Here are 100 books that The Winter Knight fans have personally recommended if you like
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Fairy tales are some of my favorite stories: each time we touch them, we change them. Before we began writing them down, fairy tales were passed from speaker to listener, always changing with the teller, the audience, the culture. I’m fascinated by how often we revisit them, by what we change, and what we decide to keep. I think there are as many ways to tell a story as there are folks who are interested in telling it, and I like to see what authors and illustrators will cook up from our communal pot of stories.
Anna-Marie McLemore’s prose is so poetic and elegant that I sometimes reread sentences just because they have such a beautiful cadence to them.
This book is a reimagining of “Snow White and Rose-Red” with elements ofSwan Lakeand Latinx folklore.
Everything McLemore writes is magic, but this story weaves together everything I love about their work: magical realism, velvety descriptions, and fairy tales cracked open in new ways to shed light on racial and gender politics.
I love the complicated, loving relationship between the two sisters, and I love that the boy Blanca falls in love with has a complicated relationship with gender that is in part inspired by McLemore’s transgender and non-binary husband.
Award-winning author Anna-Marie McLemore retells Swan Lake in this spellbinding YA story of sisters who are each other's best friends―and worst enemies.
The biggest lie of all is the story you think you already know.
The del Cisne girls have never just been sisters; they’re also rivals, Blanca is as obedient and graceful as Roja is vicious and manipulative. They know that, because of a generations-old spell, their family is bound to a bevy of swans deep in the woods. They know that, one day, the swans will pull them into a dangerous game that will leave one of them…
I’ve always loved retellings of all kinds, but my favorites subvert expectations, and I believe queer retellings provide the richest opportunities for subversion. In my own writing, I try to balance honoring the source material while also providing new perspectives, and nothing helps me achieve that more than reading widely. Retellings were also the subject of my master's critical thesis for Hamline University’s writing for children and young adults program.
I loved McLemore’s retelling of “The Red Shoes” because the novel felt uniquely historical and modern due to its dual timelines, with one storyline in 1518 and the other five centuries later. Despite being so far apart, the timelines were connected by the intriguing mystery of a dancing fever.
Another element I loved is that the 1518 timeline featured a queer romance with a trans character, which you don’t see often, even in queer retellings, and added another layer of richness to the story.
I’m a fan of everything McLemore writes because of their lush prose and compelling characters, but this one remains my favorite of theirs.
With Anna-Marie McLemore's signature lush prose, Dark and Deepest Red pairs the forbidding magic of a fairy tale with a modern story of passion and betrayal.
Summer, 1518. A strange sickness sweeps through Strasbourg: women dance in the streets, some until they fall down dead. As rumors of witchcraft spread, suspicion turns toward Lavinia and her family, and Lavinia may have to do the unimaginable to save herself and everyone she loves.
Five centuries later, a pair of red shoes seal to Rosella Oliva’s feet, making her dance uncontrollably. They draw her toward a boy who knows the dancing fever’s…
I’ve always loved retellings of all kinds, but my favorites subvert expectations, and I believe queer retellings provide the richest opportunities for subversion. In my own writing, I try to balance honoring the source material while also providing new perspectives, and nothing helps me achieve that more than reading widely. Retellings were also the subject of my master's critical thesis for Hamline University’s writing for children and young adults program.
To me, what’s most striking about this book, a queer retelling of “Snow White,” is that in addition to the POV of the Snow White character, Lynet, there’s also narration from Mina, the Evil Queen insert. Only in this retelling Mina isn’t a superficial villain.
In fact, she’s no villain at all. I find her to be a complex heroine, and her relationship with Lynet is equally rich and complicated. I was compelled by Lynet and Mina’s struggles under the weight of feminine and royal expectations. Despite their conflicts, they are more alike than they are different, and their journey to realizing this was so satisfying.
The sapphic romance between Lynet and a surgeon provides a lovely subplot that adds to, rather than distracts from, the main storyline. One of my all-time favorite sapphic retellings.
At sixteen, Mina's mother is dead, her magician father is vicious, and her silent heart has never beat with love for anyone-has never beat at all, in fact, but she'd always thought that fact normal. She never guessed that her father cut out her heart and replaced it with one of glass. When she moves to Whitespring Castle and sees its king for the first time, Mina forms a plan: win the king's heart with her beauty, become queen, and finally know love. The only catch is that she'll have to become a stepmother.
When I was a queer teen in the early 2000s, I didn’t have sapphic books or media available to me aside from anime, and even then, the dubbed versions on TV were scrubbed of queerness (I’m looking at you, Sailor Moon and Cardcaptor Sakura). I did have Revolutionary Girl Utena, and it was everything to me: fantasy, ballgowns, and girls dancing together. I wrote my book for that me who craved to see herself in beautiful, fantastical stories, and it’s why I love the fact that we have so many more out there right now that I can recommend to all of you!
Fairy-tale retellings are my favorite subgenre, and this book hit every right note for me. I loved the incorporation of stories, known and unknown to me, with art so beautiful there are days I pick this book up just to marvel at it.
The last one brought tears to my eyes, a feat that doesn’t happen often, superseded only by the end of the novel. I cannot recommend it enough.
Tiến loves his family and his friends…but Tiến has a secret he's been keeping from them, and it might change everything. An amazing YA graphic novel that deals with the complexity of family and how stories can bring us together.
Real life isn't a fairytale.
But Tiến still enjoys reading his favorite stories with his parents from the books he borrows from the local library. It's hard enough trying to communicate with your parents as a kid, but for Tiến, he doesn't even have the right words because his parents are struggling with their English. Is there a Vietnamese word…
I am a writer and performer born and raised in New York City. In my previous life, I was an Emmy-nominated journalist and digital media producer, covering sexual and reproductive health. In addition to writing, I love musical improv, opera, Olympic weightlifting, and spending time with my wife and dog.
Many books have kissing inthe forest, but how many are about kissing the forest itself?
Fenton has watched countless hunters enter his forest to claim a wish by killing the white-tailed stag. Each hunter has taken: a sip from the stream, a flower from the vine, wood to light a fire. Each hunter has subsequently died.
Prior is different; he takes nothing, instead asking for a god’s assistance in waking his sister from her sleeping sickness. Fenton—who is the forest and the white-tailed stag and a son of Old Nan and also, definitely, a god—decides to pack up the forest and help Prior out.
Where I come from, that sort of thing will get you a little kiss or two at the very least.
Season after season, hunters have attempted to capture the white-tailed stag. Local legend holds that its capture promises prosperity, and in a land that is dying—to hunger, to war; to a magical curse, some say—even a whisper of hope is a powerful lure. Yet every hunter who tries fails, never to leave the forest. Fenton, god of the forest, yet imprisoned within its borders, watches from his place in the trees as the hunters first despoil and then fall to his land, dispassionate as his deadwood heart.
Prior doesn't hope to capture the stag or secure prosperity. He has a…
Growing up in an eccentric, liberal family, as a member of the Church of England, under the shadow of the British Government’s homophobic Section 28, the messages I received were distinctly mixed. If I’d heard the word ‘bisexual’ before the age of twenty my life might have been very different. And to this day, the most common assumption is that one can’t be simultaneously queer and Christian. As I’ve discovered, and as these books show, that isn’t true – and moving beyond that assumption reveals new and fascinating horizons.
Set in a London congregation at the height of the AIDS crisis, this is a powerful novel that packs a lot into one Easter weekend. Its ingenious triptych structure underlines the fact that there’s often more going on than a superficial understanding of either faith or sexuality would like to believe. The oldest book on this list by a couple of decades, this is one of the first novels to engage seriously with what it means to be queer in an institution that prefers to ignore that fact, and it was both a challenge and a comfort in my own coming-out years.
I’m a trope-obsessed author who counts found family among her favorite Ao3 tags. I cannot get enough of books which read like fanfiction, and I’ll recommend my favorites every chance I get. I also do my part to put more queer found family books into the world—my debut adult fantasy The Sins On Their Bones is being published by Random House Canada in May 2024. When I’m not writing, I’m a full-time servant to my two enormous cats.
As a fan of epic fantasy, swoon-worthy romance, and political intrigue, I fell so hard for this book—and it’s the first in a series of four books, so there was more than enough to feed my desire for all the action.
The series follows Robin, a seemingly ordinary boy whose kidnapping leads him to discover that he’s anything but. His journey of self-discovery and self—acceptance truly spoke to me as a reader, and the kick-ass family he gathers around him along the way cemented the Realm of Fey series as one of my favorite found family fantasies.
I have been writing about LGBTQ+ culture for magazines and newspapers for almost a decade, and am a voracious consumer of queer stories. Queer literature makes our various needs and desires as a community come alive on the page, and helps us to connect with and understand one another. Reading LGBTQ+ books is a way to learn about contemporary queer life, and work out what more we can be doing to help those more marginalised than us.
The follow-up to his acclaimed book What Belongs to You, Cleanness is a relatively short but gorgeously executed novel about an American teacher living in Sofia, Bulgaria. It gives snapshots of his relationship, as well as dating app hooks ups – for better or worse. Greenwell is one of the greatest writers of our time, and he turns each sentence beautifully.
Longlisted for the Prix Sade 2021 Longlisted for the Joyce Carol Oates Prize Longlisted for the Gordon Burn Prize
A New York Times Notable Book of 2020 A New York Times Critics Top Ten Book of the Year Named a Best Book of the Year by over 30 Publications, including The New Yorker, TIME, The Washington Post, Entertainment Weekly, NPR, and the BBC
In the highly anticipated follow-up to his beloved debut, What Belongs to You, Garth Greenwell deepens his exploration of foreignness, obligation, and desire
Sofia, Bulgaria, a landlocked city in southern Europe, stirs with hope and impending upheaval.…
I am the author of over a dozen LGBT novels. I wrote my college thesis on queer criminal coding in Victorian London novels vs. 20th-century American literature. I was a teenage fan of Leopold and Loeb fiction before I added to the canon myself. I chose these books for a queer murder compendium because each offers something unique to the genre. Challenge yourself by asking: do you have sympathy for these murderers? Is it dangerous when queer characters are criminals? Is it fair representation, since homosexuality is illegal to act on, identify with, or speak of in many places? Read these stories, and let their implications disturb you.
What if queer American cannibal killer Jeffery Dahmer met his British equivalent, Dennis Nilsen?
This novel is a fictionalized answer to that question, pairing serial murderers Jay and Andrew in a psychosexual tear through lush New Orleans.
However, my favorites are the other central characters: Luke and Tran, two ex-lovers who are living with HIV, homelessness, and the emotional scars of their bad romance. There is subtle, skillful storytelling showcased in the relationship you only get in retrospect between these two.
It’s so unique that I once taught it to a Master’s degree writing class as an example of rule-breaking and genre-bending to aspire towards.
There are also alluring literary parallels to explore between venereal disease and violent death stalking the unsuspecting gay men of the bayou. Overall, it’s a delightfully depraved masterpiece.
From the author of Lost Souls, Drawing Blood, and Wormwood comes a thrilling and chilling novel that bestselling author Peter Straub says serves as a “guidebook to hell.”
To serial slayer Andrew Compton, murder is an art, the most intimate art. After feigning his own death to escape from prison, Compton makes his way to the United States with the sole ambition of bringing his “art” to new heights. Tortured by his own perverse desires, and drawn to possess and destroy young boys, Compton inadvertently joins forces with Jay Byrne, a dissolute playboy who has pushed his “art” to limits…
Growing up in an eccentric, liberal family, as a member of the Church of England, under the shadow of the British Government’s homophobic Section 28, the messages I received were distinctly mixed. If I’d heard the word ‘bisexual’ before the age of twenty my life might have been very different. And to this day, the most common assumption is that one can’t be simultaneously queer and Christian. As I’ve discovered, and as these books show, that isn’t true – and moving beyond that assumption reveals new and fascinating horizons.
I’ve never read a book quite like this, and yet it felt hauntingly familiar. The population of Earth is rescued en masse from a destructive solar event and has to start again from scratch on an unknown planet. But of course humanity has taken the problems of its own nature with it, and the encounter with its new hosts only raises further questions – around sex, gender, love, and nature. It’s brave and beautiful, hopeful and sad and dynamic all at once, and it kept me reading and guessing all the way to the end.
In the year 2035 humanity is rescued from a lethal solar flare by seven mysterious beings and transported across the universe to the uninhabited planet of Ansar. Earth's major cities are recreated, and a stunned but thankful humanity mostly carries on with life and society. But is everything as it appears? Just who are the semi-omniscient beings who rescued them? What do they really want? And to what secret place do they retreat every night? With that appearance of the seven, all the old divisions concerning gender, privilege, and power re-emerge in unexpected and increasingly dangerous ways. Conspiracy theories abound.…
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