Here are 85 books that The World We Make fans have personally recommended if you like
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I vividly remember the first time a book transported me—it was in Mrs. Paul’s second-grade math class, and I was reading The Voyage of the Dawn Treader under the desk. It carried me away to a different world. I’ve been looking for that same magic in every book since, hoping to fall into a picture or open a wardrobe door to another place and time. This list contains a few of my favorites, the stories that have earned permanent spots on my shelves, the ones that get pulled down when I need some enchantment in my life. (And don’t we all need a little magic these days?)
Its allegiance shifts and changes over time. To hold it, Houses of Magic put on an epic tournament at every Turning, where their best and brightest act as champions in battle. But what the champions don’t know, because their elders have never taught them, is that the magic itself draws from a dark source, and that source is crumbling.
Powerful magician Sydney has emerged from The House of Shadows to fight for a sponsor who wishes to establish his own house. But Sydney has first-hand experience with the darkness.
And she doesn’t want to help restore the establishment. She wants to burn it to the ground.
"A remarkable writer." -Neil Gaiman, bestselling author of American Gods
An Alex Award Winner
There is a dark secret that is hiding at the heart of New York City and diminishing the city's magicians' power in this fantasy thriller by acclaimed author Kat Howard.
In New York City, magic controls everything. But the power of magic is fading. No one knows what is happening, except for Sydney-a new, rare magician with incredible power that has been unmatched in decades, and she may be the only person who is able to stop the darkness that is weakening the magic. But Sydney…
When I was starting out as an illustrator, I stumbled into two art director jobs, first at the innovative New York Herald Tribuneand then at The New York Times. Working with great journalists gave me the startling idea that a comic strip could have no better subject matter than real life. This led me to create my popular comic strip “Stan Mack’s Real Life Funnies,” which ran in The Village Voice and reported on the rowdy New York city of the '70s and ‘80s. Back then, I was alone in combining real-life stories with comics; today many artist-writers use the comic strip format to tell complex and multilayered true stories of the human experience.
In my comic strips, all my people, streets, and buildings look real because I walked those New York streets and sketched from life. Eisner’s fictional stories are also jam-packed with reality. But his people, Bronx streets, and buildings were already stored in his memory banks, ready to be released onto the page through his bold and expressive ink lines. Hang on, because Eisner will take you by the sleeve—or, more often, the throat—saying, “Look at this world, at these people, listen to them, this is life!” and you sense that it’s also his life he’s talking, and drawing, about.
Will Eisner (1917-2005) saw himself as "a graphic witness reporting on life, death, heartbreak, and the never-ending struggle to prevail." The publication of A Contract With God when Eisner was sixty-one proved to be a watershed moment both for him and for comic literature. It marked the birth of the modern graphic novel and the beginning of an era when serious cartoonists could be liberated from their stultifying comic-book format.
More than a quarter-century after the initial publication of A Contract With God, and in the last few months of his life, Eisner chose to combine the three fictional works…
My novel choices were part of the Afterschool Literacy & Building Modules for an organization called LitShop. It encourages growth in literacy, making, building, and leadership in girls ages 10-15 in St. Louis, Missouri. I’m honored to lead the writing classes. All of the LitShop books feature strong girls who believe they can make and build their way to a better world, and I aim to include similar characters in my stories. Stories can provide us with motivation, inspiration, and companionship, and all of these books have done just that… for the girls of LitShop as well as myself.
Before reading this book, I had no idea city-based fantasy novels could draw me in as powerfully as stories with more “traditional” fantasy settings. But Mr. Older’s depiction of Brooklyn as a living, breathing landscape made me a new believer in urban magic. And the main character Sierra’s shadowshaping feels like its own form of beautiful, youthful rebellion. Art can save us, if only we breathe our power into it. I stop and stare at most graffiti murals now, waiting for them to move a little.
Sierra Santiago planned an easy summer of making art and hanging with her friends. But then a corpse crashes the first party of the season. Her stroke-ridden grandfather starts apologizing over and over. And when the murals in her neighborhood begin to weep real tears . . . Well, something more sinister than the usual Brooklyn ruckus is going on.
Where the powers converge and become one
With the help of a fellow artist named Robbie, Sierra discovers shadowshaping, a thrilling magic that infuses ancestral spirits into paintings, music, and stories. But…
I’m an author of Young Adult Fantasy fiction. When my oldest was six, I started reading Harry Potter to him. It was such a bonding experience that we both cherish. We still talk about the stories, even though he's all grown up and lives away from me most of the time. The thing about fantasy is that stories set in worlds or with people that don’t actually exist make it easier for us to swallow deep meanings, storylines with which we can identify, and that crawl deep down into our souls and nest there. It’s not just about escaping into a fantasy world, but about finding human experience in otherworldly situations and characters.
I have a deep love of history and all stories that feel historical, specifically when royalty is involved (call it my royal roots, if you will). This story is a little bit like royal history, only in a fantasy setting (which, let’s be honest, is part of the draw of history) with a strong, deep female heroine who is able to save herself, along with the boy who broke her heart, and her entire kingdom along with them. What’s not to love about that?
In this epic fantasy adventure, a teen girl embarks on a quest to apprehend her father’s killer and finds magic, intrigue, and herself along the way.
Seventeen year-old Britta Flannery is at ease only in the woods with her dagger and bow. She spends her days tracking criminals alongside her father, a legendary bounty hunter—that is, until her father is murdered. The alleged killer is none other than Cohen Mackay, her father’s former apprentice. The only friend she’s ever known. The boy she once loved who broke her heart.
I’ve been writing and publishing novels across speculative genres for almost two decades now. In my most recent book, The City Inside, the city of Delhi was perhaps the second most important character, and it was quite a struggle attempting to capture its challenges and delights, its people across its many divides, and the experience of living in this constantly turbulent megapolis. So I’ve spent the last few years thinking a lot about reimagining real megacities, capturing their essences without exotifying or demonising them, and about where the borders of speculation and reality lie in a world where it’s already difficult to trust any single point of view or even source of data.
What better way to start talking about some of the world’s greatest cities explored in SFF than with a book that’s the origin story of a city avatar, the first of a series called The Great Cities? New York and London are probably the most explored cities in English literature—for anyone who’s grown up reading books in English, there are versions of these cities that exist in your imagination, layered over the years by generations of talented authors. But despite seeing NY in several hundred films, shows, comics, and books, The City We Became delved deeper into the hearts of the city’s people, and the spirit that makes them who they are, than any other speculative novel I’ve read. I was thinking of Kim Stanley Robinson’s New York 2140 to represent it because of all the impressive futurist research that went into it—but in the end, people have to come…
'A glorious fantasy, set in that most imaginary of cities, New York' Neil Gaiman on THE CITY WE BECAME
'The most celebrated science fiction and fantasy writer of her generation. . .Jemisin seems able to do just about everything' NEW YORK TIMES
'Jemisin is now a pillar of speculative fiction, breathtakingly imaginative and narratively bold' ENTERTAINMENT WEEKLY
Five New Yorkers must band together to defend their city in the first book of a stunning new series by Hugo award-winning and New York Times bestselling author N. K. Jemisin.
Every city has a soul. Some are as ancient as myths, and…
My debut novel is a Beauty and the Beast retelling because I’ve been obsessed with fairy tales all my life, and I’m thrilled to share some of my favorite retellings with you! When I was a child, my grandma gave me an illustrated collection of fairy tales. She had grown up reading stories from Hans Christian Andersen and the Grimm brothers, and she wanted to share that with me. It was an interest I gladly adopted. I love seeing my favorite fairy tales told with new twists and elements that bring the stories to life all over again and let me fall in love with them one more time.
This is a modern retelling of Beauty and the Beast.
I loved that the book was from the beast’s point of view, and I loved seeing this arrogant New York high schooler undergo a transformation of both appearance and soul. The modern setting is so fun. The POV is so fun.
This is a quick, delightful read, and one I’m proud to have on my shelf. (There’s also a movie adaptation, if you’re interested.)
With a new Beauty and the Beast movie hitting theaters in Spring 2017, it's time to catch up on all things Beastly. Find out what it was like for the beast in Alex Flinn's contemporary retelling of the classic tale. This edition features cover art from the 2011 movie starring Vanessa Hudgens and Alex Pettyfer. I am a beast. A beast. Not quite wolf or bear, gorilla or dog but a horrible new creature who walks upright-a creature with fangs and claws and hair springing from every pore. I am a monster. You think I'm talking fairy tales? No way.…
Fantasy has always been a passion and an escape for me. It started with copious amounts of reading, then I found anime when I was only a child as Cardcaptors began to air on TV. I’ve watched hundreds of anime shows since then and continued my penchant for reading and writing almost exclusively in the fantasy genre. In college, I obtained a BA in English with an emphasis on Creative Writing, so I have a good grasp on literature analysis and many works. In addition, I studied Japanese for two years, lived in Japan for six months, and held a position at the anime club while I was in college.
Valiant is a great example of why I love the morally gray so much. Like in many anime, the characters are all shown to be dysfunctional to some degree and really stand by their choices with a good amount of agency that I adore. The MC’s loss and addiction make her a relatable lead as she struggles to navigate this dark, mysterious underworld she has ended up in. As with the anime Kakegurui, her and her friends’ addictions skew their judgment and make everyone susceptible to influence if they can get what they desire. The love interest was my favorite part of this book. He is rough, but he knows what he’s talking about and helps guide the MC to a better path.
A companion novel to Tithe, from bestselling author Holly Black!
When seventeen-year-old Valerie runs away to New York City, she's trying to escape a life that has utterly betrayed her. Sporting a new identity, she takes up with a gang of squatters who live in the city's labyrinthine subway system.
But there's something eerily beguiling about Val's new friends. And when one talks Val into tracking down the lair of a mysterious creature with whom they are all involved, Val finds herself torn between her newfound affection for an honorable monster and her fear of what her new friends are…
I grew up on books, every page filling my mind with words. I have since written many novels, but WORDS ON FIRE is my love letter to books and the power of words. From the moment I first discovered the story of the Lithuanian Book Smugglers, I wanted to better understand why these brave people risked their lives to save their books. I came to understand that books were their way to preserve their language, their culture, even the very existence of their country. If it was so important to them, would it not be just as important for us to ensure that children – all children – have access to books.
Mickey is angry about nearly everything in his life, which makes the ad for the Anti-Book even more tempting. When it comes, it has only one line of instruction: To erase it, write it. He fills the book with everything he dislikes, and soon it begins to change. But is that really what he wants? This is a darkly funny book about life, struggle, and learning to accept change.
Mickey is angry all the time: at his divorced parents, at his sister, and at his two new step-mums, both named Charlie. And so he can't resist the ad inside his pack of gum: "Do you ever wish everyone would go away? Buy The Anti-Book! Satisfaction guaranteed." He orders the book, but when it arrives, it's blank - except for one line of instruction: To erase it, write it. He fills the pages with all the things and people he dislikes...
Next thing he knows, he's wandering an anti-world, one in which everything and everyone familiar is gone. Or are…
Most of my public success has been as a novelist. My MFA, from the Iowa Writers Workshop, is in poetry. When I grow up, I want to be a short story writer. The dirty truth is, though, I’ve been making trouble with stories since I was a kid. During my first attempt in 10th grade, I wrote a story that got me suspended for two weeks. No explanation. No guidance. Just a conference between my parents, teachers, and principal (I wasn’t present), and they came out and banished me. I dropped out of school shortly after. I reckon that experience, both shameful and delicious, shaped my life and love of narrative.
The complexities of the human, the whole human. That’s what Paley explores. How we think, how we act and feel, how we play and fight, how we talk. And talk. Paley is a master of nuance, and often reveals her mastery through dialogue. There is always a convincing urgency in the way her characters speak, and a delicious talking-around a thing, an idea. Her worlds richly detailed and urban. I’d like to live in the apartment building of Grace Paley’s mind.
This reissue of Grace Paley's classic collection—a finalist for the National Book Award—demonstrates her rich use of language as well as her extraordinary insight into and compassion for her characters, moving from the hilarious to the tragic and back again.
Whether writing about the love (and conflict) between parents and children or between husband and wife, or about the struggles of aging single mothers or disheartened political organizers to make sense of the world, she brings the same unerring ear for the rhythm of life as it is actually lived.
The Collected Stories is a 1994 National Book Award Finalist…
I’m Professor of History at Colorado State University Pueblo and have published eight books, mostly about the history of food. After encountering Up in the Old Hotel for the first time during the early 1990s, I started reading New York City history in my spare time.The Fulton Fish Market: A History is my way to blend my expertise with my hobby. Each of these books are beautifully written, informative, and fun. If you’re interested in the history of New York City and you’re looking for something else to read, I hope you’ll find my book to be the same.
Joseph Mitchell was the city reporter for the New Yorker for about half a century. This is a collection of his magazine stories. Many of them involve the old Fulton Fish Market, but he also wrote about weird things like dime museums, gypsies, and stag banquets.
To me, every story in this collection is like a time capsule. This is the book that made me want to write about New York City because it suggests there is a history on every block there worth recording. If you don’t like a chapter or two, then skip to the next one, but I’ll vouch for 80% of this book being the best non-fiction writing that I have ever read (and I practically read for a living).
Saloon-keepers and street preachers, gypsies and steel-walking Mohawks, a bearded lady and a 93-year-old “seafoodetarian” who believes his specialized diet will keep him alive for another two decades. These are among the people that Joseph Mitchell immortalized in his reportage for The New Yorker and in four books—McSorley's Wonderful Saloon, Old Mr. Flood, The Bottom of the Harbor, and Joe Gould's Secret—that are still renowned for their precise, respectful observation, their graveyard humor, and their offhand perfection of style.
These masterpieces (along with several previously uncollected stories) are available in one volume, which presents an indelible collective portrait of an…
