I'm sure you’ve heard of method acting. A technique by which an actor embodies the character they're portraying 24/7. I'm a method writer. I embody the world of the novels that I write. However, when the time came to write a novel inspired by graffiti, I faced a particular frustration. Graffiti is illegal. I felt a strong desire to grab a spray paint can to decorate public spaces. And yet the fear of a jail cell prevented me from acting on the impulse. I had to find a different outlet for that desire. I poured over every book and movie on the subject. I believe I became a bit of an expert.
A bombastic start that leads to a gentle beautiful ending. Nothing works how you expect it to in this novel. The graffiti is woven through the story like broad brush strokes of a Van Gogh painting. Abrupt and yet conveying of most delicate feelings. Open the first page, leave all your expectations to the side and let yourself be taken on the ride. The less I tell you the better.
A hostage-taker hides a shocking secret in “a breakneck literary thriller that combines the worlds of conspiracy theory [and] reality TV.”—National Post
Without warning, a man, armed with explosives, seizes a television studio taking over a hundred terrified hostages. He offers no motive. And he makes just a single curious demand. The only person he’ll speak to is Thom Pegg, a once honored investigative journalist turned disgraced tabloid reporter. As surprised as anyone, and pressured to comply by authorities, Pegg reluctantly enters the fray as the chosen confidante.
From outside, the enthralling drama is revealed through the eyes of two…
Long ago I lived in a world of blackouts and food rationing and German planes threatening overhead, children dying in epidemics of polio and TB, and food on the dinner table not always certain. In that world, homosexuality was a criminal and psychiatric term and queer men were objects of ridicule, tragic sissies it was normal to mock as sick monsters who could go to jail for their forbidden behavior. I’ve listed some of the books that trace part of the long journey queer men took until it felt reasonably safe to discuss queerness nonjudgmentally. Question: In how many American schools, even today, would a teacher be banned from assigning one of these books?
My first sexual experience after I moved to London in 1957 was with a slightly older man I met at one of the parties I got invited to after my book was published. When we got to his flat I knew enough to take my clothes off and lie down on the bed, but what was I supposed to do then? Clueless, I lay there like a stick of celery. “You’re not gay,” he kept repeating. “Yes I am,” I kept repeating, but didn’t know how to prove it.
Too many years later, in 1966, The Song of the Loon filled in the blanks of how gay men actually had sex. It’s very well-written explicit erotica, a backwoods fantasy about impossibly handsome masculine men living far from those city gays corrupted by shame and disappointment. Song is no quick potboiler. It’s a gay author’s well-realized attempt to bring to life…
“More completely than any author before him, Richard Amory explores the tormented world of love for man by man . . . a happy amalgam of James Fenimore Cooper, Jean Genet and Hudson’s Green Mansions.”—from the cover copy of the 1969 edition
Published well ahead of its time, in 1966 by Greenleaf Classics, Song of the Loon is a romantic novel that tells the story of Ephraim MacIver and his travels through the wilderness. Along his journey, he meets a number of characters who share with him stories, wisdom and homosexual encounters. The most popular erotic gay book of the…
I’m a Canadian author who has been fascinated with how others see the world since I was a child. I was captivated by Charlotte’s Web. If pigs and spiders could be having unheard conversations, what else was I missing? I delight in stories that invite me into the distinct world of the narrator, so it’s no surprise that my novel, Entitled, is written from a unique perspective—that of a book. When done well, these stories let us see life through the eyes of someone else. If we all experienced our surroundings, just for a minute, as others did, perhaps there would be more humanity in this world.
A road trip provides a reliable narrative structure. But what makes each journey distinct is what the travellers see, do and learn along the way. This charming, funny book follows Ruthie, a recently single, down-on-her-luck 38-year-old as she accompanies Kay (70s) across Canada from Prince Edward Island to Vancouver, where Kay’s son wishes her to relocate. Kay doesn’t want to move, but if she is going to Vancouver, she has a list of ‘last chances’ for her and Ruthie to experience along the way. And thus an improbable friendship begins. Told from Ruthie’s perspective, this book reminded me of how much there is to discover on a road trip—the places we see, the people we meet along the way, and the person the journey inspires us to become.
At thirty-eight years old, Ruthie finds herself newly unemployed, freshly single, sleeping on a friend’s couch and downing a bottle of wine each night. Having overstayed her welcome and desperate for a job, Ruthie responds to David’s ad: he’s looking for someone to drive his aging mother, Kay, and her belongings from PEI to Vancouver. Ruthie thinks it’s the perfect chance for a brief escape and a much-needed boost for her empty bank account. But once they’re on the road, Kay reveals that she’s got a list of stops along the way that’s equal parts sightseeing tour, sexual bucket-list, and…
As a transplant to the west coast of North America, I’m always on the lookout for books that capture aspects of the history of this region and help me understand my new home. For me, the books on this list have shed light on different communities, worldviews, and a complicated past. Besides, I am a pushover for epic stories that span generations and geographies and teach me new ways of thinking and looking at the world.
Packed with detail about Victoria, Vancouver Island, and the Gold Rush days in British Columbia, I thought this book was engaging, epic, funny (wait until the camels appear—and the wake!), and a real page-turner. I swooned over the descriptions of the landscape and would go so far as to say the land and sea, so alive in this book, should be considered a character. I was so profoundly invested in the fates of Jim, Dora, and Eugene, that I almost missed how cunningly the novel took on gender, class, and race, illuminating so many of the contemporary issues dogging us here on the coast.
When I was a kid growing up in Vancouver my parents had a collection of books arranged on shelves around the living room. The only one I remember taking down and actually reading was an early history of the city. I recalled being impressed by the simple fact that someone had thought my hometown was interesting enough to write about, not something that was self-evident to a cocky teenager. Many years later, some two dozen books of my own under my belt, I decided maybe I’d earned the right to take a crack at the city myself.
Janet Smith was a young Scottish housemaid who was murdered in the home of her well-to-do employer in 1924. Never solved, the murder is one of the most celebrated crimes in Vancouver history, featuring political corruption, racial animosity, sex, drugs, and jazz. The book is a wonderful evocation of life in the city in the 1920s when it was emerging from world war and recession and finding its feet as a cosmopolitan community with pretensions to economic leadership. This is one of the first books I ever read about Vancouver history and it remains a favourite.
Literary Nonfiction. New Edition as part City of Vancouver's Legacy Book Project, with foreword by historian Daniel Francis. WHO KILLED JANEY SMITH? examines one of the most infamous and still unsolved murder cases in Canadian history: the 1924 murder of twenty-two-year-old Scottish nursemaid Janet Smith. Originally published in 1984, and out of print for over a decade, this tale of intrigue, racism, privilege, and corruption in high places is a true-crime recreation that reads like a complex thriller.
Anvil Press is pleased to be reissuing this title as part of the City of Vancouver's Legacy Book Project. This new edition…
I've loved writing since childhood when I lived in an 18th-century farmhouse in England that I was convinced was haunted. I'm now passionate about the history of British Columbia where I live today, and have written over twenty non-fiction historical books, true crime books, historical columns, and numerous articles for magazines and newspapers. My own forthcoming fictional trilogy, The McBride Chronicles, tells the story of a fictional family from the beginnings of British Columbia until present day so I can truly say I love all fiction set in our beautiful province by BC writers. I'm delighted that we have so many talented fiction writers in the province including the ones I recommend.
Kate Pullinger has written a powerful portrayal of a man at various stages of his life from childhood to old age. She has created a character, Arthur Lunn, who will move you to tears as he travels through life with memories that haunt him and demons he cannot dispel. Much of the story is set in the wilderness of British Columbia where the green forest gives him strength and hope. This story will preoccupy you as young Art journeys from innocent childhood during the depression years, to an old man of eighty living on the streets of Vancouver.
I write whodunits because I love a good mystery and a good puzzle. I like giving clues out to the reader, sometimes red herrings, sometimes not. Three of my mysteries are set in a fictional little town in the Canadian prairies. I like showing the readers rural life with humour and mystery. Two of my mysteries are set in foreign countries I have visited. One takes place in Egypt. The other takes place on a bus tour of the Nordic countries and ends up in Moscow. I like the challenge of showing the readers the sights and the feel of the country without making the book a travel log.
Yvonne Rediger’s The Wrong Words is set on beautiful Vancouver Island on the west coast of Canada. The Wrong Words is a page-turning cozy mystery with all the proper investigative procedures. Adam Norcross, the main protagonist, is a man with a mysterious past. I liked how he and the female cop Bethany Leith worked together. Sometimes the male lead overpowers the female lead. But not in this story. And I didn’t guess whodunit; when that happens, that is the best.
Adam Norcross is not in a good place. He recently buried his mother and now he needs something more than a power struggle between him and his mother’s cat to distract him from his grief. That something comes in the form of an assignment from his boss, Walter Shapiro, who is not a patient man. Not surprising since he reports directly to the prime minister. Shapiro interrupts Norcross’ bereavement leave to give him an assignment. Norcross’ task is to find out how the country’s most eminent climate scientist ended up dead off the highway in a mountain ravine. Was it…
One of my favourite sounds is teens interacting—especially when they are throwing shade. I spent twenty-five years as a junior and senior high teacher, and I miss rocking and rolling during class discussions with my students. As a writer of contemporary fiction (actually in anything I write), I work hard at using dialogue as an engine to drive each scene. Each line needs to be refined to ensure that it’s snappy, engaging, and real. I’m a writer from southeast Saskatchewan, Canada, where there’s no shortage of great one-liners to use. I hope you enjoy the dialogue in these five recommendations as much as I did.
Trickster Drift is Book Two in the Trickster trilogy. (Side Note: I loved the entire trilogy, but Book Two is my favourite.) Trickster Drift is an edgy blend of the supernatural, Indigenous lore, and substance abuse. The characters, particularly Jared’s mother Maggie (who is literally a witch) are memorable, and the dialogue is smart and funny. I have to be careful of spoilers, so I’ll just say that Jared’s conversations in his aunt’s Vancouver apartment with a certain individual wearing a bathrobe are not to be missed. Robinson juggles a number of characters (something I have to contend with in my hockey books), and she does it very well.
Following the Scotiabank Giller Prize-shortlisted Son of a Trickster comes Trickster Drift, the second book in Eden Robinson's captivating Trickster trilogy.
In an effort to keep all forms of magic at bay, Jared, 17, has quit drugs and drinking. But his troubles are not over: now he's being stalked by David, his mom's ex--a preppy, khaki-wearing psycho with a proclivity for rib-breaking. And his mother, Maggie, a living, breathing badass as well as a witch, can't protect him like she used to because he's moved away from Kitimat to Vancouver for school. Even though he's got a year of sobriety…
I am an author, illustrator, and award-winning creative director. I have loved to draw and make things since a young age, mostly wacky contraptions (inspired by my love of the Hanna-Barbera Wacky Races cartoons). I’m also passionate about mazes, having spent many family holidays drawing mazes on a small whiteboard for my two boys to complete.
Here’s another maze book by Usborne, Around the World Mazes by Sam Smith (as I mentioned previously, Usborne publishes great children’s books!). Unlike The Big Maze book this book has an overarching theme linking all the mazes, ‘places around the world’, also, each maze covers the entire double-page spread, so there are fewer mazes but with greater visual impact. While the delightfully illustrated mazes will appeal more to younger children, they do playfully bring to life the different locations they depict, whether that be the Australian Outback or coast of Vancouver, and so provide educational content along with oodles of fun!
Travel from the Amazon and the Antarctic to the Himalayas and Hollywood with this entertaining selection of mazes from across the globe. Each maze is more challenging than the last, from taking a ramble in Rio de Janeiro to touring the Norwegian fjiords or finding your way in a Moroccan market. All the answers are at the back of the book.
I am a care aide (aka personal support worker) who has happily worked at an extended care facility for more than twenty years, and as such, I have been a compassionate listener to many a family member suffering from the tsunami of feelings involved when coping with aging parents or spouses, so I thought I would be well-positioned and emotionally prepared to cope when it was my turn to face my own mother's deterioration. How wrong I was! Thank goodness for the generous souls who write memoirs. Each of the books that I have chosen was an education and an affirmation to me as I tried to maintain my equilibrium while supporting my mother and my mother-in-law through their final years.
When I read memoirs about aging parents, loss is usually an important theme; Ilsley's memoir stands out because his regret is for a closeness that never was. "Only now, as my father enters his nineties . . . and my aspirations of eldercare become more interventionist, has our relationship had a chance to deepen.
"And by deepen, I mean really begin to annoy each other."
Ilsley's relationship with his father is challenging. There are good reasons why Ilsley chooses to live in Vancouver rather than "home" in Nova Scotia. But his father is still is his father, and Ilsley commits. His writing is clear, candid, thoughtful, and so warm and funny. I loved this book.
George K. Ilsley explores his complex relationship with his aging father in this candid memoir full of sharp emotion and disarming humor. George’s father is ninety-one years old, a widower, and fiercely independent; an avid gardener, he’s sweet and more than a little eccentric. But he’s also a hoarder who makes embarrassing comments and invitations to women, and he has made no plans whatsoever for what is inevitably coming over the horizon.
Decades after George has moved four time zones away, he begins to make regular trips home to help care for his cranky and uncooperative father, and to sift…
