12 hours to live.

I listened to the women in my life talk about me, from my mother who didn’t understand why I brought her dead animals instead of flowers to my wife who trusted me beyond reason to my brother’s family in whom I had finally found a home until that detective snatched it away from me, leaving me with nothing.

If you want to get into the mind of someone wired differently, this book will take you there until the end.

This is the first in the Franky Dast series and it was nominated for a Shamus Award. Dast was convicted and sentenced to Death Row when he was 18, for the rape and murder of two adolescent boys. Eight years later, the verdict is overturned, in part as a result of the relationship Dast has established with the Justice Now Initiative, an organization specializing in cases of wrongful imprisonment. On his release, Dast joins the group and becomes involved in a case that hits close to home: the cop who arrested and coerced a confession from him is accused of shooting the son of a prominent judge. In Dast, Wiley has created the kind of complex character I’m drawn to, both as a writer and a reader. Wiley’s ability to dive deep into the psyche of complicated characters is something I’m always striving for.

Be prepared. If you want a good cry, this book is for you, as it has one of the saddest endings of any novel I have read.

The Green Mile is the riveting and tragic story of John Coffee, a giant, gentle inmate with supernatural powers, condemned to death for the rape and murder of twin nine-year-old girls.

Coffee is a simple and kind man with a deathly fear of the dark. Your heart will break. Mine did. 

A huge departure from the previous books on this list, this book is a full-on thrill ride with one of the coolest narrative devices I’ve ever seen: A woman on death row narrates her supposed cross-country killing spree to a horror author who’s interested in adapting her life story.

She’s a fascinating woman, telling her story in a way that constantly challenged me to figure out what parts of her on-the-run narrative are real. She’s surprisingly sympathetic, even when she’s doing awful things.

I devoured this book in one sitting and haven’t stopped thinking about it since.

I first read this book pre-publication in 2016, and I still think about it at least once a week.

The story is a haunting portrayal of a girl lost in a blended family with a stepmother who treats her worse than Cinderella and a father who only wants to see the shiny surface of his shiny new family. It’s told in a then/now timeline which slowly reveals not only what June did to land her on death row but the abuse she endured that got her there. This one is heavy, but oh so worth the read.

Mailer’s opus dramatizes the cursed life of Gary Gilmore. In 1976, he robbed and killed two strangers. After being tried and sentenced to death, Gilmore insisted on being executed, to the disagreement of the justice system, who wanted him to remain alive. Written simply and with great compassion, the novel is disturbing, yet ultimately thought-provoking and redemptive.

A bookseller friend, whose opinions I highly respect, had highly recommended Rene Denfeld’s debut, so The Enchanted very quickly catapulted to the top of my To-Read List. And I was instantly enchanted by the luscious language, the urgent content, the writer’s ability to fuse metaphorical darkness and light. Told from the perspective of a death row inmate, the writing seamlessly flows from gritty reality to breathtaking fantasy. I wasn’t surprised to learn of Rene’s extensive time in prisons (often on death row) as a public defender’s chief investigator, or that her keen understanding of trauma in childhood came from her own firsthand experience, as the text is drenched in arresting truths, in transgression and redemption, and in the complicated and wondrous humanity of us all.

I love the heart-breaking power of this story about a falsely accused Black man on death row in the racist 1940s South. A college-educated teacher visits him in prison and gives him some dignity before his execution happens, and in so doing, gives meaning to himself and his community.

The unfairness of what went on in this country on a daily basis with our criminal justice system is shameful. But this book compels us to rise above it and create meaning and hope.

The conversations are real and raw, and I cried real tears at the end. This book made me think, feel, and care about justice being done.  

I think I’ve read all of Laura Lippman’s novels, both the Tess Monaghan series and the standalones, but this is hands-down my favorite.

On the surface, it’s high-concept subject matter: the story of a girl who was abducted by a serial killer and then let go, told in dual timelines. I was compelled by the thrilling and fast-paced plot, but again, the scenes I remember best are of the main character’s childhood in the 1980s, as she attempts to maneuver an adult world she can’t yet understand.

The novel is set in a part of southern Maryland that resembles my home state of Virginia, and I love the way Lippman evokes a bucolic landscape turned suddenly sinister.

Unless your first reading has been spoiled by a movie or CliffsNotes, I don’t believe you can fail to be stunned by Wright’s 1940 eons-ahead-of-its-time pièce de résistance. While much has been written addressing racial bias in the courtroom (that is, if the defendant survives the initial encounter with police), the author took the outlandish step of providing head-spinning complexity: presenting a culpable protagonist, albeit one whose crime against an affluent young white woman came about unwittingly, having everything to do with his knowledge that he, a Black man, would invariably be perceived as guilty. Wright never lets us off the hook, forcing readers of all hues to consider the entanglements of race, class, and jurisprudence, beginning the day those of us who are not white and/or privileged are born.